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Chrysal; Or, The Adventures Of A Guinea

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Money & Finance

Chrysal; Or, The Adventures Of A Guinea
A 4 volume fictional book series by Charles Johnstone, the first two of which were originally published by T. Becket.
An 1821 version of Volume 1 is embedded in full above. Click here to read Volume 2, here to read Volume 3 and here to read Volume 4.

Here at followthethings.com we’re keen to appreciate the historical depth of our genre. Up until quite recently, we had traced everything back to Karl Marx’s chapter on the commodity (and commodity fetishism) in Capital Volume 1 which was first published in the 1860s. David Harvey’s teachings about Capital, and his appeals for geographers and otherS to get behind the veil of the commodity and tell the story of human reproduction were what encouraged us to do this work back in the day. But when you ask what inspired Marx, what literature was well known in his day, what had been written before, this impulse to know whose lives are connected by commodities goes back to the 1700s, to the birth of global capitalism (via empire), and to a genre of cheap and unglamourous ‘novels of circulation’. These make sense of this confusing, emerging world from the perspective of the commodities which were becoming part of its expanding consumer culture. There are dozens and dozens of these novels which we could choose to feature on our site, but the first one we want to add is this one – not least because it seems to have been one of the most popular and influential, but also because it’s about money – a commodity (and means of exchange) that academics have found more difficult to follow than most. This story is narrated by a gold guinea coin, starting from its mining in Peru and talking about its life connecting and witnessing the lives of a variety of people who earn, spend and steal it in different places. Because people aren’t careful what they do and say when a coin is covertly spying on them, the tales this coin tells – to an alchemist it meets at the end of volume one, who writes them down because coins can’t write – are scandalous. Some of the people whose lives are included were famous at the time, others were not. This book is both a scandalous exposé of the lives of famous people of the time and an ethical and moral tale about the emerging economic relations of capitalism and empire. It was inventive, eccentric and a huge popular hit. What would a commodity tell you about its life if it could talk? Here’s your answer! Commodities who can speak for themselves are very much part of trade justice activism today. There are lots of our examples on our site, but here’s one of the earliest. What can today’s activists learn from this? Here’s a taster. We’ll return to this later and add some more depth and detail.

Page reference: Ian Cook et al (2024) Chrysal; Or, The Adventures Of A Guinea (taster page). followthethings.com/chrysal-or-the-adventures-of-a-guinea.shtml (last accessed <insert date here>)

Estimated reading time: 11 minutes.

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Kidney Trade

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Health & Beauty

Kidney Trade
Research mapping by followthethings.com intern Eeva Kemppainen.

followthethings.com intern Eeva Kemppainen is reading academic and activist work on the illegal trade in human organs. How they’re obtained, from whom, by whom, where in the world. How they’re transplanted, into whose bodies, by which surgeons, where in the world. Everybody and everything in between. The international criminal investigations and court cases where it comes to the surface. The covert journalism and ethnographic research that exposes it. It’s the most labyrinthine and startling example of ‘follow the thing’ commodity tracing and activism. But there’s no one example we can feature on our site. But something like this needs to be in our collection. Eeva does this by taking passages from lots of academic and newspaper articles that mention specific places, notes what aspect of the illegal kidney trade takes place there, and adds them as points on a google map. What she maps is an amazing, complex world of illegal activities, (un)ethical academic and journalistic practices, and the connected lives of differently desperate ‘donors’ and ‘recipients. How real can it make the traffic of these organs seem? See for yourself.

Page reference: Eeva Kemppainen (2012) Kidney Trade. followthethings.com/kidney-trade.shtml (last accessed <insert date here>)

Estimated browsing time: 35 minutes.

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Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China)

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Gifts & Seasonal

Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China)
A short film directed by Karin Mak and translated by Jessie Wang for, and an NGO Report published by, Students & Scholars Against Corporate Misbehaviour (SACOM) & Sweatshop Watch.
Watch the film in full above. Read the report – here.

