Posted on

Where Heaven Meets Hell

followthethings.com
Grocery | Health & Beauty | Home & Auto |

Where Heaven Meets Hell
A documentary film produced by Sasha Friedlander for Sasha Films LLC & Independent Television Service
Trailer embedded above. Search for online streaming here. Track down a DVD copy here.

Filmmaker Sasha Friedlander visits a stunningly beautiful active volcano in Indonesia called Kawa Ijen. Heaven. It’s a place that loads of tourists visit to take photos of this bubbling cauldron of toxic sulphur gas. They’re also shocked and amazed to see men emerging out of these sulphur clouds carrying on their shoulders baskets containing blocks of raw yellow sulphur, mined hot from the volcano’s insides. This is unbelievably picturesque, hard and dangerous work (physically and chemically). Some say it’s a vision of hell. Friedlander sticks around, her tiny crew following the sulphur miners down into the volcano to better understand the work that they do, their lives and their reasons for doing a job that’s clearly so poorly paid and so extraordinarily hazardous to their health. Making this film is hazardous to the filmmakers’ health too. They struggle with their working conditions. This film they make provides intimate portraits of four men who do this work and their families. Audiences are moved by what they see. It’s beautiful and horrific. Friedlander returns to the village where most of the miners live to show the film to their families. That’s filmed too. They’re shocked. The men hadn’t told their families what their work was like. Some commenters say that workers unhappy with their jobs should get a safer and better paid job somewhere else. They’ve ‘chosen’ to work there. This film shows why making a different ‘choice’ is not as easy as it sounds. Where Heaven Meets Hell follows the journey of sulphur up and out of the Kawa Ijen volcano, to the cabins where the miners get paid for it by weight. But that’s as far as the following goes. Sulphur (and its derivatives) can be found in countless commodities and the processes used to make them – e.g. it’s used to refine sugar, and its an essential ingredients of matches – because it brings specific properties that producers and consumers rely upon. Where Heaven Meets Hell is an excellent example of a follow the thing project that ‘starts somewhere different’. It doesn’t start or end at a factory, for example. Those followings can be nice and linear, easy to trace, easy to convey to an audience. But starting in a place where a raw material is extracted from the earth presents a different view of international trade. So many raw materials like sulphur travel along countless supply chains, and become ingredients in countless industrial processes and commodities. Following raw materials can be much, much more complex. The supply chains of something basic like sulphur can infiltrate so many other supply chains, so many other things, so many other places and lives. This means that any trade justice ‘solutions’ that audiences might want to support are from straightforward. Try boycotting sulphur! Start by looking for sulphur compounds on ingredient labels. That’s the top of the volcano.

Page reference: Ian Cook et al (2016) Where Heaven Meets Hell. followthethings.com/where-heaven-meets-hell.shtml (last accessed <insert date here>)

Estimated reading time: 53 minutes.

Continue reading Where Heaven Meets Hell
Posted on

Black Gold: Wake Up & Smell The Coffee

followthethings.com
Grocery

Black Gold: Wake Up & Smell The Coffee
A documentary film directed by Marc & Nick Francis, starring Tadesse Meskela, for Speak-It Films & Fulcrum Productions.
Trailer embeded above. Rent or buy on Vimeo here. Search streaming availability here.

At a time when coffee shops are appearing on every street corner in the Western world and the home of the world’s finest coffee beans is mired in poverty, British filmmakers Marc and Nick Francis don’t want to make yet another documentary about Ethiopia needing Western aid. They want to show Tadesse Maskela, a representative of an Ethiopian coffee co-operative, as he travels the world trying to get a better price for his farmers’ coffee. Tadesse is irritated that importers such as Starbucks are making massive profits from this coffee while the people who grow it in ‘the home of coffee’ don’t even have schools, clean water or healthcare. This is a fascinating ‘follow the people’ documentary because it chooses to follow a producer as they try to find where the commodity the grow and sell ends up, and who profits from them. It’s not a guilty consumer trying to find who made their stuff. It stars an African man on a quest in the Global North, looking for his coffee on the shelves of a British supermarket, asking questions not only about where the coffee goes, but where – and by whom – the profits from its trade are generated and enjoyed. How will people explain to him the extraordinary inequalities in wealth and poverty along the coffee supply chain? From his perspective, this doesn’t make sense.

