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A Global Positioning System

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Electronics | Home & Auto

A Global Positioning System
A art work / animated film created by Melanie Jackson, first exhibited at the Arnolfini Gallery, Bristol, UK.
Two screengrabs from the film are featured above. Watch it in full on the artist’s website here.

If you’re interested in finding out who makes your stuff, it’s important to make a strategic choice about what stuff is best to follow. Artist Melanie Jackson makes an excellent choice – what better to guide your way than the technology that helps to guide your way. An in-car GPS Navigation Assistant. The kind of device you could buy in the 2000s to stick to your dashboard. Type in the destination, and it would help you on your way, showing the route on screen. She gets some funding for a trip to China to visit a factory where they are assembled. But this isn’t anything like enough of the story of this thing. She looks into its in many many ingredients, and finds out where and by whom they are sourced. She reads news stories, collects photographs, and turn to drawing to bring all of these connections together into a 12 minute animated film. There’s something magical about animation. It’s obvious that animation is not an objective account of the life of a thing, but something that’s been imagined and made. Animation allows the complexities of trade to be conveyed in a way that would otherwise be impossible either because the scale of the task would be too enormous, or because permission would not be granted to access the industrial sites that matter. There’s a powerful argument that’s made about ‘follow the thing’ research that things can be – for these reasons – ‘unfollowable (see Hulme 2017). But animation – and other creative approaches to thing-following (click the ‘make the hidden visible’ tactic button) – provide means to work around this. This is a mind-blowing film. Its amazing what you can learn in 12 minutes!

Page reference: Ian Cook et al (2024) A Global Positioning System. followthethings.com/a-global-positioning-system.shtml (last accessed <insert date here>)

Estimated reading time: 20 minutes.

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Kidney Trade

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Health & Beauty

Kidney Trade
Research mapping by followthethings.com intern Eeva Kemppainen.

followthethings.com intern Eeva Kemppainen is reading academic and activist work on the illegal trade in human organs. How they’re obtained, from whom, by whom, where in the world. How they’re transplanted, into whose bodies, by which surgeons, where in the world. Everybody and everything in between. The international criminal investigations and court cases where it comes to the surface. The covert journalism and ethnographic research that exposes it. It’s the most labyrinthine and startling example of ‘follow the thing’ commodity tracing and activism. But there’s no one example we can feature on our site. But something like this needs to be in our collection. Eeva does this by taking passages from lots of academic and newspaper articles that mention specific places, notes what aspect of the illegal kidney trade takes place there, and adds them as points on a google map. What she maps is an amazing, complex world of illegal activities, (un)ethical academic and journalistic practices, and the connected lives of differently desperate ‘donors’ and ‘recipients. How real can it make the traffic of these organs seem? See for yourself.

Page reference: Eeva Kemppainen (2012) Kidney Trade. followthethings.com/kidney-trade.shtml (last accessed <insert date here>)

Estimated browsing time: 35 minutes.

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MILKproject

  • MILKproject website homepage

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Grocery

MILK
A locative art-mapping project by Esther Polak & Ieva Auzina
Images above are of the MILKproject website homepage and of the MILK installation at the local museum in Rumbini, Latvia. Project website here.

The Milk Project literally follows a thing. It tracks milk from the cow’s udder to the cheese vendor using GPS trackers which record its geograophical location multiple times a second. The devices are given to people in the supply chain, so their movements are also being tracked. Those who have already handled on the milk, and those who are waiting for it (not to mention the partners of those who have it in the moment) can track its movements in real time. This is a locative media art work which also includes photography, storytelling and other methods that make this more than something that traces a line on a map. These supply chain workers can see their lives, and the commodities in which they trades as live, as xcrossinhg borders, as connected. For some artists and activists, GPS technology is the enemy. It’s an abstraction from the world. A tool of capitalist exploitation. But, in this project, it’s helps to paint a surprising intimate portrait of lives connected through trade: in real time for the participants, on the project website and on the rare occasions when it’s exhibited. The project gets caught up in debates about actor networks that are swirling at the time, but the artist and researcher who made see it more as an artwork about landscape. You can’t experience its liveliness now. The website animations don’t work because Adobe Flash was discontinued in 2020 [you may have a fix]. The installations were complicated top set up. The in-the-moment experience for the particpants was the most powerful. A lot has been written about it though. What’s been said?

Page reference: Elizabeth Karin & Anna Whitehouse-Lewis (2024) MILKproject. followthethings.com/milk.shtml (last accessed <insert date here>)

Estimated reading time: 29 minutes.

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The Box

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Ship my order

The Box
A global multi-media / multi-platform journalism project by the British Broadcasting Corporation (BBC), managed by the Container Shipping Information Service.
BBC News project outline embedded above. Project homepage here. ‘Latest location’ map page here (screengrab below). Download the template to make your own BBC ‘The Box’ container model here.

The BBC paints a 40′ shipping container with its distinctive livery and logo. They attach a GPS transmitted to follow its travels over land and sea. Each time it is loaded or unloaded, its journalists meet the workers, consumers and others whose lives are connected through its travels. What they find is logged live on an interactive map. Ship-spotters are tasked to find and photograph it. A unique high-tech collaborative research project emerges. It’s used by teachers to make trade a ‘live’, exciting topic. So what can it tell us?

Page reference: Tommy Sadler (2013) The Box. followthethings.com/thebox.shtml (last accessed <insert date here>)

Estimated reading time: 54 minutes.

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followthethings.com Shopping Bag

followthethings.com
My shopping bag

followthethings.com Shopping Bag
A limited edition run of 5,000 reusable plastic shopping bags designed by Daisy Livingston & Aidan Waller and distributed freely to support the launch of the followthethings.com website.
The last bag was given away in 2016. Still in circulation.

The followthethings.com launch team are keen to create some merchandise to promote their website. Intern Daisy had submitted a printed cotton bag she had had manufactured in China as coursework for Ian’s ‘Geographies of Material Culture’ module. It was the most original, imaginative coursework he had ever seen. That’s because it wasn’t just about the geographies of material culture, it embodied them, materialised them. Ian hired Daisy as an intern and asked her to design and order some reusable shopping bags for followthethings.com’s launch. Fellow intern Aiden helped out. These needed to be just like the ones that we used for our supermarket shopping at Sainsbury’s, Tesco, ASDA, Morrisons. They were pretty standard in their construction. But where were they made? From what materials? How could you find out? What could you find out about the pay and conditions of the people who made them? Quite a bit, it turned out, if you had your own made in the same places. What insights could this privileged business-to-business customer perspective provide? And what could happen after you put these mischievous shopping bags into circulation? Especially when the meaning of ‘shopping’ in the project – and on the bags – was double: i.e. both ‘to seek or examine goods, property, etc. offered for sale in or by’ and ‘to behave treacherously toward; inform on; betray’ or ‘to give away information about’ those goods, property, etc. (Anon nd). Once you read about our bag, you can apply its lessons to the ones that you have…

Page reference: Ian Cook et al (2024) followthethings.com Shopping Bags. followthethings.com/followthethings-com-shopping bag.shtml (last accessed <insert date here>)

Estimated reading time: 21 minutes.

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