Inspired by student anti-sweatshop activism in the USA, students in Hong Kong come together to protest the opening of Hong Kong’s Disneyland. They visit the factories where the Disney merch that is going to be sold there is made. They talk to the factory workers, and are horrified by what they learn. There are dangerous and exploitative labour practices behind the happy smiling image of Mickey Mouse and Friends. One group of students – who call themselves Students and Scholars Against Corporate Misbehaviour (or SACOM) – write a report about the working conditions in four of Disney’s hundreds of Chinese supplier factories. It’s called Looking for Mickey Mouse’s Conscience – A Survey of the Working Conditions of Disney’s Supplier Factories in China. They do this with the help of a California-based NGO called Sweatshop Watch, who send a delegation to China which includes University of California Santa Cruz film studies student Karin Mak. Mak films the factory workers talking about these working conditions, and produces an 11 minute documentary called Those With Justice: A Disney Factory In China. This focuses on one of the four factories – Hung Hing Printing & Packaging – which makes children’s books for Disney. Here, she finds, the workers are constantly reminded about the delicate fingers of Western children. They mustn’t be harmed by paper cuts. That’s why they have to use dangerous hot glue presses to stick the paper covers to hardback copies of a Mickey Mouse’s Haunted Halloween book, for example. The film and the report show images of their burned, crushed and mangled fingers. These injuries are caused by equipment and the speed at which they have to work to meet their targets. Mak’s film is used by SACOM and Sweatshop Watch (and other labour rights NGOs) to launch the report. It helps this Disney sweatshop story to get traction in the international new media. Now Disney is under pressure to respond. What follows is a fascinating to-and-fro between a huge multinational corporation and a small, determined, skilful and well-connected group of Hong Kong students. This is a fascinating and important example of successful trade justice activism. Piecing the story together below, we have found a variety of factors that have contributed to this success – some planned, some not – and a fascinating discussion about what counts as ‘success’.

Page reference: Ian Cook et al (2011) Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China). followthethings.com/those-with-justice.shtml (last accessed <insert date here>)

Estimated reading time: 56 minutes.

Continue reading Those With Justice: A Disney Factory In China (+ Looking For Mickey Mouse’s Conscience – A Survey Of The Working Conditions Of Disney’s Supplier Factories in China)
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Crude: The Real Price Of Oil

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Home & Auto

Crude: The Real Price Of Oil
A documentary film directed & produced by Joe Berlinger for First Run Features.
Trailer & pay per view stream embedded above. Search online for other streaming options here. Watch clips on the film’s YouTube channel here. Check its website here.

30,000 people living in Ecuador’s remote Amazon rainforest are taking out a US$27 billion class action suit against oil giant Chevron in the US over the dumping of toxic waste that has (allegedly) ruined their environment, livelihoods and health. Filmmaker Joe Berlinger hears about the case from the plaintiff’s US attorney and visits Ecuador to see what’s happening. He sees a gathering of indigenous people preparing a meal from canned tuna – unable to fish in their own water because its toxicity has killed or diseased any fish they might catch. The US oil giant Texaco had been drilling for oil here since the 1960s, and had allegedly dumped 18 billion gallon of toxic wastewater in the environment. Chevron had bought Texaco many years later so bought this responsibility too. Berlinger can’t imagine what his documentary will look like, or how it will appeal to audiences, until he meets an Ecuadorian oilfield labourer-turned-lawyer called Pablo Farjado who is working on the case. He’s the hero Berlinger needs, and he films without funding for a year (another two follow, after funding is secured). To join the dots in this case, he visits multiple places and talks to people who speak multiple languages. He films the trial, giving equal credence to the prosecution and the defence. He wants the audience to act as the jury, making up their own minds about the case. The film has fascinating twists, like the celebrities who get involved – most notably Trudie Styler and Sting – who help to turn what could have been a local news story into an international ’cause célèbre’. Once the film is released nationwide in the USA – even though the case is not resolved – it’s described as tragic, light, and comedic thriller because of its characters and unexpected twists and turns. One reviewer describes the film as ‘one of the most extraordinary legal dramas of our time’. Chevron’s lawyers and scientists have their say on screens, but audiences don’t warm to them. It’s a PR nightmare for Chevron. So the company attacks the film, filmmaker and prosecution team. Crude is one-sided, propaganda. And Chevron alleges corruption in the prosecution team which they say is shown in the film. A US court agrees that Berlinger should hand over all 600+ hours of footage so that Chevron’s complaint can be investigated, despite his First Amendments rights as a journalist. More celebrities (as well as filmmakers, journalists and professional organisations) come to his defence. But defending such a case is expensive when you’re up against an adversary with bottomless pockets. This is another excellent example of the ‘Streisand Effect’ – can attempts to intimidate trade justice activists (even when they’re trying to be even-handed!) discredit them and their work? Or can it create free publicity that makes it yet another unmissable film that a corporation ‘didn’t want you to see’? And, finally, can this type of manufactured scandal wither way, because less and less emphasis gets placed on the lives and environments of Ecuador’s indigenous people whose lives have been ruined by the oil industry?

