{"id":391,"date":"2024-08-11T17:05:45","date_gmt":"2024-08-11T17:05:45","guid":{"rendered":"https:\/\/follow-the-things.onyx-sites.io\/?page_id=391"},"modified":"2026-03-11T12:03:54","modified_gmt":"2026-03-11T12:03:54","slug":"faqs","status":"publish","type":"page","link":"https:\/\/followthethings.com\/?page_id=391","title":{"rendered":"\ud83e\uddd0 About"},"content":{"rendered":"\n<p>followthethings.com is a database of trade justice activism that aims to make &#8216;real&#8217; the hidden relations between the producers &amp; consumers of everyday things. <\/p>\n\n\n\n<p>It brings together everything written online (almost) about the making, discussion and impacts of over 100 examples of this work. And it showcases innovative student work inspired by these examples. <\/p>\n\n\n\n<p>It&#8217;s a resource designed to help activists, teachers, researchers, students and others to appreciate commodity-centred trade justice activism as a whole, and to inspire and inform new work that can have positive effects on the pay and conditions enjoyed by supply chain workers worldwide.<\/p>\n\n\n\n<p>This site&#8217;s &#8216;CEO&#8217;, since it opened in 2011, is Ian Cook et al &#8211; Emeritus Professor of Cultural Geography at the University of Exeter in the UK. See Ian&#8217;s university profile page <a href=\"https:\/\/experts.exeter.ac.uk\/588-ian-cook-et-al\">here<\/a>, Wikipedia page <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ian_Cook_(geographer)\">here<\/a>, and followthethings.com&#8217;s contact page <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=985\">here<\/a> (if you want to get in touch).<\/p>\n\n\n\n<p><strong>Cite this site as: <\/strong>Ian Cook et al (ed.) (2011-date)&nbsp;<em>followthethings.com<\/em>. Available at: http:\/\/followthethings.com (Accessed: &lt;add your date here&gt;)<\/p>\n\n\n\n<p><strong>Cite this page as: <\/strong>Ian Cook et al (2025)&nbsp;\ud83e\uddd0 About. in Ian Cook et al (ed.) (2011-date) <em>followthethings.com<\/em>. Available at: http:\/\/followthethings.com (Accessed: &lt;add your date here&gt;)<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-972e67822ea57fb54cf5260cbc27afd6 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Why \u2018follow the things\u2019?<\/summary>\n<div style=\"height:22px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">[W]e have to follow the things themselves, for their meanings are inscribed in their forms, their uses, their trajectories (Arjun Appadurai 1986, p.5).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-7e8360e7dea5b4eb8fe4e54156fcccd8\">As mainstream public concern emerged in the Global North in the 1990s about sweatshops and trade injustice in the Global South (see Bannister &amp; Bergan 2023), the work of social scientists including Arjun Appadurai (1986), Cynthia Enloe (1989), David Harvey (1990), Doreen Massey (1991) and George Marcus (1995) emerged to help out. In different ways, each found limiting the ethnnographic convention of studying social life in one place and understanding what happens there in the context of a wider abstract &#8216;system&#8217;. For them, the &#8216;system&#8217; included other people&#8217;s places, and it was the connections between these places &#8211; and the people who lived and worked in them &#8211; that needed studying (see Marcus &amp; Fischer 1986).<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-82e991dd63f0dc18de8db2a493ac4c7d\">One way to make these connections was to &#8216;follow the things&#8217;: to identify, study and make public the hidden social relations between the people who grow, mine, manufacture, ship, sell, buy, use and waste specific commodities. Once the audiences for this work could see these social relations, they would understand their dependence on, and responsibilities towards, distant others and treat them the same way they would treat their friends, family members and neighbors closer to home (see Harvey 2010). This became the logic of &#8216;follow the things&#8217; trade justice activism.