Page reference: Blayne Tesfaye & Julia Potter (2012) Black Gold: Wake Up & Smell The Coffee. followthethings.com/blackgold.shtml (last accessed <insert date here>)

Estimated reading time: 26 minutes.

Continue reading Black Gold: Wake Up & Smell The Coffee
Posted on

Louise Mensch On Occupy London-LSX (HIGNFY)

followthethings.com
Grocery | Electronics | Home & Auto

Louise Mensch On Occupy London-LSX (HIGNFY)
A discussion on BBCTV’s satirical news panel show Have I Got News For You (HIGNFY), featuring Louise Mensch, Danny Baker, Paul Merton and Ian Hislop, chaired by Alexander Armstrong.
Discussion embedded above on YouTube HIGNFY highlights reel.

The Conservative MP Louise Mensch and the comedy writer Danny Baker are guests on a Friday night satirical news panel show in October 2011. The Occupy camp outside London’s St Paul’s cathedral has just become front page news. The host Alexander Armstrong asks the panellists to comment on what’s happening. Mensch argues that these Occupy protestors can’t be against capitalism when they’re enjoying its fruits – like the ‘fancy tents’ they’re living in, the iPhones they’re tweeting from and the Starbucks coffees they’re queuing for. The other panellists disagree and mock her argument. She seems to be saying that anyone who participates in capitalism should not be criticising it. And, if people are critical of capitalism, you don’t have to listen to what they say. This is the ‘hypocrite’ accusation that even the mildest anti-capitalist can expect. It’s a strategy for dismissing criticism of trade injustice , and was quickly labelled the ‘Mensch Fallacy’. Taken to its extreme, it means that only people with zero involvement in capitalism can criticise it. And that’s nobody on earth! Here at followthethings.com, we love to spot patterns in audiences’ responses to trade justice activism. This is a big one. This page looks at the only example on our site that is a response, and the way that the panellists and audiences online challenged it. Read on.

Page reference: Jon Chick, Matt Bhol, Dee Wood, Tom Lyle, Olly Woodford & Henry Owen (2012) Louise Mensch On Occupy London-LSX (HIGNFY). followthethings.com/louise-mensch-on-occupy-london-lsx-hignfy.shtml (last accessed <insert date here>)

Estimated reading time: 49 minutes.

Continue reading Louise Mensch On Occupy London-LSX (HIGNFY)
Posted on

Kopuchiska’s Mother Is Shopping For Meat

followthethings.com
Grocery

Kopuchiska’s Mother Is Shopping For Meat
A scene from a documentary film called ‘Kino-Eye’, directed by Dziga Vertov.
Film embedded above, scene starts at 7.00 and finishes at 14.08. Search online to stream here and to buy DVD here.

When the genre of documentary film was in its infancy, Russian filmmaker Dziga Vertov used it to show how food shopping involves relations with hidden places, processes and people. In one extended scene from his experimental documentary Kino-Eye – which starts with an intertitle saying ‘Kopuchiska’s Mother Is Shopping For Meat’ – the film follows a cut of meat that she buys in reverse motion, from a cooperative market, via the slaughterhouse where it is put back into the cow, who then stands up, walks backwards into the train, which returns the cow to the fields where it grazed. Vertov’s message to the film’s audience is to buy your meat from a workers’ co-operative supermarket. If Marx had been a filmmaker, he could have made this sequence to show a commoditty’s hidden relations. For us, it’s surprising that one of the earliest and most influential documentary filmmakers made follow thing work, to show audiences where commodities came from, what difference their purchase choices made, because meat’s system of provision mattered. Vertov also used techniques of montage, reverse sequencing, extremes of light and shade, in-shot camera motion, and sped up and slowed down the pace of scenes in order to ‘move’ his audiences kinaesthetically. So, is this some of the most innovative follow the things work you’ll ever see? Or a meaningless jumble? Either way, it’s had a significant influence on the ‘follow the thing’ genre’s academic and activist work.

