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A Gadget To Die For

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Electronics

A Gadget To Die For
Front page headline and feature story in by Martin Hickman in the Independent Newspaper, plus a timeline of corporate and activist activity into which this story fits.
Front page featured above. The full text of the article is available below, and on the newspaper website here.

On May 27th 2010, the UK’s Independent newspaper published one of its most memorable front pages. This was the day that Apple’s new iPad device was being launched in the UK. The hype for this product had been extreme. At its launch, Apple CEO Steve Jobs had said it could help consumers to do things ‘in a much more intimate, intuitive and fun way than ever before’. Classic commodity fetishism! Apple Stores had so many orders that they had to meet. The factory where they were being made in China – owned by the Foxconn corporation – had to keep up with demand. Those customers couldn’t be kept waiting. But the hours and working conditions that the people making these iPads in Foxconn’s factory had to endure were too much for some. Reports started to emerge of extreme levels of stress driving some workers to make their way to the roof of the factory to jump to their deaths. One of these workers was Ma Xiangqian, whose family carried a photo portrait of their son to a protest outside the factory that was broadcast on international news. Juxtaposing a photo of this new device and photo of a worker who committed suicide with the perfect double-meaning title ‘A gadget to die for’ contributed to the sullying of Apple’s marketing plans. More importantly, it was just one example of the sustained attention to the working conditions in the company’s Foxconn factories in China that was building at this time (e.g. see the factory worker suicide prevention level on the Phone Story game here). On followthethings.com, we tend to choose individual examples of trade justice activism and find out where they came from, and what impacts they have had on, for example, the pay and conditions of supply chain workers. But in this case, it’s not just this one story that made a difference. This page outlines a different story. The Independent story is copied in full, and is followed – like a standard followthethings.com page – by everything we could find about how it was discussed and what impact it had (not much). Then, below this, we try to place this news story in context, starting with the launch of the iPad by Apple CEO Steve Jobs, then following iPad news stories as they were published over the following months, then finding when and how the ‘iPad suicide’ story came to public attention (in the Independent and elsewhere), and then tracking this scandal and Apple’s reactions to it. This larger context had an important impact, forcing corporate change and – arguably – improving pay and conditions in Foxconn factories. More than anything, this page tries to show how trade justice activism works when its bubbles up in multiple places and formats, not necessarily in a wholly coordinated way. For this example, it shows the importance of on-the-ground student activists – in this case the Hong Kong based Students & Scholars Against Corporate Misbehaviour (SACOM) – investigating, protesting, creating and promoting media content that others – like Independent journalists Martin Hickman – can pick up and run with.

Article reference: Martin Hickman (2010) A gadget to die for? Concern over human cost overshadows iPad launch. The Independent 27 May (www.independent.co.uk/news/world/asia/concern-over-human-cost-overshadows-ipad-launch-1983888.html last accessed 4 August 2010)

Page reference: Ian Cook et al (2024) A gadget to die for? followthethings.com/a-gadget-to-die-for.shtml (last accessed <insert date here>)

Estimated reading time: 42 minutes.

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Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China)

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Gifts & Seasonal

Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China)
A short film directed by Karin Mak and translated by Jessie Wang for, and an NGO Report published by, Students & Scholars Against Corporate Misbehaviour (SACOM) & Sweatshop Watch.
Watch the film in full above. Read the report – here.

Inspired by student anti-sweatshop activism in the USA, students in Hong Kong come together to protest the opening of Hong Kong’s Disneyland. They visit the factories where the Disney merch that is going to be sold there is made. They talk to the factory workers, and are horrified by what they learn. There are dangerous and exploitative labour practices behind the happy smiling image of Mickey Mouse and Friends. One group of students – who call themselves Students and Scholars Against Corporate Misbehaviour (or SACOM) – write a report about the working conditions in four of Disney’s hundreds of Chinese supplier factories. It’s called Looking for Mickey Mouse’s Conscience – A Survey of the Working Conditions of Disney’s Supplier Factories in China. They do this with the help of a California-based NGO called Sweatshop Watch, who send a delegation to China which includes University of California Santa Cruz film studies student Karin Mak. Mak films the factory workers talking about these working conditions, and produces an 11 minute documentary called Those With Justice: A Disney Factory In China. This focuses on one of the four factories – Hung Hing Printing & Packaging – which makes children’s books for Disney. Here, she finds, the workers are constantly reminded about the delicate fingers of Western children. They mustn’t be harmed by paper cuts. That’s why they have to use dangerous hot glue presses to stick the paper covers to hardback copies of a Mickey Mouse’s Haunted Halloween book, for example. The film and the report show images of their burned, crushed and mangled fingers. These injuries are caused by equipment and the speed at which they have to work to meet their targets. Mak’s film is used by SACOM and Sweatshop Watch (and other labour rights NGOs) to launch the report. It helps this Disney sweatshop story to get traction in the international new media. Now Disney is under pressure to respond. What follows is a fascinating to-and-fro between a huge multinational corporation and a small, determined, skilful and well-connected group of Hong Kong students. This is a fascinating and important example of successful trade justice activism. Piecing the story together below, we have found a variety of factors that have contributed to this success – some planned, some not – and a fascinating discussion about what counts as ‘success’.