<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">But research on the consumption of this activism found that audiences could get just as angry with the activists who were making them feel guilty about their bad shopping behaviour as they got with the corporations who were exploiting their supply chain workers (see Sandlin &amp; Milam 2008). Others argued that this work too often set up middle class people in the Global North as both the cause of, and the cure for, the trade injustices suffered by workers in the Global South (see Chouliaraki 2011, Siddiqi 2009). Others argued that following things shouldn&#8217;t stop at their purchase and use, but continue through their journeys as waste (see Gregson et al 2010, Balayannis 2020, and our \u267b\ufe0f <a href=\"https:\/\/followthethings.com\/?page_id=353\" data-type=\"page\" data-id=\"353\">recycle my waste department<\/a>). Still others argued that even the most recent &#8216;follow the thing&#8217; research and trade justice activism relied too much on an academic literature that was published when global capitalism was simpler and the internet was in its infancy (typically Appadurai 1986, Harvey 1990 and Marcus 1995: see Hulme 2017). During the decade in which the academic cornerstones of follow the thing studies was published, email had become a popular means of communication and a forwarded email exchange in 2001 between a student and Nike became the first example of trade justice activism to go &#8216;viral&#8217; (see our page on the &#8216;<a href=\"https:\/\/followthethings.com\/?p=16933\" data-type=\"post\" data-id=\"16933\">Nike Email Exchange<\/a>&#8216;). At that time, most audiences knew little about &#8211; and could be easily shocked by &#8211; sweatshops and labour exploitation (Hulme 2017) and corporations and governments could be shamed into action by revelations of trade injustice in their supply chains (Koul 2025). Partly due to trade justice activism&#8217;s successes, circumstances have changed. Its tried and tested theories and tactics may no longer work.  <\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Despite these challenges, &#8216;follow the things&#8217; research and activism is still going strong, with relentless NGO campaiging to improve workers&#8217; rights in supply chains (see the work of NGOs like <a href=\"https:\/\/followthethings.com\/?tag=NGO-CAMPAIGN\">Global Labor Justice, Fashion Revolution and the Clean Clothes Campaign<\/a> and <strong><a href=\"https:\/\/followthethings.com\/?tag=join-with-others\" data-type=\"post_tag\" data-id=\"457\">join with others<\/a><\/strong>), activism that works with and is led by supply chain workers themselves (see the tactics: <a href=\"https:\/\/followthethings.com\/?tag=start-somewhere-different\" data-type=\"post_tag\" data-id=\"183\"><strong>start somewhere different<\/strong><\/a>, <a href=\"https:\/\/followthethings.com\/?tag=flip-the-script\" data-type=\"post_tag\" data-id=\"549\"><strong>flip the script<\/strong><\/a> &amp; <a href=\"https:\/\/followthethings.com\/?tag=workers-take-the-mic\" data-type=\"post_tag\" data-id=\"361\"><strong>workers take the mic!<\/strong><\/a>) and &#8211; it seems &#8211; fresh waves of innovative &#8216;follow the thing&#8217; research tackling important 21st Century issues (see, for example, Tsing 2015, Sodero 2019, Cowen 2020, Cullen 2020, Crutchlow &amp; Cook 2022, Taffel 2023, Ouma 2023, Liu 2024 and the tactics: <a href=\"https:\/\/followthethings.com\/?tag=include-the-digital\" data-type=\"post_tag\" data-id=\"981\"><strong>include the digital<\/strong><\/a> and <strong><a href=\"https:\/\/followthethings.com\/?tag=track-and-trace\" data-type=\"post_tag\" data-id=\"1129\">track and trace<\/a><\/strong>). Activists, researchers and students continue to be motivated to &#8216;follow the things&#8217; that matter to them and to others elsewhere. For us, no other approach provides such an accessible entrypoint into complex understandings of trade injustice and who and what can effectively counter it.