Where chocolate Easter bunnies come from: the advert (Lindt 2015).
When bunnies learn where they come from: the culture jam (Erklärung von Bern 2013)
Tag: Make it a mystery
TACTIC: audiences often love a mystery, a quest, intriguing clues, witnesses, experts, changing hypotheses, plot twists, unexpected conclusions and a detective to follow who’s working things out. Who made my stuff? It can star a detective who the audience follows as they work out who makes their stuff and/or is responsible for the exploitations of global capitalism.
“Made in Cambodia“ A dissertation by Helen Clare, submitted as part of their BA Geography degree at the University of Birmingham, UK. Click the preview pages above to read the dissertation.
Undergraduate student Helen Clare looks through her clothes and finds an H&M t-shirt ‘Made in Cambodia’. She’s traveling to Cambodia to do some charity work in her summer vacation. She wants to find and meet one of the garment factory workers who helped to make that T-shirt for her. But, despite her best efforts, she cannot gain access to the factories where she’s convinced it may have been made. So, she does the next best thing. She takes a course that will give her the qualification to work there. What does she learn along the way? Who does she get to meet? And what can she learn from them about the lives her t-shirt connects?
Dissertation reference: Helen Clare (2006) Made in Cambodia. BA Geography Dissertation: University of Birmingham, UK (followthethings.com/madeincambodia.shtml last accessed <insert date here>)
Page reference: Helen Clare (2024) Made in Cambodia. followthethings.com/made-in-cambodia.shtml (last accessed <insert date here>)
“Confessions Of An Eco-Sinner” A non-fiction book by journalist Fred Pearce. Available to preview on Google Books (embedded above).
British journalist Fred Pearce travels 180,000 miles, to over 20 countries, to meet the people who produce (and sometimes recycle) the prawns in his curry, the cotton in his shirt, the computer on his desk, the gold in his wedding ring, and many other things. He wants to explore his own personal ecological footprint, and to work out whether he should be ashamed and/or proud of the impact that his shopping has on the world. This is classic ‘follow the thing’ research. A quest narrative. Starting in the Global North. With a person asking ‘who made my stuff?’ They travel the world to meet the people who they rely upon and then reflect on what this means for them (and maybe you) as a ‘consumer’. This is an approach that critics within the ‘follow the thing’ genre would like to ‘de-centre’. This work could start somewhere else! But what can readers learn from Fred’s travels nonetheless? Is everyone, unknowingly, an eco-sinner like he is? And what can be done to prevent the damage that consumption causes, out of sight and out of mind?
Page reference: Robert Black, Naomi Davies, Tom Mead, Pete Statham, Lucy Taylor and Laura Wilkinson (2011) Confessions Of An Eco-Sinner. followthethings.com/confessions-of-an-ecosinner.shtml (last accessed <insert date here>)
“Ballet Shoes“ Undergraduate coursework written by Maya Motamedi, published in the Primary Geography journal. Full text below.
The students’ first task in the ‘Geographies of Material Culture’ module at the University of Birmingham is to make a personal connection between their lives and the lives of others elsewhere in the world who made the things they buy. These are the people who help you to be you, followthethings.com CEO Ian tells them. So choose a commodity that matters to you, that’s an important part of your identity, that you couldn’t do without. Think about its component parts, its materials, and the properties they give to that commodity and your experience of ‘consuming it’. And write a 500 word first person account that connects your lives. One student – Maya Motamedi – is a ballet dancer. She loves her Grishko pointe shoes. They’re part of her dancing body. After some online detective work, she’s finds who made them for her, far away in Russia. The shoes’ component parts come from plenty of other places. This kind of thinking, this kind of detective work, means you are never alone, never do anything by yourself! The lives of thousands of people are wedged into those shoes, says Maya, dancing with her.
“The Box“ A global multi-media / multi-platform journalism project by the British Broadcasting Corporation (BBC), managed by the Container Shipping Information Service. BBC News project outline embedded above. Project homepage here. ‘Latest location’ map page here (screengrab below). Download the template to make your own BBC ‘The Box’ container model here.
The BBC paints a 40′ shipping container with its distinctive livery and logo. They attach a GPS transmitted to follow its travels over land and sea. Each time it is loaded or unloaded, its journalists meet the workers, consumers and others whose lives are connected through its travels. What they find is logged live on an interactive map. Ship-spotters are tasked to find and photograph it. A unique high-tech collaborative research project emerges. It’s used by teachers to make trade a ‘live’, exciting topic. So what can it tell us?
Page reference: Tommy Sadler (2013) The Box. followthethings.com/thebox.shtml (last accessed <insert date here>)
“Trein Maersk: A Report To The NATOarts Board of Directors“ An electronic docupop album by Icebreaker International (Alexander Perls & Simon Break). Free Spotify stream embedded above. Used vinyl & CD versions available on Discogs here.
