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The Luckiest Nut In The World

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Grocery

The Luckiest Nut In The World
An animated film written, produced & Directed by Emily James for Fulcrum TV, broadcast in the UK on Channel 4’s Alt-TV series.
Film embedded in full above. Search online for shorter versions and versions with subtitles here.

Who better to explain the rules of international trade than a commodity that has seen it all? An American peanut who wears a stetson hat, plays the guitar, and sings songs about the rules of world trade that work in his favour. Along the way he enlists help from experts and from public information films. Yes, he’s the ‘luckiest nut in the world’ and, as he learns about other less lucky nuts around the world (groundnuts in Senegal, cashew nuts in Mozambique, and brazil nuts in Bolivia), he finds out that it doesn’t have to be this way. All of the world’s nuts – and the people and economies that could benefit from growing and selling them – could be just as lucky is the rules governing world trade werenā€™t stacked against them. Filmmaker Emily James uses animation to do the impossible: to make these rules, and the inequalities they help to create, not only understandable but entertaining. The film becomes a hit with school teachers. Some of their students say they’re bored with its content, but others say they canā€™t help humming the songs, mouthing their WTO lyrics. Itā€™s a catchy way to learn some pretty boring but important information about hope the world works (and years before Horrible Histories began). This is an early example of animated film doing what and academic cook or a documentary films cannot. In this case, making abstract content accessible, making the hidden visible, and explaining trade injustice to wider publics in an engaging – funny, weird, you name it – way. ‘What would commodities tell us about their lives if they could talk?’ is an intriguing question that’s answered in some of the earliest follow the thing ā€˜it-narrativeā€™ writing [see our page on a 1760 travel novel written by a coin here]. ‘What would a commodity sing about its life if it could ā€¦ um ā€¦ sing?’ is a question answered, in our experience, only by this film. Thank you Emily.

Page reference: Ian Cook et al (2011) The Luckiest Nut In The World. followthethings.com/the-luckiest-nut-in-the-world.shtml (last accessed <insert date here>)

Estimated reading time: 19 minutes.

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Where Am I Wearing?

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Fashion

Where Am I Wearing? A Global Tour To The Countries, Factories, and People that Make Our Clothes
A non-fiction book written by Kelsey Timmerman and published by Wiley.
Google Books preview embedded above.

Self confessed ‘All-American Guy’ Kelsey Timmerman is curious about the ‘Made inā€¦’ tags in his favourite clothes. He wants to go to those countries and meet the people who made them for him. So he sets off around the world to meets workers in each place. But he doesn’t work alongside them or quiz them about their pay and conditions. He wants to get to know them as people. So, in Bangladesh, they go bowling together. In Cambodia, they ride a roller-coaster. He wants to appreciate how globalisation isn’t abstract, but it happens to regular (if impoverished) people. He’s not trying to ‘nail’ a corporation. He doesn’t have strong moral views. He sees himself as an innocent abroad, a ‘touron’ (tourist + moron). Readers say this social justice meets crazy road trip book is friendly, funny, easy to read and not at all preachy. Some say everyone should go on a trip like this to appreciate who made their stuff too. What Timmerman has written either naively skims over, or brilliantly introduces, complex trade (in)justice debates. Maybe this is the best way introduce new readers to these debates? Does an example of trade justice activism have to include everything? Where do you start?

Page reference: Emma Baker, Eleanor Bird, Gemma Crease, Imogen Crookes and Coralie Sucker (2012) Where Am I Wearing? followthethings.com/where-am-i-wearing.shtml (last accessed: <insert date here>)

Estimated reading time: 54 minutes.

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Confessions Of An Eco-Sinner

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Fashion | Grocery

Confessions Of An Eco-Sinner”
A non-fiction book by journalist Fred Pearce.
Available to preview on Google Books (embedded above).