<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">The &#8216;follow the things&#8217; approach \ud83e\udd1d trade justice activism &#8211; deliberately, but also by accident. As Marcus says in his 1995 essay, getting to know people who live and work in separate parts of a supply chain, and then piecing these lives together in a single joined-up narrative can disrupt not only your own sense of self as a researcher but also those of the people featured in that narrative. Seeing your previously unknown interdependencies with (and, with them, responsibilities for) distant others can change a person (see the tactic: <strong><a href=\"https:\/\/followthethings.com\/?tag=show-it-back\" data-type=\"post_tag\" data-id=\"703\">show it back<\/a><\/strong>). It&#8217;s often easiest and most common to include in &#8216;follow the thing&#8217; work the lives of the poorest and most powerless people along a supply chain &#8211; typically farm and factory workers (see the tactic: <strong><a href=\"https:\/\/followthethings.com\/?tag=find-a-character\" data-type=\"post_tag\" data-id=\"231\">find a character<\/a><\/strong>) &#8211; and the people who buy the things they make (either as the imagined audience and\/or as characters confronted with images of people making their cheap stuff &#8211; see the tactics: <a href=\"https:\/\/followthethings.com\/?tag=involve-consumers\" data-type=\"post_tag\" data-id=\"447\"><strong>involve consumers<\/strong><\/a>). But when you can also include those of company executives and CEOs making the demands that affect and profit from the labour of supply chain workers and the manufactured desires of consumers, the impact can be extraordinary (see the tactic <strong><a href=\"https:\/\/followthethings.com\/?tag=bring-managers-into-view\" data-type=\"post_tag\" data-id=\"581\">bring managers into view<\/a><\/strong>).<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">What we have learned through this followthethethings.com project is that effective &#8216;follow the thing&#8217; trade justice activism has to pay just as much attention to the relationships between the producers and consumers of that activism as it does to the relationships between the producers and consumers of the commodities it follows. The classic<a href=\"https:\/\/followthethings.com\/?tag=blame-shame-guilt\" data-type=\"post_tag\" data-id=\"409\"> blaming, shaming and guilting<\/a> of &#8216;consumers&#8217; for buying commodities made cheaply by exploited workers treats trade injustice as caused more or less only by &#8216;unethical&#8217; shopping choices. But, if you want to <a href=\"https:\/\/followthethings.com\/?tag=improve-pay-conditions\" data-type=\"post_tag\" data-id=\"359\">improve supply chain workers&#8217; pay and conditions<\/a>, your activism will need see responsible actors <em>everywhere<\/em> and find mutiple ways to encourage multiple audiences to <a href=\"https:\/\/followthethings.com\/?tag=change-corporate-behaviour\" data-type=\"post_tag\" data-id=\"305\">change corporate<\/a> and <a href=\"https:\/\/followthethings.com\/?tag=change-government-behaviour\" data-type=\"post_tag\" data-id=\"303\">government behaviour<\/a> (see Young 2003). It should not only blame, and make resposible, &#8216;the consumer&#8217;. It should <a href=\"https:\/\/followthethings.com\/?tag=start-somewhere-different\" data-type=\"post_tag\" data-id=\"183\"><strong>start somewhere different<\/strong><\/a>, <a href=\"https:\/\/followthethings.com\/?tag=choose-the-right-thing\" data-type=\"post_tag\" data-id=\"585\"><strong>choose the right thing<\/strong><\/a>, <a href=\"https:\/\/followthethings.com\/?tag=target-the-right-brand\" data-type=\"post_tag\" data-id=\"401\"><strong>target the right brand<\/strong><\/a> and<strong> <a href=\"https:\/\/followthethings.com\/?tag=choose-an-audience\" data-type=\"post_tag\" data-id=\"367\">the right audience<\/a><\/strong>, <a href=\"https:\/\/followthethings.com\/?tag=have-a-theory-of-change\" data-type=\"post_tag\" data-id=\"229\"><strong>have a theory of change<\/strong><\/a>, <a href=\"https:\/\/followthethings.com\/?tag=know-your-history\" data-type=\"post_tag\" data-id=\"813\"><strong>know your history<\/strong><\/a> and <a href=\"https:\/\/followthethings.com\/?tag=join-with-others\" data-type=\"post_tag\" data-id=\"457\"><strong>join with others<\/strong><\/a> to make its contribution.