Page reference: Ian Cook et al (2024) Kopuchiska’s Mother Is Shopping For Meat. followthethings.com/kinoeye.shtml (last accessed <insert date here>)

Estimated reading time: 18 minutes.

Continue reading Kopuchiska’s Mother Is Shopping For Meat
Posted on

Ilha Das Flores

followthethings.com
Grocery | Money & Finance | Recycle my waste

Ilha Das Flores (Island Of Flowers)
A short film written, directed and produced by Jorge Furtado for Casa de Cinema de Porto Alegre, Brazil.
Embedded in full above. Search online to watch the film here. In Portuguese with English subtitles.

It sounds simple: filmmaker Jorge Furtado follows the life of a tomato from Mr Suzuki’s tomato field to a garbage dump ‘on the Island of Flowers’ in Porto Alegre, Brazil. Here, the rotten tomatoes binned in shoppers’ kitchens are selected to feed the local pigs. The leftovers are scavenged by local people who have queued for the chance. But, this no ordinary film. Its footage doesn’t always seem ‘real’. Its voiceover is eccentric but is delivered in monotone. It’s like an economic geography lecture – or a public information film – that’s been made for an audience visiting Planet Earth for the first time. It explains what a human being is, and what the function of money in capitalism is, for instance. It’s full of human beings whose tomato-connected lives audiences can learn a little bit about. It’s a collage made from quick cuts between filmed scenes, found media and ideas. There seem to be so many tangents. But, together, they gradually build a powerful argument that, ultimately, trashes the way that capitalism values people, animals and the environment. Humans who watched it called it a beautiful, hilarious and deeply troubling masterpiece. You’ll have to watch it to believe it. Maybe two or three times. It’s only 13 minutes long. It’s the only example of trade justice activism that we have found that follows a thing from the beginning to the end of its life. And it decentres the stereotypical shopper in fascinating and eccentric ways. But what is Jorge Furtado trying to achieve? What are his cultural reference points? Why is this highly political film presented as a kind of weird joke?

Page reference: Maura Pavalow (2025) Ilha das Flores. followthethings.com/ilhadasflores.html (last accessed <insert date here>)

Estimated reading time: 68 minutes.

Continue reading Ilha Das Flores
Posted on

University Lifestyle: Fabulously British

followthethings.com
Fashion | Grocery | Electronics | Home & Auto

University Lifestyle: Fabulously British
Undergraduate coursework designed & written by Charlotte Brunton.
Available in full in slideshow above. High resolution download available here.

After researching examples of trade justice activism to add to this site, students taking CEO Ian’s ‘Geographies of material culture’ module at the University of Exeter are tasked to make their own. Charlotte Brunton’s inspiration comes from the junk mail arriving at her student house. Instead of getting interesting letters, she and her housemates get student fashion catalogues. In particular, Jack Wills catalogues – six or more every season. They’re selling students an ‘aspirational’ lifestyle, tempting them to buy the commodities they feature. The people in them, the things they have, the carefree, stylish and connected lifestyles they picture – the designers want students to want them. Charlotte and her friends imagine themselves using this, wearing that, experiencing the lifestyles these things can support, together. But who made these things? What about their lifestyles? Charlotte asks herself how she can create a catalogue that highlights how personal these things are both to her and to the people who made them? In real life, she has an interdependent, culture-crossing, ‘British’ life which they are very much part of. So she designs a ‘lifestyle catalogue’ that you can browse to imagine and buy into with her.

Page reference: Charlotte Brunton (2014) University Lifestyle: Fabulously British. followthethings.com/university-lifestyle-fabulously-british.shtml (last accessed <insert date here>)

Estimated browsing time: 15 minutes.

Continue reading University Lifestyle: Fabulously British