British journalist Fred Pearce travels 180,000 miles, to over 20 countries, to meet the people who produce (and sometimes recycle) the prawns in his curry, the cotton in his shirt, the computer on his desk, the gold in his wedding ring, and many other things. He wants to explore his own personal ecological footprint, and to work out whether he should be ashamed and/or proud of the impact that his shopping has on the world. This is classic ‘follow the thing’ research. A quest narrative. Starting in the Global North. With a person asking ‘who made my stuff?’ They travel the world to meet the people who they rely upon and then reflect on what this means for them (and maybe you) as a ‘consumer’. This is an approach that critics within the ‘follow the thing’ genre would like to ‘de-centre’. This work could start somewhere else! But what can readers learn from Fred’s travels nonetheless? Is everyone, unknowingly, an eco-sinner like he is? And what can be done to prevent the damage that consumption causes, out of sight and out of mind?

Page reference: Robert Black, Naomi Davies, Tom Mead, Pete Statham, Lucy Taylor and Laura Wilkinson (2011) Confessions Of An Eco-Sinner. followthethings.com/confessions-of-an-ecosinner.shtml (last accessed <insert date here>)

Estimated reading time: 17 minutes.

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Socks

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Fashion

Socks
Undergraduate coursework written by David Roberts, published in the Teaching Geography journal.
Full text above. Reference below (Cook et al 2007).

The students’ first task in the ‘Geographies of Material Culture’ module at the University of Birmingham is to make a personal connection between their lives and the lives of others elsewhere in the world who made the things they buy. These are the people who help you to be you, followthethings.com CEO Ian tells them. So choose a commodity that matters to you, that’s an important part of your identity, that you couldn’t do without. Think about its component parts, its materials, and what properties they give to that commodity and your experience of ‘consuming’ it. And write a 500 word first person account that connects your lives via that thing. One student – David Roberts – thinks about his Marks & Spencer socks. He has a drawer full of them. And none of them has a ‘made in’ label. After some online detective work, he’s finds one pair were made for him far away in Bulgaria in a factory owned by an Israeli company that’s fighting battles against consumers boycotting their goods because they’re also made by non-unionised workers in factories in Palestine’s Occupied Territories. Marks & Spencer encourages its shoppers to ‘Look Behind The Label’. And that’s exactly what he’s done. He finds some uncomfortable geopolitical issues are protecting his feet.

Page reference: David Roberts (2006) Socks. followthethings.com/socks.shtml (last accessed <insert date here>)

Estimated reading time: 7 minutes.

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Ballet Shoes

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Fashion

Ballet Shoes
Undergraduate coursework written by Maya Motamedi, published in the Primary Geography journal.
Full text below.

The students’ first task in the ‘Geographies of Material Culture’ module at the University of Birmingham is to make a personal connection between their lives and the lives of others elsewhere in the world who made the things they buy. These are the people who help you to be you, followthethings.com CEO Ian tells them. So choose a commodity that matters to you, that’s an important part of your identity, that you couldn’t do without. Think about its component parts, its materials, and the properties they give to that commodity and your experience of ‘consuming it’. And write a 500 word first person account that connects your lives. One student – Maya Motamedi – is a ballet dancer. She loves her Grishko pointe shoes. They’re part of her dancing body. After some online detective work, she’s finds who made them for her, far away in Russia. The shoes’ component parts come from plenty of other places. This kind of thinking, this kind of detective work, means you are never alone, never do anything by yourself! The lives of thousands of people are wedged into those shoes, says Maya, dancing with her.

Page reference: Maya Motamedi (2006) Ballet shoes. followthethings.com/ballet-shoes.shtml (last accessed <insert date here>)

Estimated reading time: 7 minutes.

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Fugitive Denim

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Fuel & Auto

Fugitive Denim
A non-fiction book by Rachel Louise Snyder published by W.W. Norton & Company.
Preview available on Google Books (embedded above).

Journalist Rachel Louise Snyder visits five countries and talks with factory workers, designers and many others who work in the global denim trade to make a pair denim jeans. She’s trying to appreciate the complex geographies connecting the people (she jokes) ‘in our pants’. To do so, she meets and works alongside the people who pick their cotton, weave their cloth, design, sew and sell them. But this isn’t another ‘sweatshop’ exposĆ©. It’s charming, funny, haunting. And it’s showing what’s possible. The jeans she chooses to follow are more ‘progressive, humane [and] environmentally secure’ than most. So, if one brand can make jeans better, what’s stopping the others?