<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">followthethings.com&#8217;s CEO Ian got caught up in these debates as a student in the late 1980s and early 1990s. Teaching a traditional &#8216;Lands and peoples of the Non-Western World&#8217; module as a Masters student at the University of Kentucky in the late 1980s, he found it frustrating to present these lands and peoples as distant and separate from his (bored) students. What if there were things which they owned and relied upon that were made by people in these lands? What if there were people who studied these relationships and you could ask your students to read their work? Ian wanted to be one of these people and ended up at Bristol University undertaking a multi-sited ethnographic PhD research along a fresh papaya supply chain connecting the lives of farm workers in Jamaica to supermarket buyers in the UK (Cook et al 2017).<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">He published a paper called &#8216;Follow the thing: papaya&#8217; (Cook et al 2004) that captured what he&#8217;d found and wanted to say. Its composition couldn&#8217;t be inspired by academic writing at the time (there was very little of it). Instead, he turned to a documentary film that followed canned pineapples (Amos Gitai&#8217;s 1983 <em>Ananas (pineapple)<\/em>: see Cook, Crang &amp; Thorpe 1996) and social sculpture that followed fresh bananas (Shelley Sacks&#8217; 1996 <em>Exchange Values: images of invisible lives: <\/em>see Cook et al 2001). Both presented their narratives in short accessible chunks, leaving audiences to figure out the connections between them, to add their own perspectives, and to become part of the work&#8217;s sense-making process (see the tactic: <a href=\"https:\/\/followthethings.com\/?tag=MAKE-IT-INCOMPLETE\"><strong>make it incomplete<\/strong><\/a>). As the production of &#8216;follow the thing&#8217; trade justice activism &#8211; films, books, art work, journalism, music, pranks, academic research, etc. &#8211; began to mushroom in the late 1990s, Ian focused his research and teaching on gathering and researching these many examples as a genre in this database called followthethings.com (see Cook et al 2017). It first opened in 2011, and its design and content was updated in 2025. It&#8217;s now a database of over 100 examples of the making, reception and impacts of trade justice activism. And a work that&#8217;s still in progress.<\/p>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p>Arjun Appadurai (1988) Introduction: commodities and the politics of value. in his (ed.) <em>The social life of things: commodities in cultural perspective.<\/em> Cambridge, Cambridge University Press, p.1-63<\/p>\n\n\n\n<p>Angeliki Balayannis (2020) Toxic sights: The spectacle of hazardous waste removal. <em>Environment &amp; planning D: society &amp; space <\/em>38(4), p.772-790<\/p>\n\n\n\n<p class=\"has-small-font-size\">Laura Bannister &amp; Ruth Bergan (2023) <em>A timeline of UK trade and trade justice. <\/em>London: Trade Justice Movement<\/p>\n\n\n\n<p class=\"has-small-font-size\">Lilie Chouliaraki (2010)&nbsp;<a href=\"https:\/\/href.li\/?https:\/\/padlet.com\/redirect?url=https%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F1367877909356720%3Fdownload%3Dtrue\" target=\"_blank\" rel=\"noreferrer noopener\">Post-humanitarianism: humanitarian communication beyond a politics of pity.