Page reference: Jesse Fratkin, Judy Hwang and Shay O’Brien (2011) Crude: The Real Price Of Oil. followthethings.com/crude-the-real-price-of-oil.shtml (last accessed <insert date here>)

Estimated reading time: 47 minutes.

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Curse Of The Black Gold: 50 Years Of Oil In The Niger Delta

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Home & Auto

Curse Of The Black Gold: 50 Years Of Oil In The Niger Delta
A coffee-table book featuring the photos of Ed Kashi, edited by Michael Watts for Powerhouse.
Video promotion embedded above. Preview long & borrow here. Search online to buy here.

Photojournalist Ed Kashi visits the oilfields of the Niger Delta to document the consequences of 50 years of oil extraction on people and environment. His photographs are published in a book edited by geographer Michael Watts containing essays by prominent Nigerian journalists and human rights activists, and Watts himself. It looks and feels like a coffee table book: hardback, large glossy photos, and text. It’s a thing of beauty, but its subject matter is very far from beautiful. Why is it that The Niger Delta is such a ‘hell-hole’ of poverty, conflict and environmental destruction when it could be as wealthy as Kuwait? Kashi travels through this dangerous area with armed rebel groups and takes photos of workers wearing uniforms with familiar oil company logos. Kashi wants to open the public’s eyes about this scramble for oil in Nigeria. He wants them to feel the emotions that he felt when looking these oil workers in the eye. He creates the book, a short promo film to post in YouTube, and gives talks about it. With the murder of local activist Ken Saro-Wiwa, this place and this industry is all over the news. But seeing this up close, in page after page of large and lush colour photographs can – he believes – change people’s minds. But what happens when people do? Are the photos so shocking that they prompt people into action, or into despair? And who bears the responsibility for the unfolding chaos and exploitation in the Niger Delta – the oil companies, the local and national politicians in Nigeria, the foreign governments who support both, oil consumers? Yes. All of them. And Kashi’s photographs – along with Watts’ essays – help to fuel debates about these issues amongst readers in university classes and beyond. There’s something uniquely provocative about coffee-table book trade justice activism.

Page reference: Alice Goodbrook, Jack Middleton, Luke Pickard, Jessica Plumb, Emma Rowe & Megan Wheatley (2011) Pipe Trouble. followthethings.com/curse-of-the-black-gold.shtml (last accessed <insert date here>)

Estimated reading time: 21 minutes.

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The Luckiest Nut In The World

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Grocery

The Luckiest Nut In The World
An animated film written, produced & Directed by Emily James for Fulcrum TV, broadcast in the UK on Channel 4’s Alt-TV series.
Film embedded in full above. Search online for shorter versions and versions with subtitles here.

Who better to explain the rules of international trade than a commodity that has seen it all? An American peanut who wears a stetson hat, plays the guitar, and sings songs about the rules of world trade that work in his favour. Along the way he enlists help from experts and from public information films. Yes, he’s the ‘luckiest nut in the world’ and, as he learns about other less lucky nuts around the world (groundnuts in Senegal, cashew nuts in Mozambique, and brazil nuts in Bolivia), he finds out that it doesn’t have to be this way. All of the world’s nuts – and the people and economies that could benefit from growing and selling them – could be just as lucky is the rules governing world trade weren’t stacked against them. Filmmaker Emily James uses animation to do the impossible: to make these rules, and the inequalities they help to create, not only understandable but entertaining. The film becomes a hit with school teachers. Some of their students say they’re bored with its content, but others say they can’t help humming the songs, mouthing their WTO lyrics. It’s a catchy way to learn some pretty boring but important information about hope the world works (and years before Horrible Histories began). This is an early example of animated film doing what and academic cook or a documentary films cannot. In this case, making abstract content accessible, making the hidden visible, and explaining trade injustice to wider publics in an engaging – funny, weird, you name it – way. ‘What would commodities tell us about their lives if they could talk?’ is an intriguing question that’s answered in some of the earliest follow the thing ‘it-narrative’ writing [see our page on a 1760 travel novel written by a coin here]. ‘What would a commodity sing about its life if it could … um … sing?’ is a question answered, in our experience, only by this film. Thank you Emily.

