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Red Dust

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Electronics | Home & Auto

Red Dust
A documentary film directed by Karin Mak in Mandarin and Sichuanhua with English subtitles
Trailer embedded above. Watch in full on Labournet TV here. Website here.

A woman called Ren leaves beautiful rural Sichuan, China to work in a nickel-cadmium rechargeable battery factory in the city of Huizhou. Thousands of women like her do this. It’s an exciting opportunity to life yourself and your family back home out of poverty. But it creates the kind of pool of surplus cheap labour that attracts foreign investors. After years working at a GP factory making batteries for Wa-Mart, Mattel and Toys R Us, Ren and her workmates have been poisoned by the red cadmium dust in the air. They aren’t told that there’s a risk that this could poison their internal organs, leave them breathless, give them frequent headaches and cause them to endure chronic pain. There’s no protective equipment. This poisoning affects what they can do with their lives, including whether it’s safe to have children. And the medicines are expensive, especially when your pay is so low. There’s a striking contract here between disposable workers and reusable batteries. Chinese female workers have historically been stereotyped as quiet and passive, but Ren and her workmates behave assertively in response to what’s happened to them. This is what attract’s American filmmaker Karin Mak to their story. She follows Ren and her friends Min, Fu and Wu as they find out more about cadmium poisoning, gather evidence and demand justice from local government and the battery manufacturer. What’s distinctive about this film is that it’s an early example of trade justice documentary filmmaking that humanises Chinese workers, and shows their resistance to the low pay and dangerous working conditions that are so well known otherwise. It doesn’t start from a consumer perspective. And it asks its viewers to take action, not as consumers but as citizens who can write to GP batteries. The text of the letter can be copied from the film’s website. This is Karin Mak’s thesis film, part of her studies in social documentation at the University of California, Santa Cruz. She’s the filmmaker who worked with SACOM to make their Those With Justice film (on our site here) three years previously. She’s not making this for mainstream consumption. She’s not worrying about its funding. She wants to portray these women’s struggles vividly and sympathetically.

Page reference: Alex Alonso, David Tagle and Jennifer Reis (2011) Red Dust. followthethings.com/red-dust.shtml (last accessed <insert date here>)

Estimated reading time: 15 minutes.

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‘I Found This In A Box Of Halloween Decorations’ (+ Letter from Masanjia)

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Gifts & Seasonal

“‘I Found This In A Box Of Halloween Decorations’ (+ Letter from Masanjia)”
A letter written by ‘Mr Zhang’ (Sun Yi) in a Chinese prison factory and found in a box of Kmart Halloween decorations bought in Oregon, USA by Julie Keith (+ a documentary film starring Sun Yi and Julie Keith directed and produced by Leon Lee for Flying Cloud Productions).
Letter posted online by Julie Keith, reproduced in ‘Letter From Masanjia (trailer embedded above). Search online to watch the documentary here.

In 2013, shopper Julie Keith is unpacking a box of styrofoam Halloween decorations she bought from her local K-Mart. In between the ghoulish plastic gravestones, she finds a folded-up letter. It’s written in English by someone who says that they’re a prison factory worker in China who has helped to make this product. They give the address of the prison (called Masanjia) and say that its inmates work long hours and have been tortured, beaten and insulted. It asks its recipient to forward the letter to the ‘World Human Rights Organisation’. Julie thinks it’s genuine and posts o photo of the letter on her facebook with the caption ‘I found this in a box of Halloween decorations’. It gets a flurry of responses. Is it genuine? What should she do with it? There isn’t a ‘World Human Right Organisation’. The discussions spread. The post is shared many times. Soon it’s being reported on the local TV news. Next it’s a global news story. Who is this person? How did they write this note? How did they smuggle it into a box of Halloween decorations? How many letters did they write? What did they hope would happen? What danger were they in for doing this? Can journalists find the author and verify the story? And, most importantly, why are ‘made in China’ goods coming from factory labour? Isn’t that illegal? Next, this story is picked up by a documentary filmmaker who tries to answer these questions, and more. He find the author, now out of prison but still living in China. They film secretly. Sun Yi is not only the best travel guide but – helpfully – is also a cartoonist who draws the scenes of his captivity and factory labour to add unfilmable footage to the documentary. The filmmaker arranges for the Sun Yi and Julie Keith to meet in person. It’s an emotionally charged scene. She hands him the letter, they talk about their connected lives and the impact that the story about their connection has had on both of them. They are so happy to see eachother. They seem to care deeply about one another because, together, they have accidentally (her) and on purpose (him) become trade justice activists. They agree that they’re doing the right thing. But what are the consequences? He sought to expose this system of prison labour in China, but she didn’t. It’s illegal to import goods into the USA that are made with forced labour. That’s hugely problematic for the Chinese prison factory complex. So it’s hugely risky for him as the person who was instrumental in exposing this, helping to turn it into an international news story by hopefully writing a letter to an unknown consumer that asked for help. For us, this is an extraordinary example of trade justice activism because of its documentation (there’s so much!) and its impacts (so huge, unexpected and sad).

