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Letter from Masanjia

followthethings.com
Gifts & Seasonal

“Letter from Masanjia”
Documentary film starring Sun Yi, directed by Leon Lee, co-written by Sun Yi, Leon Lee & Caylan Ford, in English & Mandarin with English subtitles.
Vimeo trailer and pay per view stream embedded above [may not work in your region]. Check here and here for other streaming options, and here to purchase and here to borrow a DVD or Blu-ray copy [may not work in your region].

One of the earliest examples of trade justice activism that we researched and added to our store was a letter that went viral in 2012 [it’s here]. Oregon, USA shopper Julie Keith had found a one page handwritten note in a box of Kmart Halloween decorations. It was a ‘message in a bottle’ from a prison labour camp in China. It asked her to forward it to the World Human Rights organisation, because these decorations had been made by political prisoners who were being tortured and forced to make these things. The letter was anonymous. She posted a photo of it on facebook asking for help. Soon, the story of the letter was featured in her local newspaper, and was picked up by international news outlets like CNN and the New York Times. They were eager to expose the scandal and to find the person who had written it. The New York Times found him: they called him ‘Mr Zhang’ who was no longer in jail. But the story then reached China via an online post – published and quickly deleted – that caused outrage on Chinese social media. Writing that letter had had the most amazing impact. Doing what its author had asked had had the most amazing impact. China’s ‘Re-education Through Labour’ programme was abolished, and 160,000 political prisoners were released from its prison labour camps. But the New York Times journalist wasn’t the only person who found the author. A Chinese filmmaker living in Canada called Leon Lee had also tracked him down. The author had watched his banned-in-China documentary about the human organ trade in China via a VPN connection. For that film, Leon Lee had interviewed former inmates of the notorious Masanjia labour camp where the author had been incarcerated. He’d used his contacts from making that film to find him. Lee talked to him via an encrypted Skype call. They decided to make a film about the letter, the labour camps, and political repression in China. But Lee was barred from China. If he’d travelled there, he’d have ended up in jail, or worse. So he trained the letter’s author – now happy to use his name Sun Yi – in covert filmmaking techniques, and how to smuggle encrypted hard drives to Canada to get the footage to Lee to make the film. The film that Lee made – Letter from Masanjia – had two parts: one looked back on the story of Sun Yi’s incarceration, decoration-making, letter writing and smuggling (illustrated by cartoons Sun Yi drew himself), and the other documented his ongoing persecution by the state after release for his past and continued activism (including making this film). When letter from Masanjia came out, it was a sensation. The plot was so unbelievable, so i-have-no-idea-what-will-happen-next, so emotionally complex, that it had to be true. Festival audiences around the world were blown away. It’s a classic ‘follow the thing’ narrative – people in other parts of the world make the things that Western consumers buy in horrible conditions. Here, however, the worker is in the narrative’s driving seat, first writing and smuggling the letter, and then filming (and drawing) the story that’s edited for release. The risks he has taken, and the calm, determined demeanour he shows in the process, amaze the film’s audiences. As does the meeting that takes place between him and Julie Keith in Jakarta, which ends the film. As does Sun Yi’s death in suspicious circumstances at the end of the filming. As well as being a hugely emotional producer-meets-consumer story, and a hugely brave and tragic success story of trade justice activism, Letter to Masanjia message is both anti-capitalist and anti-communist. There’s something in it for everyone. Any exposé of something ‘Made in China’ can do that. It generated tons of discussion and debate, which we’ve tried to capture below. This Halloween tale is incredibly scary.

Page reference: Ian Cook et al (2025) Letter from Masanjia. followthethings.com/letter-from-masanjia.shtml (last accessed <insert date here>)

Estimated reading time: 123 minutes.

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Maquilapolis (City Of Factories)

followthethings.com
Home & Auto | Health & Beauty

Maquilapolis (City Of Factories)
A participatory documentary film in Spanish with Spanish or English subtitles directed by Vicky Funari & Sergio de la Torre, with music by Pauline Oliveros with the Nortec Collective & John Blue for the Independent Television Service & CineMamás Film.
Trailer and pay-per-view stream embedded above. Search online for other streaming options here. Read the film transcript in English & Spanish here.