Page reference: Ian Cook et al (2011) The Luckiest Nut In The World. followthethings.com/the-luckiest-nut-in-the-world.shtml (last accessed <insert date here>)

Estimated reading time: 19 minutes.

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Big Boys Gone Bananas!*

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Grocery

Big Boys Gone Bananas!*
A documentary film directed by Fredrik Gertten for WG Film AG, Sweden
Free trailer and on-demand stream embedded above. Search online for other streaming options here.
The second of two films on this topic. The first is “Bananas!*”. See our page on this here. See the films’ website here.

Swedish documentary filmmaker Fredrik Gertten and his small film company team are looking forward to the premiere of their courtroom documentary Bananas!* at the Los Angeles Film Festival. It follows a class action case in the California courts where a group of Nicaraguan Banana farm workers hold the Dole corporation accountable for their sexual impotence by making them use an agrochemical that had been banned because it caused it. Their case is put together by a California-based attorney, and the documentary includes grainy in-court testimony not only by the farmers but also by the Dole bosses who made the decision to continue using that agrochemical. The film documents a success story, more or less, with significant financial compensation being awarded to the workers. This is a test case. The first of its kind. So more cases will follow. More costs for Dole. More embarrassment. So Dole fights back, mounting a sophisticated public relations campaign to discredit the case (charging its lawyer with fraud) and the film (claiming it’s uncritically promoting this lawyer’s fraud). This campaign starts before the film has been screened. By people who have not seen it. News articles appear reporting that the film is a fraud. The festival is forced to withdraw it from competition, to show it at a remote theatre, and the festival director has to read out a disclaimer before it’s shown there. Then negative reviews start to appear as soon as it’s seen. Can this seemingly coordinated effort to silence corporate critique succeed? What would you do as a filmmaker if this happened to you? Gertten does what he knows best. He turns his camera on and makes a film about Dole’s attempts to discredit his film. He steps out from behind the camera to become its central character. Unbelievable things are happening to him, to the people he works with, and to the film they made together. But his film company had taken out an insurance policy that allowed them to pay for expensive legal help to fight back. They cleverly coordinate an counter-information and crowndfunding campaign. And a surprising international collection of allies come to their aid. Dole’s efforts to censor Bananas!* are a complete failure and, more than anything, make it and this Big Boys sequel a 100% must see double-bill for anyone interested in trade justice actvism. Read below to see how this story unfolds. It’s a genuine ‘David vs. Goliath’ story. You could never make this up! There’s so much to learn from this. Buckle up.

Page reference: Camilla Muirhead, Katie Lambert, Katie Joyce, Will Sensecall, Izzie Snowden, Matt Creagh & Harry Cousens (2020) Big Boys Gone Bananas!*. followthethings.com/big-boys-gone-bananas.shtml (last accessed <insert date here>)

Estimated reading time: 1 hour 53 minutes.

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Fight The Heist

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Sport & Fitness | Fashion

Fight the Heist
An NGO campaign by Global Labour Justice & the Asia Floor Wage Alliance.
Campaign videos embedded in playlist above. Campaign webpage here. Campaign report here. Campaign X feed here.

Summary paragraph to be added.

Page reference: Ian Cook et al (2025) Fight The Heist. followthethings.com/fight-the-heist.shtml (last accessed <insert date here>)

Estimated reading time: 40 minutes.

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Bananas!*

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Grocery

Bananas!*
A documentary film directed by Fredrik Gertten for WG Film AG, Sweden
Free trailer and on demand stream embedded above. Search online for other streaming options here.
The first of two films on this topic. The second is “Big Boys Gone Bananas!*”. See our page in this here.

