Tag: Include suffering kids

TACTIC: children are the innocent victims of the capitalist system that adults have created. They are poor or rich by accidents of birth. Parents take povery-wage jobs to give them a better life. But they often don’t have the time or income to look after them or send them to school, so they send them home to live with their grandparents. Adult supply chain workers themselves often started work as child labourers. Can their sacrifices give their kids a better life? Or are kids still having to work in global supply chains to help their families, or to survive themselves?

Posted on September 13, 2024January 9, 2025 by Ian Cook

Plastic China

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Recycle my waste

SHOW CAPITALIST EVILS

INCLUDE SUFFERING KIDS

BRING MANAGERS INTO VIEW

ENCOURAGE EMPATHY

“Plastic China“
A documentary directed by Jiuliang Wang for CNEX, Beijing TYC & Oriental Companion Media
YouTube trailer and pay-per-view stream embedded above. Search online for other streaming options here.

Recycling plastic is a good thing right? But where does it go to be recycled? Who does recycling work? And what’s that work like? This film traces the world’s plastic waste to a small village in China where families sort, clean and shred it by hand and by machine. Some of it is processed to make nurdles – the tiny plastic beads that factories buy in bulk to melt and make recycled plastic goods. A lot of it isn’t – partly because there are so many types of plastic, and those nurdles can’t mix them together. The film shows the labour of plastic recycling from the perspective of an 11 year old girl called Yi-Jie. Her family eke a living processing plastic waste shipped into their lives from all over the world. She recycles full time to help earn money for, and alongside, members of her impoverished family. Some of the plastic packaging she processes includes images of wealthy consumers enjoying the goodies that they used to contain. These images feed Yi-Jin’s dreams of a better life. She plays imaginative games with the plastic packaging that surrounds her. In one scene she makes and plays with a plastic waste computer. But her family doesn’t earn enough for her to attend school. She doesn’t seem to be going anywhere. Audiences for trade justice activism are used to worrying about who makes their stuff down the supply chain. But the hidden lives and labours in commodities don’t disappear when they’re purchased. Others become attached to them when they’re thrown away. The same labour (and environmental) rights issues are there to worry about too. The materials that commodities are made from never disappear. They just appear somewhere else, in other people’s work, lives and landscapes. This film was terrible PR for the Chinese government. Not surprisingly, they banned it from being shown there. But they went much further, banning the importing and recycling of plastic waste from overseas. Shutting down an industry is perhaps the most powerful impact that trade justice activism can have. But is this what the filmmakers had in mind when they decided to make Plastic China? Could they have predicted that this might happen? What’s their responsibility towards Yi-Jon and her family?

Page reference: Ian Cook et al (2024) Plastic China (holding page). followthethings.com/plastic-china.shtml (last accessed <insert date here>)

Estimated reading time: tbc minutes.

Posted on August 28, 2024February 4, 2025 by Ian Cook

Primark – On The Rack

"A little deeper into the squalour and another rung down the ladder of exploitation. Children. Several young boys working on the same Primark vest we saw those women sewing earlier...
... one could be as young as 9 or 10. They're testing the stitching so the sequins don't end up falling off in the hands of customers back in Britain. When we asked their ages, their manager kept silent."
[The film then briefly shows the vest's 'atmosphere' label. This is a Primark band promising customers affordable fresh fashion]

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Fashion

“Primark – on the rack“
A documentary film presented by Tom Heap & produced by Frank Simmonds with Dan McDougall for BBC TV’s Panorama series.
Screenshot slideshow of the contested scene embedded above. Watch on Box of Broadcasts (with institutional login) here.