NATO’s art division commissions electronic musicians Icebreaker International to create on board a container ship called the Trein Maersk as it travels between the ports of Yokohama in Japan to Halifax in Canada. NATO wants this to be a musical celebration of ‘free trade’. It’s a concept album that samples audio from its travels (including squawking seagulls) as well as ideological soundbites from champions of unregulated markets. Its tracks include ‘Port of Dubai’ and ‘The Third Way’ and they were written as the ship passed through these places, and as they reflected on these ideological arguments. The purpose of this work is educational. The CD booklet contains lots of information about world trade and a map of the ship’s journey. Online reviewers praise it as a masterpiece. This is a work of genius. Many are moved by the depth of feeling that this ‘electronic docupop’ has for the sea and for free trade. It’s the album Kraftwerk would have made if they weren’t so preoccupied with autobahns. So many of these reviews are so effusive in their praise that some think that something suspicious is happening here. Is this a genuine concept album or an elaborate prank? Does NATO even have an art division? Have these musicians ever travelled on a container ship? Are they really right wing musicians rebelling against activist representations of free trade? It could be true that that this music vividly evokes its logistics. Even if it does so sarcastically. Have a listen. See what you think. What role can a right wing (maybe) concept album play in trade justice activism? What can it do?
Page reference: Rachael Midlen (2013) Trein Maersk: A Report To The NATOarts Board of Directors. followthethings.com/treinmaersk.shtml (last accessed <insert date here>)
“The Letter In The Saks 5th Avenue Bag“ A letter written by Tohnain Emmanuel Thiong in a Chinese prison factory, found in New York in a Saks 5th Avenue shopping bag by Stephanie Wilson and posted online. Reproduced in full above.
Stephanie Wilson buys a pair of Hunter rain boots at a high end department store – Saks Fifth Avenue – in New York City. Rummaging through the ‘free with purchase’ bag, she is shocked to find a handwritten letter in English that begins ‘HELP! HELP! HELP!’ and a tiny passport photo. It’s from a Cameroonian man who made that bag it in a Chinese prison factory. With the help of an NGO and a journalist, she finds him. This ‘message in a bottle’ definitely wasn’t a hoax (or was it?). But how was he able to write it? How many did he write? What danger was he in by doing this? All of these questions could be answered. It helped that he’d written his Yahoo email address on the back. And that he was no longer in prison, or in China, when they emailed him. Could a short letter like this have a big impact on the sourcing of these bags? What were the chances that someone would find and act on one? Its discovery, the detective work that it sparked, and the issues that it raised, went viral. Which companies want their branded goods to be made in jail by falsely imprisoned, tortured and molested inmates? It’s not just the commodities that a store sells that shoppers should be worried about. It’s the bags, the tills, the escalators… everything that contributes to the shopping experience. Workers’ rights are everywhere. Including in office furniture allegedly made in US prisons. Fact-check!
Page reference: Will Kelleher & Ian Cook (2014) The Letter In The Saks 5th Avenue Bag. followthethings.com/the-letter-in-the-saks-5th-avenue-bag.shtml (last accessed <insert date here>)
“Plastic Bag“ A short film directed by Ramin Bahrani and narrated by Werner Herzog for ITVS’s Futurescapes series. Published on YouTube, embedded above. Search online for other streams here.
Remember those thin plastic bags that used to be available, free, at the checkout? This is the starting point for Ramin Bahrani’s short film. What lives do these bags lead after the shopping is emptied from them at home? How long do they live? Where do they end their lives? Do their lives ever end? And what if one of them could tell that story for itself (in a droll Bavarian accent)? What would it say? One may think it’s exciting to have finally been chosen, there at the checkout, to fulfil his destiny. To help a shopper carry their shopping home. The shopper-bag relationship is short-lived, but beautiful. But what if that shopper later uses you to pick up her dog’s poo? And put you in a bin? How would you feel about her then, as your life continued, further and further away from hers? You’re not the slightest bit biodegradable. Your life is going to last for ever, starting in a landfill dump. What’s it like to be there with millions of bits of other trash? Imagine being caught in the wind, blown through the countryside, travelling hundreds of miles, over maybe thousands of years, ending up in the sea, with the fish, possibly causing them all kinds of problems. Who and what might you have seen and met on your journey? What would you ponder about your life now its purpose is so far in the past? This film has a silly and unbelievable plot, but its also wonderfully moving, hilarious, thought-provoking. Viewers are surprised to find themselves empathising with an object. Caring about its fate. How its life could have been different. Maybe this is the best way to change people’s minds about the mountains of waste created by capitalism and its commodity culture. Maybe it’s the perfect film to illustrate vital materialism, assemblage theory, affect and/or dark ecology. Even if Bahrani didn’t set out to do so. Maybe you have to watch it to write an essay. Maybe it’s just too long or just plain stuuuuupid. Like a childish spinoff from a well-known movie franchise like Toy Story. Ugh. Watch and read for yourself! This page is a wild ‘follow the thing’ ride into debates about environmental justice and reponsibility.
Page reference: Molly Healy, Josephine Thompson, Daisy Aylott, Lily Andrews, Kate Ward, Charlotte Rooker, James Swain, Edward Denton & Ethan Langfield (2025) Plastic Bag. followthethings.com/plastic-bag.shtml (last accessed <insert date here>)
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