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Primark – On The Rack

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Fashion

Primark – on the rack
A documentary film presented by Tom Heap & produced by Frank Simmonds with Dan McDougall for BBC TV’s Panorama series.
Screenshot slideshow of the contested scene embedded above. Watch on Box of Broadcasts (with institutional login) here.

The BBC produces an exposé of cheap clothing retailer Primark. It finds children making its clothes, and sewing and testing their sequins, in factories, slums and refugee camps in India. Primark is asked to contribute to the film before it’s shown. Instead, they decide to cut ties with the supply chains featured, then launch a website to counter the film’s claims. They research the film’s research to pick apart its claims, and then complain to the BBC that one 45 second scene (the one in the screenshots above) is fake. Their critic-silencing strategy has mixed success. The BBC is forced to admit that it cannot be 100% sure that the scene wasn’t faked, and the Panorama team are forced to hand back an award they were given for the film. But Primark’s persistent public attempts to silence this investigative journalism draws attention – for years – to the company’s reputation as the ‘poster boy of child labour in the UK’. Supporters of the film highlight the other 3,555 minutes of the film that Primark didn’t claim the producers had faked? Then, 5 years after the film was broadcast, the Rana Plaza factory complex in Dhaka, Bangladesh collapses and over a thousand garments workers are crushed to death making high street clothes. Journalists, filmmakers and others keep this tragedy relentlessly in the news. UK newspaper headlines refer to this as the ‘Primark factory’. There’s no way that this footage is fake. Primark has to react differently this time.

Page reference: Kate Adley, Richard Keeble, Pippa Russell, Noora Stenholm, William Strang and Tuuli Valo (2025) Primark – on the rack. followthethings.com/primark-on-the-rack.shtml (last accessed <insert date here>)

Estimated reading time: 124 minutes.

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Beautiful Clothes, Ugly Reality

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Fashion

Beautiful Clothes, Ugly Reality
A parody catwalk show by garment factory workers sponsored by the Workers’ Information Centre & United Sisterhood Alliance, Phnom Penh, Cambodia, filmed & posted online by Heather Stillwell. See the Chenla Media version here.

Six months after police shot into a crowd of protesting garment workers in Phnom Penh, Cambodian garment workers turned to another kind of protest, a fashion show. Wearing the clothes they were paid so little to make and re-creating scenes from the violent crackdown on their street protests on stage, they challenged Western brands to play their part in stopping this violence and exploitation and paying the people who make their clothes a decent wage. Canadian photojournalist Heather Stillwell’s online film of the show went went viral. How did this happen, and what impacts did it have?

Page reference: Caroline Weston Goodman (2018) Beautiful Clothes, Ugly Reality. followthethings.com/beautiful-clothes-ugly-reality.shtml (last accessed <insert date here>)

Page also available in Finnish here (coming soon)

Estimated reading time: 50 minutes.

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Where Am I Wearing?

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Fashion

Where Am I Wearing? A Global Tour To The Countries, Factories, and People that Make Our Clothes
A non-fiction book written by Kelsey Timmerman and published by Wiley.
Google Books preview embedded above.

Self confessed ‘All-American Guy’ Kelsey Timmerman is curious about the ‘Made in…’ tags in his favourite clothes. He wants to go to those countries and meet the people who made them for him. So he sets off around the world to meets workers in each place. But he doesn’t work alongside them or quiz them about their pay and conditions. He wants to get to know them as people. So, in Bangladesh, they go bowling together. In Cambodia, they ride a roller-coaster. He wants to appreciate how globalisation isn’t abstract, but it happens to regular (if impoverished) people. He’s not trying to ‘nail’ a corporation. He doesn’t have strong moral views. He sees himself as an innocent abroad, a ‘touron’ (tourist + moron). Readers say this social justice meets crazy road trip book is friendly, funny, easy to read and not at all preachy. Some say everyone should go on a trip like this to appreciate who made their stuff too. What Timmerman has written either naively skims over, or brilliantly introduces, complex trade (in)justice debates. Maybe this is the best way introduce new readers to these debates? Does an example of trade justice activism have to include everything? Where do you start?

Page reference: Emma Baker, Eleanor Bird, Gemma Crease, Imogen Crookes and Coralie Sucker (2012) Where Am I Wearing? followthethings.com/where-am-i-wearing.shtml (last accessed: <insert date here>)

Estimated reading time: 54 minutes.

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The Messenger Band

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Fashion

The Messenger Band
A protest girl band / labour rights NGO including Em [aka Saem] Vun, Leng Leakhana, Chrek Sopha, Nam Sophors, Kao Sochevika, Sothary Kun, Van Huon & others based in Phnom Penh, Cambodia.
Band profile and selected music videos on YouTube embedded in playlist above. The Messenger Band YouTube channel here & facebook page here.