Carmen Duràn and Lourdes Lujàn work in Tijuana, the ‘city of factories’, on the Mexico-US border. They work in factories on the hill making televisions and other COMMODITIES for brands like Panasonic and Sony. These multinationals treat this city as a garbage can that their workers have to live in. How can they fight back, claim their rights, their humanity? They take part in a participatory filmmaking project with directors Vicky Funari and Sergio de la Torre. The directors have been working with a local collective of ‘promontoras’ including Carmen and Lourdes for years. They have planned this project together for years. There’s been some filmmaking training and the promontoras take camcorders into the places where they live and work. The films they make are full of personality and a close attachment to place. They document life from these factory workers’ perspective. They document the ways in which these multinationals treat them as workers – especially when they leave – and how they treat the place where they live – as a dump for industrial waste that ruins their environment and threatens their health. They document their campaigns to clean up toxic industrial waste. In the process audiences get to know Carmen and Lourdes, to empathise with them. But the film also contains some surprising and beautiful creative scenes – often made in place of the footage that’s impossible to take inside the factory – that look like performance art. They want to show the intimate, bodily connection between the labour they perform, the commodities you buy (or are treated with in hospital) and the brands that you may be familiar with. And there’s some specially commissioned film music, made with a local music collective and featuring sounds from the factories. This is a gem of a film for anyone interested in trade justice activism. This is the film – with caveats – that these Mexican factory workers wanted to make and to show to the world. It’s one of the most intimate place-based examples featured on our site. And it was shown, deliberately, to audiences of workers either side of the US-Mexico border. Seeing empowered women like themselves struggling, resisting was an inspiration to many other women. And when the film hit the film festival circle, and there were panel screenings, the promontoras were there, answering questions alongside the directors.

Page reference: Rosie Buller, Melanie Bonner, Rebecca Lyons, Georgie Little, Tilman Schulzklinger & Jennifer Hart (2020) Maquilapolis (City Of Factories). followthethings.com/maquilapolis-city-of-factories.shtml (last accessed <insert date here>)

Estimated reading time: 86 minutes.

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‘I Found This In A Box Of Halloween Decorations’

followthethings.com
Gifts & Seasonal

“I Found This In A Box Of Halloween Decorations”
A letter written by ‘Mr Zhang’ (Sun Yi) in a Chinese prison factory and found in a box of Kmart Halloween decorations bought in Oregon, USA by Julie Keith.
Original letter recieved by Julie Keith and posted online shown above.

In 2013, shopper Julie Keith is unpacking a box of styrofoam Halloween decorations she bought from her local K-Mart. In between the ghoulish plastic gravestones, she finds a folded-up letter. It’s written in English by someone who says that they’re a prison factory worker in China who has helped to make this product. They give the address of the prison (called Masanjia) and say that its inmates work long hours and have been tortured, beaten and insulted. It asks its recipient to forward the letter to the ‘World Human Rights Organisation’. Julie thinks it’s genuine and posts o photo of the letter on her facebook with the caption ‘I found this in a box of Halloween decorations’. It gets a flurry of responses. Is it genuine? What should she do with it? There isn’t a ‘World Human Right Organisation’. The discussions spread. The post is shared many times. Soon it’s being reported on the local TV news. Next it’s a global news story. Who is this person? How did they write this note? How did they smuggle it into a box of Halloween decorations? How many letters did they write? What did they hope would happen? What danger were they in for doing this? Can journalists find the author and verify the story? And, most importantly, why are ‘made in China’ goods coming from factory labour? Isn’t that illegal?

NB a documentary film about this letter was released in 2018. We will add a page on its making, reception and impacts soon.

Page reference: Harry Marriot, Alex Partington, William Finley, Milly Bowen, Sarah Murray & Jenny Sharp (2014) ‘I Found This In A Box Of Halloween Decorations’. followthethings.com/i-found-this-in-a-box-of-halloween-decorations.shtml (last accessed <insert date here>)

Estimated reading time: 34 minutes.

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Jamelia: Whose Hair Is It Anyway?

followthethings.com
Fashion | Health & Beauty

Jamelia: Whose Hair Is It Anyway?
A TV documentary film fronted by Jamelia, directed by Jo Hughes, produced by Morgan Matthews for Minnow Films.
Slideshow of documentary stills embedded above. BBC iPlayer page here. Watch on Box of Broadcasts (with institutional login) here.