<\/a>&nbsp;<em>International journal of cultural studies<\/em>&nbsp;3(2), p.107\u2013126<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook et al (2000) Social sculpture and connective aesthetics: Shelley Sacks\u2019s \u2018Exchange values\u2019. <em>Ecumene<\/em> 7(3), p.337-343<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook et al (2004) Follow the thing: papaya. <em>Antipode <\/em>36(4), p.642-664<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook et al (2017) From &#8216;follow the thing: papaya&#8217; to <a href=\"https:\/\/research.ethicalconsumer.org\/sites\/default\/files\/inline-files\/Whole%20Journal%20v5.pdf\">followthethings.com. <\/a><em>Journal of consumer ethics<\/em> 1(1), p.22-29<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook &amp; Philip Crang (1996) <em>Commodity systems, documentary filmmaking &amp; new geographies of food: Amos Gitai\u2019s Ananas.<\/em> Paper presented at the annual conference of the Insitute of British Geographers\/ Royal Geographical Society, Glasgow, January<\/p>\n\n\n\n<p class=\"has-small-font-size\">Deborah Cowen (2020) <a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/02723638.2019.1677990?needAccess=true\">Following the infrastructures of empire: notes on cities, settler colonialism, and method<\/a>. <em>Urban Geography<\/em> 41(4), p.469-486<\/p>\n\n\n\n<p class=\"has-small-font-size\">Paula Crutchlow &amp; Ian Cook (2022) <a href=\"https:\/\/ore.exeter.ac.uk\/repository\/bitstream\/handle\/10871\/130104\/MoCCzine.pdf?sequence=1&amp;isAllowed=y\"><em>Museum of contemporary commodities zine.<\/em><\/a> Exeter: Museum of Contemporary Commodities<\/p>\n\n\n\n<p class=\"has-small-font-size\">Beth Cullen (2020) <a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/17450101.2020.1759929\">Constellations of weathering: following the meteorological mobilities of Bangla bricks<\/a>. <em>Mobilities <\/em>15(6), 862-879<br>Stephen Duncombe (2023) A theory of change for artistic activism. <em>The journal of aesthetics &amp; art criticism<\/em>. 81, 260\u2013268<br>Stephen Duncombe (2024) <em>Aeffect: the affect &amp; effect of artistic activism<\/em>. New York: Fordham University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Cynthia Enloe (1989) <em>Bananas, beaches &amp; bases: making feminist sense of international politics. <\/em>London: Pandora Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Nicky Gregson, Mike Crang, Farid Ahamed, Nasreen Akhter &amp; Raihana Ferdous (2010) Following things of rubbish value: End-of-life ships, \u2018chock-chocky\u2019 furniture and the Bangladeshi middle class consumer. <em>Geoforum<\/em> 41(6), p.846-854<\/p>\n\n\n\n<p class=\"has-small-font-size\">David Harvey (1990) Between space and time: reflections on the geographical imagination.&nbsp;<em>Annals, Association of American Geographers<\/em>&nbsp;80(3), p.418-434<\/p>\n\n\n\n<p class=\"has-small-font-size\">David Harvey (2010) Commodities and exchange. in his&nbsp;<em>A companion to Marx\u2019s Capital<\/em>.&nbsp;London: Verso, p.15-53<\/p>\n\n\n\n<p class=\"has-small-font-size\">Alison Hulme (2017) Following the (unfollowable) thing: methodological considerations in the era of high globalisation. <em>Cultural geographies<\/em> 24(1), p.157-160<\/p>\n\n\n\n<p class=\"has-small-font-size\">Scaachi Koiul (2025) What Ever Happened to the Yes Men? <em>Slate<\/em> 16 July (<a href=\"https:\/\/slate.com\/culture\/2025\/07\/donald-trump-political-protest-hoax-revenge-yes-men.html?fbclid=IwY2xjawMs7ONleHRuA2FlbQIxMABicmlkETFwYjBNcTh2cWZlQUJyb1Q2AR7gDb8OnwhzZ_khkmiB4d1WxLsu72OigydzbgGO8Nwab31IFN5Ns4d3-DyZBw_aem_7MQmdMBspFG2Udt3MEszVQ\">https:\/\/slate.com\/culture\/2025\/07\/donald-trump-political-protest-hoax-revenge-yes-men.html<\/a> last accessed 9 September 2025)<\/p>\n\n\n\n<p class=\"has-small-font-size\">Chen Liu (2024) Follow the digital: Methodological thoughts on doing everyday geographies in a digital world. <em>Digital geography &amp; society<\/em> 6 (online early)<\/p>\n\n\n\n<p class=\"has-small-font-size\">George Marcus (1995) Ethnography in\/of the world system: the emergence of multi-sited ethnography.&nbsp;<em>Annual review of anthropology&nbsp;<\/em>24, p.95\u2013117<\/p>\n\n\n\n<p class=\"has-small-font-size\">George Marcus and Michael Fischer (1986) <em>Anthropology as cultural critique: an experimental moment in the human sciences.