One of the most fascinating, inspiring examples of creative trade justice activism we have found. Made by garment workers, for garment (and other) workers. In 2005, a labour rights NGO based in Phnom Penh, Cambodia hold a talent concert for women working in the city’s garment factories. They want to form a girl band. Inspired by Bob Marley, it’s called ‘The Messenger Band’ because its songs and performances will carry a message to garment and other workers about their rights. They will write and perform in the style of contemporary Cambodian pop music. Sweet and beautiful songs with choreographed dance routines. But the lyrics will come from their community research with garment and other workers about their lives and struggles, and their knowledge of global trade and labour rights. They will record CDs and music videos to post online, and will perform at local concerts and during labour rights protests. Their audiences will learn the lyrics and sing along. The ‘MB’ wants to empower its audiences to claim their rights and to hold their employers to account. They sing in Khmer for Khmer-speaking audiences. They are not talking to overseas consumers, asking them to do anything to help their situation. They take advantage of the fact that women and performance are not taken seriously by the Cambodian authorities. But they are taken seriously by the working class audiences who love and learn from their music. What they do has a huge impact. Much more impact than a labour rights workshop! Labour rights organisations and NGOs outside Cambodia admire their work. They are an inspiration.

Page reference: Lily Bissell, Grace Hodges, Fran Ravel, Julia Sammut & Ellie Reynolds (2020) The Messenger Band. followthethings.com/the-messenger-band.shtml (last accessed <insert date here>)

Estimated reading time: 62 minutes.

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T-Shirt Travels

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Fashion | Recycle my waste

T-Shirt Travels
A documentary film produced & directed by Shantha Bloemen for Grassroots Pictures.
Watch on Alexander Street here (with institutional login). Search for other streaming options here.

Filmmaker Shantha Bloemen is working as an aid worker in a village in Zambia. She is surprised to see Western band t-shirts being worn by people who could never have heard their music. She wonders how they got there, why people are wearing them. It turns out that they were donated to thrift stores in the USA, were shipped overseas in bundles and bought by garment traders in Zambia to sell in street market stalls. By following the afterlives of thrown-away clothing, she connects good post-consumer behaviours in the West – like charity donation and recycling – with the disruption of economies in the underdeveloped world where they are cheaper to buy than locally-made clothes. She finds that an AC/DC or Chanel t-shirt can connect the life of the Zambian child who is wearing it to the World Bank and International Monetary Fund’s shaping of global trade’s ‘economic colonialism’. Bloemen’s film also makes a point that’s important to our collection – that ‘follow the thing’ work is not only about where things come from, but also where they go.

Page reference: Hannah-Rose Mann & Rebecca McGoldrick (2011) T-Shirt Travels. followthethings.com/t-shirt-travels.shtml (last accessed <insert date here>)

Estimated reading time: 28 minutes.

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Simpson’s couch gag (series 22, episode 3)

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Fashion | Gifts & Seasonal

Simpson’s couch gag (series 22, episode 3)
An animated ‘couch gag’ intro to an episode of The Simpson’s directed by Banksy & produced by Matt Groening for 20th Century Fox.

Every episode of The Simpsons opens with a ‘couch gag’. The one in episode 3 of series 22 is guest-directed by the British graffiti artist Banksy. Starting as usual with a tour of Springfield which ends with the Simpson family sitting on their couch in front of the TV, it then takes viewers into the unbelievably exploitative South Korean sweatshops where the show’s animators work and Simpsons merchandise – including t-shirts, toys and DVDs – is produced. This gag clearly doesn’t show exploitation that’s happening along 20th Century Fox’s real world supply chains. Ranks of animators don’t work in grim and grimy sweatshop conditions with child labourers, rats and toxic chemicals. Unicorns don’t punch the holes in their DVDs. And the tongues of severed dolphin heads don’t lick the tape that seals warehouse boxes. The animators pointed this out afterwards. So what was Banksy trying to say? Lots of people speculated online.

Page reference: Will Davies, Thomas Edwards, Joseph Englert, Chris Henshall, James Osbaldeston, Jack Parkin, Michael Swann & Aidan Waller, (2018) Simpson’s couch gag (series 22, episode 3). followthethings.com/simpsons-couch-gag.shtml (last accessed <insert date here>)

Estimated reading time: 32 minutes.

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No Pride In Primark

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Fashion | Gifts & Seasonal

No Pride In Primark
Popular activist campaign against Primark’s ‘Pride’ clothing & accessories made in anti-LGBTQ+ countries.
To see what sparked this, watch Primark’s promotional video above.

UK LGBTQ+ rights charity Stonewall collaborates with high street fashion retailer Primark on its 2018 ‘Pride’ range of clothing and accessories. They will be sold throughout Europe and North America and 20% of their profits will go to Stonewall. But none of the proceeds will go to the organisers of Pride celebrations, some of whom are struggling for money. And many of the countries in which this ‘Pride’ merch is being made – like Turkey, Myanmar & China – ban LGBTQ+ events and NGOs and imprison people for homosexuality. So what should Primark & Stonewall do? Where should people shopping for Pride merch go? And what’s it like to be an LGBTQ+ worker in Turkey, Myanmar or China making t-shirts and other merch that ‘celebrates what you are not allowed to be’? These are the questions asked by social media critics and the journalists who pick up their criticisms. It’s not a huge orchestrated campaign. No NGO or other organisation orchestrates it. Nevertheless, it becomes a notorious case of a high street brand ‘pink-washing’ (a form of ‘woke-washing’) their supply chain operations. In the wake of these criticisms, Primark continues to support LGBTQ+ organisations in many countries, but has it addressed the crackdowns on LGBTQ people in those countries where its rainbow merch is made? Should it withdraw its orders from these countries? Or keep working there, supporting – via Stonewall and other organisations – the LGBTQ+ organisations and workers who need it? Does it do so? And how can it convince the media, activists and consumers that it’s doing so? LGBTQ+ people represent a big market for clothing sales.

