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Handbook: example page




Reach new audiences
Show capitalist evils

Make a website
Choose an audience
Create a character
Bring managers into view
Make the familiar strange
Embody exploitation
Juxtapose extremes
Lie to tell the truth
Include the digital
Make it funny

My Hero!
I laughed my ass off

Image credit

Assorted Fashion Industry Textiles – Assortment of beige tone colored pants (https://www.freepik.com/free-photo/assortment-beige-tone-colored-pants_66105704.htm#fromView=search&page=2&position=46&uuid=4f93b6cd-f230-48f0-bce8-48ec11bbaecd) by freepic (freepic) Modified August 2024


Employee Visualisation Appendage

How to read this page

We are slowly piecing together a ‘followthethings.com handbook for trade justice activism’ and are publishing the pages here as we write them. This is an ‘example’ page. The wide column paraphrases and condenses this example’s followthethings.com page, section by section. The narrow column contains some details about the commodity, some key facts about the activism that took place around it, and a list of its ‘ingredients’: its intentions, tactics, responses and impacts. These have been identified during the writing of this example page and, as more handbook pages are added, you will be able to click each one to read about it, and there will be links to other examples where we have found that ingredient, and a list of linked ingredients. This hypertext format, we believe, will help readers to understand how trade justice activism can work, and what it can do.


FOOTNOTE

1 GATT was the predecessor to the WTO.

DEPARTMENT: Fashion

By Ian Cook (June 2025)

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Handbook: example page




Pop the bubble
Show capitalist evils
Teach economic geography

Make the familiar strange
Follow the thing
Join the dots
Lie to tell the truth
Embody exploitation
Make it incomplete
Make it funny

Wow! WTF?
Capitalism is sh*t
They aren’t experts!
I gotta do something

Image credit

Fresh Tomatoes, Loose – Tomato isolated (https://www.freepik.com/free-photo/tomato-isolated_7481096.htm#fromView=search&page=1&position=26&uuid=9e0c895b-6975-47d6-a7cc-9e1dc7cb06d1) by timolina (Freepik)


Ilha das Flores

How to read this page

We are slowly piecing together a ‘followthethings.com handbook for trade justice activism’ and are publishing the pages here as we write them. This is an ‘example’ page. The wide column paraphrases and condenses this example’s followthethings.com page, section by section. The narrow column contains some details about the commodity, some key facts about the activism that took place around it, and a list of its ‘ingredients’: its intentions, tactics, responses and impacts. These have been identified during the writing of this example page and, as more handbook pages are added, you will be able to click each one to read about it, and there will be links to other examples where we have found that ingredient, and a list of linked ingredients. This hypertext format, we believe, will help readers to understand how trade justice activism can work, and what it can do.


DEPARTMENT: Grocery

by Lucian Harford (June 2025)

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Ghosts

followthethings.com
Grocery

Ghosts
A documentary-drama film written by Nick Broomfield, Jez Lewis & Hsiao-Hung Pai, directed by Nick Broomfield for Beyond Films
Official trailer embedded above. Available on Box of Broadcasts (with institutional login) here. Search online here for other streaming availability. The movie website archive is here.

Documentary filmmaker Nick Broomfield is known for his quirky, in-front-of-camera documentaries but, after a 2004 disaster where 23 Chinese migrant workers picking cockles were drowned by a fast-incoming tide in the UK’s Morecamble Bay, he decides to make a docu-drama to show what happened and why. This is a tale of people smuggling, modern slavery and violent, corrupt gangmasters sourcing and providing cheap slave labour in the UK to pick vegetables like spring onions and seafood like cockles for sale in mainstream supermarkets (which the film names). The script was co-written with Hsiao-Hung Pai – a Taipei-heritage UK journalist and writer – and was researched through the writers’ visit to China to visit the victims’ families. The film starred former illegal immigrant Chinese non-actors working with an improvised script, using traditional and undercover filmmaking, and ends with a plea for audience members to donate to a fund to help the dead workers’ families pay their people-smuggling debts. The tale is told from the perspective of a female worker called Ai Qin. She and her compatriots speak in Mandarin so that that ‘Ghosts’ – their white gangmasters – can’t understand they are mocking them. In the final scene, just before Ai Qin drowns, she calls her son in China to sing him a farewell lullaby on her mobile phone. The film encourages viewers to ask who is to blame for their deaths? The migrant workers? The people smugglers and gangmasters? The supermarkets? The government? In the UK? In China? Ghosts was made to be put to use, and to have a positive impact, on public attitudes to migrant workers, on the law and on the victims’ families. In contrast to a documentary film, a docu-drama can script and film anything, anyone, anywhere. So a fuller picture of the challenges that workers and trade justice activists face can be pieced together to provoke change.