This is the example that inspired the first version of followthethings.com – an online list of ‘follow the things’ resources. In this TV documentary, legendary Birmingham pop singer Jamelia – best known for her 2010 song ‘Superstar’ – wants to find out about a hair extension that she wore on TV to present a National Lottery draw. It’s real human hair. Straight, long and black. But whose hair was it originally? Whose hair was she wearing? She asks some young women at a local school about where their extensions come from. They don’t know. Dead people? With the help of hair traders and a forensic scientist, she travels along human hair’s supply chains to find out if that’s true. First, she travels to Russia with a Russian hair trader. They drive to a village to buy the long and untreated hair of teenage girls (like Tatiana in the photo above). Their hair is worth a lot of money. Next, getting her hair forensically analysed in a lab provides some clues about its geographical origin. So, she travels to India, to the city of Chennai, and finds a woman whose hair she is convinced it originally was. But she hadn’t sold it. It had been shaved off at a temple, and the temple had sold it on. The money they made was used to feed the poor. So this isn’t a story of exploitation along supply chains that you might expect to find. Jamelia and the woman whose hair she probably wore bond over being mothers of daughters. The documentary turns into a kind of a reunion of long lost relations. This story has a happy ending and many of the people who comment on the film are suspicious of that. What have Jamelia and the film company brushed under the carpet? Do these following films always have to end up with depressing conclusions and appeals to consumers to do something for poor and powerless producers? A lot of the commentary is also about Jamelia and whether she is boycotting real hair now (like she allegedly said, or didn’t) or is a ‘hypocrite’ (that’s a criticism to expect of every example on this site). But there’s a final twist in this tale, that comes to the surface many years later. It’s a shocking example of a film like this making an impact. An important customer-base for Indian temple-sourced hair stops buying it. Because of a BBC documentary about the hair trade. It seems to be this one. Read on.

Page reference: Ian Cook et al (2020) Jamelia: Whose Hair Is It Anyway? followthethings.com/jamelia-who-hair-is-it-anyway.shtml (last accessed <insert date here>)

Estimated reading time: 47 minutes.

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Made in Dagenham

followthethings.com
Home & Auto

Made In Dagenham
A docu-drama directed by Nigel Cole and produced by Stephen Wooley & Elizabeth Karlsen for HanWay Films & Lipsync Productions.
Trailer embedded above. Available to watch in full on Box of Broadcasts (with institutional login) here. Search online for streaming options here.

In 1968, a group of 187 women sewing car seat covers at a Ford factory in the UK go on strike for equal pay. The work they do isn’t considered by the company to be ‘skilled’. So they get paid less than their officially ‘skilled’ male colleagues doing the same kind of work. Their strike action leads to the passing of equal pay legislation in the UK and overseas. In 2003, film producer Stephen Woolley is in his car listening to a radio show called The Reunion. It brings together people who lived through important historical events to talk about them. The episode that’s on brings together the women involved in this strike action forty years after it took place. Now in their 70s and 80s, he finds the way that they tell their story irreverent, hilarious, colourful and inspiring. He laughs his head off and is hooked. He’s never heard this story before. And they’re such characters! He wants to make a film about their struggle. But is it possible to make a mainstream movie that celebrates women’s involvement in successful strike action and legislative change? Despite a lack of industry interest in funding a movie about such serious topics, the answer is yes. The timing is right in the wake of the 2008 banking crisis and with the UK’s new Equality Act passing into law. The filmmaking team meets and interview the women, and create a central character who sums up the spirit of them all. Made in Dagenham is a hit. It brings an important turning point in the UK’s labour rights history to public attention. Audiences are moved to tears. This strike ‘was the spark that lit a flame that burns to this day’ says one commentator. Another calls it ‘a political movie that’s full on fun’. Some complain that it waters down the politics and overemphasises the fun. But it inspires some women who watch it to make their own claims for equal pay. There’s still along way to go on this issue. The strikers appear in the film’s credits. The fact that it’s based on real events is very clear. But what can a docu-drama do that a documentary cannot? For one thing, it has unhindered ‘access’ to all of the people involved in the story. In real life, some may refuse to take part.

Page reference: Sarah Brown, Izzy Brunswick, Julia Nientiedt, Alistair Wheeler, Camilla Windham & Becky Woolford (2013) Made in Dagenham. followthethings.com/made-in-dagenham.shtml (last accessed <insert date here>)

Estimated reading time: 40 minutes.

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The Eternal Embrace

followthethings.com
Fashion

The Eternal Embrace
A photograph by Taslima Akhter.
Photo blurred due to sensitive content. Available online.

Bangladeshi photographer and activist Taslima Akhter visits the ruins of the collapsed Rana Plaza factory. On April 24th 2013, over 1,100 garment workers were crushed to death there as they made clothes for high street brands including GAP, Primark and H&M. In the rubble, she spots two dead factory workers – a woman and a man – who appear to have died in each other’s arms. Her head is tipped back and a bloody tear has fallen from his eye. She takes a photo and posts it online. There are thousands of press photos of the disaster, but this one is said by many to be the most heart-wrenching and haunting. Commentators are repelled and drawn to its horror and beauty in equal measure. What were the final moments of these garment workers’ lives like? What was their relationship? What caused them to be killed like this? What impacts can a photo like this have on people who buy clothes made in factories like this? It’s profound.

Page reference: Nancy Scotford (2013) The Eternal Embrace. followthethings.com/the-eternal-embrace.shtml (last accessed <insert date here>)

Estimated reading time: 47 minutes.

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