Page reference: Ian Cook et al (2024) No Pride In Primark (taster). followthethings.com/no-pride-in-primark.shtml (last accessed <insert date here>)

Estimated reading time: 15 minutes.

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62p An Hour

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Fashion

62p An Hour
A front page newspaper exposé by Ben Ellery published in the Mail on Sunday.
A video summary of the article by AJ+ is embedded above. Read the original article here.

The British high street fashion retailer Whistles collaborates with fashion magazine Elle and gender equality charity The Fawcett Society to sell a slogan t-shirt saying ‘This is what a feminist looks like.’ Their publicity campaign includes high profile British politicians (e.g. Harriet Harman & Ed Milliband) and celebrities (e.g. Emma Watson & Benedict Cumberbach) wearing them. The Mail on Sunday newspaper sends a reporter to the factory in Mauritius where the women who make them are paid 62p an hour. They are also women are photographed wearing them, and talk both about their work and what feminism means to them. The newspaper makes this front page news. The credibility of the Fawcett Society’s campaign and the celebrities supporting it are questioned. How can you declare your support for feminism by wearing a t-shirt that relies of the exploitation of women? Fair point perhaps. But what are the motives of the newspaper? Is their critique pro- or anti-feminist? Do they care that much for the workers? And is the situation as bad as they make out? Either way, Whistles immediately removes the shirts from sale. It’s a huge embarrassment.

Page reference: Jennifer Hart (2024) 62p An Hour (taster). followthethings.com/62p-an-hour.shtml (last accessed <insert date here>)

Estimated reading time: 11 minutes.

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The Accord On Fire & Building Safety In Bangladesh

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Fashion

The Accord On Fire & Building Safety In Bangladesh
An independent legally binding global framework agreement between fashion brands, retailers & trade unions.
Click the screengrabs to read the agreement on IndustriALL Global Union’s website.

What if brands, retailers and labour unions could agree on a ways to ensure the safety of millions of people working in garment factories to prevent the factory fires and collapses that have killed and injured so many? They did, in the wake of the Rana Plaza factory complex collapse in Dhaka, Bangladesh in April 2013 where more than 1,100 garment workers making clothes for Western high street brands were crushed to death. Under this agreement, health and safety committees would be democratically elected in all factories and would identify and take action relating to concerns they identified. Factories would have independent safety inspections. The results and corrective actions outlined in these reports would be made public. The brands signing the agreement would continue to have their clothes made in the unsafe factories and would fund the corrective actions to make them safer. And factory workers would be trained in health and safety, could make complaints without fear of reprisal and could refuse to work in unsafe conditions. Wow! Could this work? Would brands sign up? Would workers see the benefits? What would happen 5 years later, when the agreement ran out? Could workers in other countries benefit from the same kind of agreement?

Page reference: Chris Crane, Alex Danvers, Robbie Foley, Will Kelleher, Mike Stanton & Adam Williams (2013) The Accord On Fire & Building Safety In Bangladesh (taster). followthethings.com/the-accord-on-fire-building-safety-in-bangladesh.shtml (last accessed <insert date here>)

Estimated reading time: 13 minutes.

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The 2 Euro T-Shirt – A Social Experiment

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Fashion

The 2 Euro T-Shirt – A Social Experiment
A repurposed vending machine & film made for Fashion Revolution Germany by BBDO & Unit9.
Uploaded to YouTube & embedded in full above.

To mark the second anniversary of the collapse of the Rana Plaza garment factory complex in Dhaka, Bangladesh, Fashion Revolution activists in Germany placed a t-shirt vending machine in a public square in Berlin. Shoppers were invited to insert ‘only 2€’ to buy a t-shirt. Before it was dispensed, however, the machine showed them a short film about ‘Manisha’, one of millions of people working in the sweatshops where it could have been made. Shoppers were then presented two options: to get the t-shirt or to donate the 2€ they inserted to the Fashion Revolution movement. Would ‘people care when they know’? Especially at the ‘point of sale’. That was the experiment. The vending machine filmed shoppers as they decided. What were their reactions? What did they choose to do? The YouTube video went viral. What would you do? Buy or donate?

Page reference: Olivia Boertje, Jo Ryley, Alec James, Tori Carter, Becky Watts and Rachel Osborne (2025) The 2 Euro T-Shirt – A Social Experiment. followthethings.com/the-two-euro-t-shirt-experiment.shtml (last accessed <add date here>)

Estimated reading time: 81 minutes.

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