NB – this page currently focuses on the letter and will be updated to add details about the film.

Page reference: Harry Marriot, Alex Partington, William Finley, Milly Bowen, Sarah Murray & Jenny Sharp (2014) ‘I Found This In A Box Of Halloween Decorations’ (+ Letter from Masanjia). followthethings.com/i-found-this-in-a-box-of-halloween-decorations.shtml (last accessed <insert date here>)

Estimated reading time: 34 minutes.

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Dow Vs Bhopal: A Toxic Rap Battle

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Home & Auto

Dow Vs Bhopal: A Toxic Rap Battle
A music video by Sofia Ashraf published on YouTube.
Embedded in full above.

Chennai rap musician Sofia Ashraf’s Nicki Minaj-sampling protest song ‘Kodakainal Won’t’ goes viral on YouTube in 2015, drawing attention to a Unilever factory in India dumping mercury into the environment. A year later, she releases this video to draw attention to the most notorious industrial disaster in Indian history: an explosion at the Union Carbide pesticide factory in Bhopal in 1984 which released poisonous gas that killed more than 15,000 people and sickened over half a million more. A campaign has been running ever since for the victims to be compensated and the toxic legacy of the explosion to be cleaned up, even after Union Carbide was bought by Dow Chemical. Ashraf revived a rap written and performed in 2008 to support an NGO petition to the US Government’s Department of Justice to hold Dow Chemical to account. If the petition reaches 125,000 signatures, the DoJ is obliged to respond. In the video, Ashraf performs both sides of the argument as she sees it: the Indian activist side calling Dow Chemical to account, and the US government’s disdainful approach to those demanding compensation. The video encourages people to sign the petition. The 125,000 goal is reached. But what does this unlock? What can protest music do for trade justice activism?

Page reference: Nicole Sparks, Ginny Childs, Allie Short, Kat Cook, Lauren Warner & Sophie Wolf (2016) Dow Vs Bhopal: A Toxic Rap Battle (taster). followthethings.com/dow-vs-bhopal-a-toxic-rap-battle.shtml (last accessed <insert date here>)

Estimated reading time: 8 minutes.

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Louise Mensch On Occupy London-LSX (HIGNFY)

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Grocery | Electronics | Home & Auto

Louise Mensch On Occupy London-LSX (HIGNFY)
A discussion on BBCTV’s satirical news panel show Have I Got News For You (HIGNFY), featuring Louise Mensch, Danny Baker, Paul Merton and Ian Hislop, chaired by Alexander Armstrong.
Discussion embedded above on YouTube HIGNFY highlights reel.

The Conservative MP Louise Mensch and the comedy writer Danny Baker are guests on a Friday night satirical news panel show in October 2011. The Occupy camp outside London’s St Paul’s cathedral has just become front page news. The host Alexander Armstrong asks the panellists to comment on what’s happening. Mensch argues that these Occupy protestors can’t be against capitalism when they’re enjoying its fruits – like the ‘fancy tents’ they’re living in, the iPhones they’re tweeting from and the Starbucks coffees they’re queuing for. The other panellists disagree and mock her argument. She seems to be saying that anyone who participates in capitalism should not be criticising it. And, if people are critical of capitalism, you don’t have to listen to what they say. This is the ‘hypocrite’ accusation that even the mildest anti-capitalist can expect. It’s a strategy for dismissing criticism of trade injustice , and was quickly labelled the ‘Mensch Fallacy’. Taken to its extreme, it means that only people with zero involvement in capitalism can criticise it. And that’s nobody on earth! Here at followthethings.com, we love to spot patterns in audiences’ responses to trade justice activism. This is a big one. This page looks at the only example on our site that is a response, and the way that the panellists and audiences online challenged it. Read on.