Page reference: Ian Cook et al (2011) Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China). followthethings.com/those-with-justice.shtml (last accessed <insert date here>)

Estimated reading time: 56 minutes.

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Curse Of The Black Gold: 50 Years Of Oil In The Niger Delta

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Home & Auto

Curse Of The Black Gold: 50 Years Of Oil In The Niger Delta
A coffee-table book featuring the photos of Ed Kashi, edited by Michael Watts for Powerhouse.
Video promotion embedded above. Preview long & borrow here. Search online to buy here.

Photojournalist Ed Kashi visits the oilfields of the Niger Delta to document the consequences of 50 years of oil extraction on people and environment. His photographs are published in a book edited by geographer Michael Watts containing essays by prominent Nigerian journalists and human rights activists, and Watts himself. It looks and feels like a coffee table book: hardback, large glossy photos, and text. It’s a thing of beauty, but its subject matter is very far from beautiful. Why is it that The Niger Delta is such a ‘hell-hole’ of poverty, conflict and environmental destruction when it could be as wealthy as Kuwait? Kashi travels through this dangerous area with armed rebel groups and takes photos of workers wearing uniforms with familiar oil company logos. Kashi wants to open the public’s eyes about this scramble for oil in Nigeria. He wants them to feel the emotions that he felt when looking these oil workers in the eye. He creates the book, a short promo film to post in YouTube, and gives talks about it. With the murder of local activist Ken Saro-Wiwa, this place and this industry is all over the news. But seeing this up close, in page after page of large and lush colour photographs can – he believes – change people’s minds. But what happens when people do? Are the photos so shocking that they prompt people into action, or into despair? And who bears the responsibility for the unfolding chaos and exploitation in the Niger Delta – the oil companies, the local and national politicians in Nigeria, the foreign governments who support both, oil consumers? Yes. All of them. And Kashi’s photographs – along with Watts’ essays – help to fuel debates about these issues amongst readers in university classes and beyond. There’s something uniquely provocative about coffee-table book trade justice activism.

Page reference: Alice Goodbrook, Jack Middleton, Luke Pickard, Jessica Plumb, Emma Rowe & Megan Wheatley (2011) Pipe Trouble. followthethings.com/curse-of-the-black-gold.shtml (last accessed <insert date here>)

Estimated reading time: 21 minutes.

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Hugh’s Chicken Run

  • Hugh [sobbing]: "I really don't want to kill another bird this morning'.

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Grocery

“Hugh’s Chicken Run
A three-episode TV series hosted by Hugh Fearnley-Whittingstall for Channel 4 TV’s ‘Food Fight’ season.
Screengran slideshop embedded above. Search online to watch episodes here. Channel 4 episode guide here.