Page reference: Gabriela Camargo, You Bin Kang and Yvonne Yu (2011) Fugitive Denim. followthethings.com/fugitive-denim.shtml last accessed (<insert date here>)

Estimated reading time: 20 minutes.

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Trein Maersk: A Report To The NATOarts Board Of Directors

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Ship my order

Trein Maersk: A Report To The NATOarts Board of Directors
An electronic docupop album by Icebreaker International (Alexander Perls & Simon Break).
Free Spotify stream embedded above. Used vinyl & CD versions available on Discogs here.

NATO’s art division commissions electronic musicians Icebreaker International to create on board a container ship called the Trein Maersk as it travels between the ports of Yokohama in Japan to Halifax in Canada. NATO wants this to be a musical celebration of ‘free trade’. It’s a concept album that samples audio from its travels (including squawking seagulls) as well as ideological soundbites from champions of unregulated markets. Its tracks include ‘Port of Dubai’ and ‘The Third Way’ and they were written as the ship passed through these places, and as they reflected on these ideological arguments. The purpose of this work is educational. The CD booklet contains lots of information about world trade and a map of the ship’s journey. Online reviewers praise it as a masterpiece. This is a work of genius. Many are moved by the depth of feeling that this ‘electronic docupop’ has for the sea and for free trade. It’s the album Kraftwerk would have made if they weren’t so preoccupied with autobahns. So many of these reviews are so effusive in their praise that some think that something suspicious is happening here. Is this a genuine concept album or an elaborate prank? Does NATO even have an art division? Have these musicians ever travelled on a container ship? Are they really right wing musicians rebelling against activist representations of free trade? It could be true that that this music vividly evokes its logistics. Even if it does so sarcastically. Have a listen. See what you think. What role can a right wing (maybe) concept album play in trade justice activism? What can it do?

Page reference: Rachael Midlen (2013) Trein Maersk: A Report To The NATOarts Board of Directors. followthethings.com/treinmaersk.shtml (last accessed <insert date here>)

Estimated reading time: 31 minutes.

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Plastic Bag

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My shopping bag | Recycle my waste

Plastic bag
A short film directed by Ramin Bahrani and narrated by Werner Herzog for ITVS.
Published on YouTube, embedded in full above. Search online for other streams here.

Remember those thin plastic bags that used to be available, free, at the checkout? This is the starting point for Ramin Beahrani’s short film. What lives do they lead after the shopping is emptied from them at home? And what if one of them could tell that story for itself (in a droll Bavarian accent)? What would it say? It’s exciting to have finally been chosen, there at the checkout, to fulfil your destiny. To help a shopper carry their shopping home. The shopper-bag relationship is short-lived, but beautiful. But what if she then uses you to pick up her dog’s poo? And put you in a bin? How would you feel about her then, as your life continued, further and further away from hers? You’re not the slightest bit biodegradable. Your life is going to last for ever, starting in a landfill dump. What’s it like to be there with millions of bits of other trash? Imagine being caught in the wind, blown through the countryside, travelling hundreds of miles, and ending up in the sea, with the fish, possibly causing them all kinds of problems. Who and what might you have seen and met on your journey? What would you ponder about your life now its purpose is so far in the past? It’s a silly and unbelievable plot, but a wonderfully moving film. Viewers are surprised to find themselves empathising with a plastic bag. Caring about its fate. How its life could have been different. Maybe this is the best way to change people’s minds about the mountains of waste created by capitalism and its commodity culture. See what you think…

Page reference: Molly Healy, Josephine Thompson, Daisy Aylott, Lily Andrews, Kate Ward, Charlotte Rooker, James Swain, Edward Denton & Ethan Langfield (2024) Plastic Bag (taster). followthethings.com/plastic-bag.shtml (last accessed <insert date here>)

Estimated reading time: 7 minutes.

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