Page reference: Jon Chick, Matt Bhol, Dee Wood, Tom Lyle, Olly Woodford & Henry Owen (2012) Louise Mensch On Occupy London-LSX (HIGNFY). followthethings.com/louise-mensch-on-occupy-london-lsx-hignfy.shtml (last accessed <insert date here>)

Estimated reading time: 49 minutes.

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Primark – On The Rack

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Fashion

Primark – on the rack
A documentary film presented by Tom Heap & produced by Frank Simmonds with Dan McDougall for BBC TV’s Panorama series.
Screenshot slideshow of the contested scene embedded above. Watch on Box of Broadcasts (with institutional login) here.

The BBC produces an exposé of cheap clothing retailer Primark. It finds children making its clothes, and sewing and testing their sequins, in factories, slums and refugee camps in India. Primark is asked to contribute to the film before it’s shown. Instead, they decide to cut ties with the supply chains featured, then launch a website to counter the film’s claims. They research the film’s research to pick apart its claims, and then complain to the BBC that one 45 second scene (the one in the screenshots above) is fake. Their critic-silencing strategy has mixed success. The BBC is forced to admit that it cannot be 100% sure that the scene wasn’t faked, and the Panorama team are forced to hand back an award they were given for the film. But Primark’s persistent public attempts to silence this investigative journalism draws attention – for years – to the company’s reputation as the ‘poster boy of child labour in the UK’. Supporters of the film highlight the other 3,555 minutes of the film that Primark didn’t claim the producers had faked? Then, 5 years after the film was broadcast, the Rana Plaza factory complex in Dhaka, Bangladesh collapses and over a thousand garments workers are crushed to death making high street clothes. Journalists, filmmakers and others keep this tragedy relentlessly in the news. UK newspaper headlines refer to this as the ‘Primark factory’. There’s no way that this footage is fake. Primark has to react differently this time.

Page reference: Kate Adley, Richard Keeble, Pippa Russell, Noora Stenholm, William Strang and Tuuli Valo (2025) Primark – on the rack. followthethings.com/primark-on-the-rack.shtml (last accessed <insert date here>)

Estimated reading time: 124 minutes.

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The Letter In The Saks 5th Avenue Bag

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Fashion | My shopping bag

The Letter In The Saks 5th Avenue Bag
A letter written by Tohnain Emmanuel Thiong in a Chinese prison factory, found in New York in a Saks 5th Avenue shopping bag by Stephanie Wilson and posted online.
Reproduced in full above.

Stephanie Wilson buys a pair of Hunter rain boots at a high end department store – Saks Fifth Avenue – in New York City. Rummaging through the ‘free with purchase’ bag, she is shocked to find a handwritten letter in English that begins ‘HELP! HELP! HELP!’ and a tiny passport photo. It’s from a Cameroonian man who made that bag it in a Chinese prison factory. With the help of an NGO and a journalist, she finds him. This ‘message in a bottle’ definitely wasn’t a hoax (or was it?). But how was he able to write it? How many did he write? What danger was he in by doing this? All of these questions could be answered. It helped that he’d written his Yahoo email address on the back. And that he was no longer in prison, or in China, when they emailed him. Could a short letter like this have a big impact on the sourcing of these bags? What were the chances that someone would find and act on one? Its discovery, the detective work that it sparked, and the issues that it raised, went viral. Which companies want their branded goods to be made in jail by falsely imprisoned, tortured and molested inmates? It’s not just the commodities that a store sells that shoppers should be worried about. It’s the bags, the tills, the escalators… everything that contributes to the shopping experience. Workers’ rights are everywhere. Including in office furniture allegedly made in US prisons. Fact-check!

Page reference: Will Kelleher & Ian Cook (2014) The Letter In The Saks 5th Avenue Bag. followthethings.com/the-letter-in-the-saks-5th-avenue-bag.shtml (last accessed <insert date here>)

Estimated reading time: 37 minutes.

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