Private School-educated celebrity chef Hugh Fearnley-Whittingstall takes part in a season of actvist-themed ‘Food Fight’ TV programmes on the UK’s Channel 4. His Hugh’s Chicken Run series has three episodes. He wants to persuade the shoppers of his home town of Axminster in Devon to stop buying factory-farmed chickens. You can get 2 for £5. The animal welfare issues are horrendous. And he wants the UK’s supermarket chains to stock free range alternatives to give consumers a choice. But how can he do this? He tries all sorts of tactics. For different audiences. He educates consumers in a supermarket carpark about the cramped and unsanitary conditions for factrory farmed chickens. He can’t get access to film in a commercial chicken farm, so he sets up one himself, runs it for a while, and invites cheap chicken consumers to see where their food comes from. He works with residents on a low income housing estate in the town to keep rear their own chickens. This is where he meets single mum Hayley, who ends up being the ‘mother hen’ of the project. He lobbies the supermarkets throughout the series to improve animal welfare standards. At the end of the series, he bumps into Hayley at the supermarket. She’s just bought a couple of cheap chickens. Noooo. His experiment hasn’t worked. But she’s defiant. She can’t afford what he would like her to eat, even though she agrees with everything he’s doing. He has reached, some critics say, the limit of consumer-based and celebrity activism. He’s trying to appear to ‘ordinary shoppers’, but he doesn’t understand ‘ordinary’ realities. He’s a posh boy who went to Eton. But the supermarkets do respond to his activism. And to his activism documented in follow-up programme Hugh, Chickens & Tesco Too. There are more free range chickens in the shops as a result of this series. But is that enough? Surely anyone seriously concerned about animal welfare would be advocating veganism as the alternative? Wouldn’t that be better for the chickens? What we like about this example is what it does and doesn’t do, how it does and doesn’t work, what it includes and what it leaves out. It’s open about being imperfect.

Page reference: Ellie Beattie, Fliss Browner, Rose Hughes, Rosie Marsh, Joe Parrilla, Alice Raeburn & Maddie Redfern (2024) Hugh’s Chicken Run. followthethings.com/hughs-chicken-run.shtml (last accessed <insert date here>)

Estimated reading time: 67 minutes.

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B’eau Pal Water

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Grocery

B’eau Pal Water
A spoof commodity-based activist campaign created by the Yes Men and the Bhopal Medical Appeal.
Video playlist embedded above posted on YouTube by the Bhopal Medical Appeal.

It’s the 25th anniversary of the Union Carbide chemical factory explosion in Bhopal, India. It’s the worst industrial accident in history. 3,700 people died immediately. Between 8,000 and 25,000 people had died since. And up to 200,000 were permanently injured and countless more continued to be affected by the leaching of toxic chemicals into the water table. Still, the factory’s owners (Dow Chemical, who bought Union Carbide) refuse to pay compensation. So the Bhopal Medical Appeal get together with pranksters the Yes Men to design a new brand of bottled water. It’s a mineral water. B’eau Pal Water. A taste of Bhopal. “Bottled at source”, they say. Presented in a beautifully designed bottle. The Yes Men travel to Dow’s UK HQ to challenge its executives to drink it, just as Bhopal residents have for the past 25 years. When they arrive, the building is empty. Why won’t they drink this? When they offer it to passing members of the public , everyone understandably refuses once they know what’s in it. So is this campaign a success? Does it draw renewed attention to this long-running scandal? Is it OK that what they’re doing is ridiculous, funny, and that people are disgusted but also laughing about this prank? The Bhopal explosion wasn’t funny. So is this prank in poor taste? Is it offensive? Or can its humour embarrass Dow and bring the Bhopal factory explosion back into the news cycle? Can offering people a fancy bottle of toxic mineral water that they would never drink bring them closer to the people living in Bhopal who have no choice but to drink it? What’s the logical response to this? What has to happen to make this situation right? This bottled water later becomes a potent symbol of the compensation campaign at the 2012 London Olympics – where Dow is a corporate sponsor and a Bhopal survivor challenges the chair of its organising committee to drink it – and in Bhopal itself, when the victims and their families invite the Indian politicians and scientific advisors who had dismissed their complaints about contamination to a buffet of toxic delicacies including bottled B’eau Pal Water.

Page reference: Jack Parkin (2018) B’eau Pal Water. followthethings.com/beau-pal-water.shtml (last accessed <insert date here>)

Estimated reading time: 44 minutes.

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Big Boys Gone Bananas!*

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Grocery

Big Boys Gone Bananas!*
A documentary film directed by Fredrik Gertten for WG Film AG, Sweden
Free trailer and on-demand stream embedded above. Search online for other streaming options here.
The second of two films on this topic. The first is “Bananas!*”. See our page on this here. See the films’ website here.