The BBC produces an exposé of cheap clothing retailer Primark. It finds children making its clothes, and sewing and testing their sequins, in factories, slums and refugee camps in India. Primark is asked to contribute to the film before it’s shown. Instead, they decide to cut ties with the supply chains featured, then launch a website to counter the film’s claims. They research the film’s research to pick apart its claims, and then complain to the BBC that one 45 second scene (the one in the screenshots above) is fake. Their critic-silencing strategy has mixed success. The BBC is forced to admit that it cannot be 100% sure that the scene wasn’t faked, and the Panorama team are forced to hand back an award they were given for the film. But Primark’s persistent public attempts to silence this investigative journalism draws attention – for years – to the company’s reputation as the ‘poster boy of child labour in the UK’. Supporters of the film highlight the other 3,555 minutes of the film that Primark didn’t claim the producers had faked? Then, 5 years after the film was broadcast, the Rana Plaza factory complex in Dhaka, Bangladesh collapses and over a thousand garments workers are crushed to death making high street clothes. Journalists, filmmakers and others keep this tragedy relentlessly in the news. UK newspaper headlines refer to this as the ‘Primark factory’. There’s no way that this footage is fake. Primark has to react differently this time.

Page reference: Kate Adley, Richard Keeble, Pippa Russell, Noora Stenholm, William Strang and Tuuli Valo (2025) Primark – on the rack. followthethings.com/primark-on-the-rack.shtml (last accessed <insert date here>)

Estimated reading time: 124 minutes.

Posted on August 28, 2024February 11, 2025 by Ian Cook

Girl Model: The Truth Behind The Glamour

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Fashion | Health & Beauty

SHOW CAPITALIST EVILS

START SOMEWHERE DIFFERENT

START WITH A PARADOX

FIND A CHARACTER

FOLLOW THE PEOPLE

INCLUDE SUFFERING KIDS

BRING MANAGERS INTO VIEW

“Girl Model: The Truth Behind The Glamour”
A documentary film directed by David Redmon & Ashley Sabin for Carnivalesque Films.
Trailer embedded above. Available in full on Kanopy (with institutional login) here. Search Google for other streaming here and purchasing opportunities here. Website including ‘take action’ advice here.

How do 13, 14, 15 year old girls from Novosibirsk, Siberia end up on the pages of fashion magazines in Japan? Filmmakers David Redmon & Ashey Sabin follow 13 year old Nadya Vall who is scouted in her bra and pants by former model Ashley Arbaugh who finds her look ‘extraordinary’. Nadya wants to live the glamorous life in Tokyo that Ashley’s modelling agency could provide her with, and could earn much-needed money for her family back home. But the reality she experiences in Tokyo is starkly different. She is lonely, hungry and broke. What is it about Japanese fashion culture that values skinny white blonde blue-eyed Europeans teens? Especially as it dehumanises them, treats them as commodities, when they become part of it. Ashley knows she works in a parasitical industry and is conflicted. ‘Girl Model’ is an exposé of its creepiness and exploitation. It’s uncomfortable viewing for its audiences (to put it mildly), and for the people who feature in it. Some of them say that it’s not an accurate portrayal. Nadya calls co-director Redmon a ‘sexual predator’. But is this true or is it what you would have to say if you wanted to continue working in the industry? Models working around the world recognised themselves in the film and shared their experiences online. The film became a rallying cry and campaigning tool to push for change in the industry. It had a powerful impact and features on our site because, here, it’s the workers are the commodities and their supply chain stretches from Sibreria to Japan.

Page reference: Adele Hambly, Elaine King, Andy Keogh, Camilla Renny-Smith, Ed Callow, Joe Thorogood & Vicky Alloy (2025) Girl Model: The Truth Behind The Glamour. followthethings.com/girl-model.shtml (last accessed <insert date here>)

Estimated reading time: 118 minutes.

Posted on August 19, 2024January 9, 2025 by Ian Cook

Sorry We Missed You

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Ship my order

SHOW CAPITALIST EVILS

EMBODY EXPLOITATION

HUMANISE WORKERS

CREATE A CHARACTER

INCLUDE SUFFERING KIDS

ENCOURAGE EMPATHY

“Sorry We Missed You“
A feature film written by Paul Laverty & directed by Ken Loach for 12 production companies including BBC Films & Canal+.
Official trailer embedded above. Search online to streaming options here.

‘Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It’s hard work, and his wife’s job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point’ (Source: Anon 2019, np link).

Page reference: Ian Cook et al (2024) Sorry We Missed You (holding page). followthethings.com/sorry-we-missed-you.shtml (last accessed <insert date here>)

Estimated reading time: tbc minutes.