Swedish Filmmaker Fredrik Gertten tracks a ‘class action’ legal case in which lawyers working on behalf of a group of Nicaraguan banana workers sue the American fruit multinational Dole in a Califiornia court for exposing them to a banned pesticide known to cause impotency in men. Gertten follows a flamboyant Cuban-heritage, Los-Angeles based lawyer called Juan ‘Accidentes’ Domingiuez as he and his team gather evidence from affected workers and present it in court. Grainy court-TV footage is cut into the film, and the scenes are remarkable. Dominguez’ attourney Dwane Miller encourages Alberto Rosales and other plaintiffs to explain how their lives were ruined by these chemicals robbing them of their fertility. And when Dole CEO David Delorenzo is in the dock, Miller gets him to admit that Dole used these banned pesticides knowing the risk. Dole attorney Rick McKnight cross examines the plaintiffs, aiming to show they are drunks and liars. When the verdict comes in, Dole is largely found guilty and ordered to pay compensation to the plaintiffs. Dominguez conveys the good news to the farming communities, phoning in to a radio show, and visiting to talk to a packed hall of workers. He’s a hero. But this is a test-case. If it’s successful, thousands of other victims would be able to claim compensation from Dole too. So, as the film is being readied for its premiere at the Los Angeles Film Festival, Dole launches a sophisticated smear campaign against Dominguez (accusing him of fraud – a charge later discmissed) and the film (which they claim is based on fraudulent content). Suspiciously, damning reviews appear in newspapers and film trade publications before teh film has its premiere (i.e. before anyone had seen it). Dole forces it to be taken out of competition and the festival organiser reads a disclaimer to the audience before its only screening. Fredrik Gertten, the director, doesn’t know it at the time but this is be the first of two films he will make on this topic. The second will be about Dole’s attempts to silence the first. He films everything as the chaos unfolds. [See our page on the sequel – ‘Big Boys Gone Bananas!*’ – here] But this scandal means Bananas!* picks up priceless free publicity, and diverse allies, worldwide. When it’s finally distributed, it’s marketed as ‘the film Dole doesn’t want you to see.’ Maybe if Dole had left it alone, Bananas!* wouldn’t have become a ‘must see’ example of trade justice fillmmaking, then and now. If their corporate public relations team had decided to just keep quiet, they wouldn’t have amplified Dole’s corporate misbehaviour that Bananas!* tracked so diligently. Amplifying a critique by trying to silence it is called the ‘Streisand Effect’, by the way, and this isn’t the only example on our site. So much happened in and around this film that this is an epic followthethings.com page. There are so many comments to read. But does the scandal about the silencing of the film distract from the scandal of Dole’s banned pesticide use, and its effects on so many thousands of banana workers in Nicaragua? As you will see, the answer is yes and no.

Page reference: Ian Cook et al (2020) Bananas!*. followthethings.com/bananas.shtml (last accessed <insert date here>)

Estimated reading time: 100 minutes.

Continue reading Bananas!*
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Dow Vs Bhopal: A Toxic Rap Battle

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Home & Auto

Dow Vs Bhopal: A Toxic Rap Battle
A music video by Sofia Ashraf published on YouTube.
Embedded in full above.

Chennai rap musician Sofia Ashraf’s Nicki Minaj-sampling protest song ‘Kodakainal Won’t’ goes viral on YouTube in 2015, drawing attention to a Unilever factory in India dumping mercury into the environment. A year later, she releases this video to draw attention to the most notorious industrial disaster in Indian history: an explosion at the Union Carbide pesticide factory in Bhopal in 1984 which released poisonous gas that killed more than 15,000 people and sickened over half a million more. A campaign has been running ever since for the victims to be compensated and the toxic legacy of the explosion to be cleaned up, even after Union Carbide was bought by Dow Chemical. Ashraf revived a rap written and performed in 2008 to support an NGO petition to the US Government’s Department of Justice to hold Dow Chemical to account. If the petition reaches 125,000 signatures, the DoJ is obliged to respond. In the video, Ashraf performs both sides of the argument as she sees it: the Indian activist side calling Dow Chemical to account, and the US government’s disdainful approach to those demanding compensation. The video encourages people to sign the petition. The 125,000 goal is reached. But what does this unlock? What can protest music do for trade justice activism?

Page reference: Nicole Sparks, Ginny Childs, Allie Short, Kat Cook, Lauren Warner & Sophie Wolf (2016) Dow Vs Bhopal: A Toxic Rap Battle (taster). followthethings.com/dow-vs-bhopal-a-toxic-rap-battle.shtml (last accessed <insert date here>)

Estimated reading time: 8 minutes.

Continue reading Dow Vs Bhopal: A Toxic Rap Battle