Swedish documentary filmmaker Fredrik Gertten and his small film company team are looking forward to the premiere of their courtroom documentary Bananas!* at the Los Angeles Film Festival. It follows a class action case in the California courts where a group of Nicaraguan Banana farm workers hold the Dole corporation accountable for their sexual impotence by making them use an agrochemical that had been banned because it caused it. Their case is put together by a California-based attorney, and the documentary includes grainy in-court testimony not only by the farmers but also by the Dole bosses who made the decision to continue using that agrochemical. The film documents a success story, more or less, with significant financial compensation being awarded to the workers. This is a test case. The first of its kind. So more cases will follow. More costs for Dole. More embarrassment. So Dole fights back, mounting a sophisticated public relations campaign to discredit the case (charging its lawyer with fraud) and the film (claiming it’s uncritically promoting this lawyer’s fraud). This campaign starts before the film has been screened. By people who have not seen it. News articles appear reporting that the film is a fraud. The festival is forced to withdraw it from competition, to show it at a remote theatre, and the festival director has to read out a disclaimer before it’s shown there. Then negative reviews start to appear as soon as it’s seen. Can this seemingly coordinated effort to silence corporate critique succeed? What would you do as a filmmaker if this happened to you? Gertten does what he knows best. He turns his camera on and makes a film about Dole’s attempts to discredit his film. He steps out from behind the camera to become its central character. Unbelievable things are happening to him, to the people he works with, and to the film they made together. But his film company had taken out an insurance policy that allowed them to pay for expensive legal help to fight back. They cleverly coordinate an counter-information and crowndfunding campaign. And a surprising international collection of allies come to their aid. Dole’s efforts to censor Bananas!* are a complete failure and, more than anything, make it and this Big Boys sequel a 100% must see double-bill for anyone interested in trade justice actvism. Read below to see how this story unfolds. It’s a genuine ‘David vs. Goliath’ story. You could never make this up! There’s so much to learn from this. Buckle up.

Page reference: Camilla Muirhead, Katie Lambert, Katie Joyce, Will Sensecall, Izzie Snowden, Matt Creagh & Harry Cousens (2020) Big Boys Gone Bananas!*. followthethings.com/big-boys-gone-bananas.shtml (last accessed <insert date here>)

Estimated reading time: 1 hour 53 minutes.

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Fight The Heist

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Sport & Fitness | Fashion

Fight the Heist
An NGO campaign by Global Labour Justice & the Asia Floor Wage Alliance.
Campaign videos embedded in playlist above. Campaign webpage here. Campaign report here. Campaign X feed here.

Summary paragraph to be added.

Page reference: Ian Cook et al (2025) Fight The Heist. followthethings.com/fight-the-heist.shtml (last accessed <insert date here>)

Estimated reading time: 40 minutes.

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Cicih Sukaesih’s North America Nike Tour

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Sport & Fitness | Fashion

Cicih Sukaesih’s North America Nike tour
A speaker tour of North America by sacked Indonesia Nike factory worker Cicih Sukaesih, sponsored by Global Exchange, Working Group on Nike, Press 4 Change, Campaign for Labor Rights, Canadian Auto Workers, Operation PUSH, Jobs for Justice, Amnesty International, Frontlash (a branch of the AFL-CIO) and the Alberta Federation of Labour.
Newspaper report reproduced above. Search for a 2017 BBC interview with Cicih Sukaesih about this tour here.

Indonesian Nike factory worker Cicih Sukaesih is sacked for organising a successful strike action for minimum wages and better conditions. So North American anti-sweatshop organisations recruit her to front a multi-city tour with stops in New York City. Chicago, San Francisco, Vancouver, Toronto … She wants Nike CEO Phil Knight and basketball star Michael Jordan to explain the price of the shoes she has made, their astronomical pay and her colleagues’ extraordinarily bad pay and conditions. She visits Nike’s HQ, leads protests at its Nike Town stores, describes the working conditions she has experienced, urges supporters to write to Jordan to persuade him to use his celebrity power to help factory workers and urges Nike to reinstate her and her sacked colleagues. She sometimes tries on a pair of Nike shoes in store. Wearing them makes her feel distinguished. But their price tag would eat up two or three months of her salary. Where does all that money go? Her removal from a store by Nike security staff after trying on the Nike shoes she makes is quite a spectacle. A perfect scene for media coverage that can make Nike’s sweatshop problem a public concern. We love this example of trade justice activism. Conventionally it’s a Western consumer who travels to the Global South to meet their makers. Sukaesih goes in the opposite direction. She’s looking to connect with others in the worlds of retail and consumption who care about trade justice, to act together in solidarity. She’s doing this by working with campaigning NGOs and public relations, media-savvy activists, working together on a new kind of trade justice activism. But what should the protestors who join them do? Put pressure on the company by boycotting it? Sukaesih say no. Don’t do that! That’s going to harm her friends and former colleagues back home. Let them keep their jobs, but with much better pay and conditions, paid for by Nike. The company can afford it. There’s lots of Nike sweatshop activism taking place at this time. And the company does act. Or gives the impression that it’s acting. You decide.