Page reference: Harriet Allen, Etienne Heaume, Lizzie Heeley, Rosie Hedger, Sam Johnson, Olivia McGregor & Lucy Webber (2025) Ghosts. followthethings.com/ghosts.shtml (last accessed <insert date here>)

Estimated reading time: 104 minutes.

Continue reading Ghosts
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Ilha Das Flores

followthethings.com
Grocery | Money & Finance | Recycle my waste

Ilha Das Flores (Island Of Flowers)
A short film written, directed and produced by Jorge Furtado for Casa de Cinema de Porto Alegre, Brazil.
Embedded in full above. Search online to watch the film here. In Portuguese with English subtitles.

It sounds simple: filmmaker Jorge Furtado follows the life of a tomato from Mr Suzuki’s tomato field to a garbage dump ‘on the Island of Flowers’ in Porto Alegre, Brazil. Here, the rotten tomatoes binned in shoppers’ kitchens are selected to feed the local pigs. The leftovers are scavenged by local people who have queued for the chance. But, this no ordinary film. Its footage doesn’t always seem ‘real’. Its voiceover is eccentric but is delivered in monotone. It’s like an economic geography lecture – or a public information film – that’s been made for an audience visiting Planet Earth for the first time. It explains what a human being is, and what the function of money in capitalism is, for instance. It’s full of human beings whose tomato-connected lives audiences can learn a little bit about. It’s a collage made from quick cuts between filmed scenes, found media and ideas. There seem to be so many tangents. But, together, they gradually build a powerful argument that, ultimately, trashes the way that capitalism values people, animals and the environment. Humans who watched it called it a beautiful, hilarious and deeply troubling masterpiece. You’ll have to watch it to believe it. Maybe two or three times. It’s only 13 minutes long. It’s the only example of trade justice activism that we have found that follows a thing from the beginning to the end of its life. And it decentres the stereotypical shopper in fascinating and eccentric ways. But what is Jorge Furtado trying to achieve? What are his cultural reference points? Why is this highly political film presented as a kind of weird joke?

Page reference: Maura Pavalow (2025) Ilha das Flores. followthethings.com/ilha-das-flores.html (last accessed <insert date here>)

Estimated reading time: 68 minutes.

Continue reading Ilha Das Flores
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Employee Visualisation Appendage

followthethings.com
Fashion

Employee Visualisation Appendage
A conference talk prank by The Yes Men at a ‘Textiles of The Future’ conference in Tampere, Finland – filmed & featured in ‘The Yes Men’ movie.

Cultural activists and ‘identity correctors’ The Yes Men set up a fake World Trade Organisation (WTO) website and offer a man called Hank Hardy Unruh to speak at conferences on its behalf. The organisers of a ‘Textiles of the Future’ conference in Finland believe the website is genuine and invite him to give a talk. In the conference hall, the audience watch his assistant ripping off his business suit to reveal a gold lamĂ© telematic suit underneath from which he inflates a huge phallus. This ’employee visualisation appendage’, they say, will allow future managers to give electric shocks to sweatshop workers when their productivity levels dip. To the Yes Men, this gold lamĂ© performance exaggerates to ridiculous proportions the inhumanity of the WTO’s neo-liberal ideology and its dehumanisation of supply chain workers. It’s outrageous and kind of obscene (both the ideology and their performance). Movie audiences find it hilarious. But why is there such a muted reaction in the hall? And what impacts (if any) might these reactions have on the lives of workers in textile supply chains? This compilation page is arranged a little differently than others on our website because this prank had two audiences: the conference delegates and the movie audiences. We find this example fascinating. It’s fair to say that it’s memorable. But where – and upon whom – did it make an impact?

Page reference: Tom Best, Tom Gibson, Beth Massey, Chloe Rees, Kate Ross & Jemma Sherman (2019) Employee Visualisation Appendage. followthethings.com/employee-visualisation-appendage.shtml (last accessed <insert date here>)

Estimated reading time: 47 minutes.

Continue reading Employee Visualisation Appendage