Page reference:Alex Fanshawe, Lorian Douglas Dufresne, Frances Nicholson, Josh Perkins, Oscar Cator & Charlie Beere (2024) Cicih Sukaesih’s North America Nike tour. followthethings.com/cicih-sukaesihs-north-america-nike-tour.shtml (last accessed <insert date here>)

Estimated reading time: 68 minutes.

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Dow Vs Bhopal: A Toxic Rap Battle

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Home & Auto

Dow Vs Bhopal: A Toxic Rap Battle
A music video by Sofia Ashraf published on YouTube.
Embedded in full above.

Chennai rap musician Sofia Ashraf’s Nicki Minaj-sampling protest song ‘Kodakainal Won’t’ goes viral on YouTube in 2015, drawing attention to a Unilever factory in India dumping mercury into the environment. A year later, she releases this video to draw attention to the most notorious industrial disaster in Indian history: an explosion at the Union Carbide pesticide factory in Bhopal in 1984 which released poisonous gas that killed more than 15,000 people and sickened over half a million more. A campaign has been running ever since for the victims to be compensated and the toxic legacy of the explosion to be cleaned up, even after Union Carbide was bought by Dow Chemical. Ashraf revived a rap written and performed in 2008 to support an NGO petition to the US Government’s Department of Justice to hold Dow Chemical to account. If the petition reaches 125,000 signatures, the DoJ is obliged to respond. In the video, Ashraf performs both sides of the argument as she sees it: the Indian activist side calling Dow Chemical to account, and the US government’s disdainful approach to those demanding compensation. The video encourages people to sign the petition. The 125,000 goal is reached. But what does this unlock? What can protest music do for trade justice activism?

Page reference: Nicole Sparks, Ginny Childs, Allie Short, Kat Cook, Lauren Warner & Sophie Wolf (2016) Dow Vs Bhopal: A Toxic Rap Battle (taster). followthethings.com/dow-vs-bhopal-a-toxic-rap-battle.shtml (last accessed <insert date here>)

Estimated reading time: 8 minutes.

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Just Eat It: A Food Waste Story

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Recycle my waste

Just Eat It: A Food Waste Story
A documentary film written by Jenny Rustemeyer Grant Baldwin, directed by Grant Baldwin for Silvapark Films.
Trailer and on-demand Vimeo stream embedded above. Search the internet for other streaming options here.

Most trade justice activism looks back down the supply chain from the point of consumption. It looks at all the materials, human and other lives bound up in commodities. It asks how they could be brought together in more sustainable, more ethical, ways. The sheer volume of resources inside even the most basic thing can be astonishing. Just as astonishing are the mountains of unsold commodities that go to waste. All those resources and all that work that went into making commodities that aren’t consumed! It’s shocking. So, filmmakers Jenny Rustemeyer and Grant Baldwin challenge themselves to live on thrown-away food for six months. They document how they get on with this experiment in a diary-like film. All the little details of their life, the decisions they make, are shared with the audience. People throw perfectly good food away at home, so maybe rummage through their bins. Then they discover the hidden world of supermarket dumpsters that contain discarded out-of-date food. They find and join local networks of dumpster-divers who specialise is finding, emptying, distributing and eating what’s in them. But what kind of diet do you end up living on when this is how you shop? How many lasagnes can you squeeze into your freezer? Do you fancy eating lasagne every day? Would you try this zero cost ethical food shopping? What can audiences learn about the food industry’s inevitable production of waste? They call on some experts to explain.

Page reference: Ian Cook et al (2024) Just Eat It: A Food Waste Story (holding page). followthethings.com/just-eat-it-a-food-waste-story.shtml (last accessed <insert date here>)

Estimated reading time: tbc minutes.

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