<\/em> Chicago: University of Chicago Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Doreen Massey (1991) A global sense of place. <em>Marxism today<\/em> (June), p.24-29<\/p>\n\n\n\n<p class=\"has-small-font-size\">Stefan Ouma (2023) Defetishising the asset form. <em>Dialogues in human geography<\/em> 14(1), 30-33<\/p>\n\n\n\n<p class=\"has-small-font-size\">Jennifer Sandlin &amp; Jennifer Milam (2008) \u2018Mixing pop culture and politics\u2019: culture jamming and anti-consumption activism as critical public pedagogy. <em>Curriculum inquiry <\/em>38(3), p.323-50<\/p>\n\n\n\n<p class=\"has-small-font-size\">Dina M. Siddiqi (2009) Do Bangladeshi factory workers need saving? Sisterhood in the Post-sweatshop era? <em>Feminist Review,<\/em> 91(1), p.154\u2013174<\/p>\n\n\n\n<p class=\"has-small-font-size\">Stephanie Sodero (2019) Vital mobilities: circulating blood via fictionalized vignettes. <em>Cultural geographies<\/em> 26(1), p.109\u201312<\/p>\n\n\n\n<p class=\"has-small-font-size\">Sy Taffel (2023) <a href=\"https:\/\/journals.sagepub.com\/doi\/epub\/10.1177\/25148486221076136\">AirPods and the earth: digital technologies, planned obsolescence and the Capitalocene.<\/a><em> Environment &amp; planning E: nature &amp; space <\/em>6(1), p.433-454<\/p>\n\n\n\n<p class=\"has-small-font-size\">Sergei Tret&#8217;iakov (2006) The biography of the object. <em>October <\/em>118, p.57-62<\/p>\n\n\n\n<p class=\"has-small-font-size\">Anna Tsing (2015) <em>The Mushroom at the End of the World: on the possibility of life in capitalist ruins. <\/em>Princeton: Princeton University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Iris van der Tuin &amp; Nanna Verhoeff (2022) Following. in their <em>Critical Concepts for the Creative Humanities<\/em>. London: Rowman &amp; Littlefield, p.101-103<\/p>\n\n\n\n<p>Iris Marion Young (2003)&nbsp;From guilt to solidarity: sweatshops &amp; political responsibility.&nbsp;<em>Dissent&nbsp;<\/em>50(2), p.39-44<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-829852233ce5440f646627945805ef5b is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>When did people start to &#8216;follow the things&#8217;? <\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-small-font-size is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u2026 the history of the commodity is the history of global injustice \u2026 (Bruce Robbins 2005, p.460).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-6712601c925a9fa8625130a49956a30a\">The most-told origin story of &#8216;follow the thing&#8217; trade justice activism begins in the mid-1980s to 1990s (see above), and often reaches back to Karl Marx&#8217;s <em>Capital<\/em>: <em>volume 1<\/em> &#8211; whose opening chapter on commodities introduced the concept of &#8216;commodity fetishism&#8217; &#8211; published in 1867 (Harvey 1990, Cook &amp; Woodyer 2012). But the &#8216;follow the thing&#8217; approach is at least as old as capitalism itself and contributed to the emergence of popular literature, documentary film and other media before and after this (see Wenzel 2011). For example, cheap novels entertainingly explaining the emergence of global trade through the life story of a top hat or a guinea coin were being published in the mid-18th Century (see Bernaerts et al 2014, and our page on one of these novels <a href=\"https:\/\/followthethings.com\/?p=15907\">here<\/a>). In 1843, the British satirical magazine <em>Punch<\/em> published a poem called &#8216;The song of the shirt&#8217; about the squalid conditions in which of women sewed clothes in London&#8217;s East End, which went viral through the media of the time (see our page on it <a href=\"https:\/\/followthethings.com\/?p=2609\">here<\/a>). Formerly-enslaved authors and anti-slavery activists were informing consumers about the &#8216;blood&#8217; in their sugar in the late 18th Century (see Midgeley 1996). All of this happened way before Marx theorised commodities as the &#8216;DNA of capitalism&#8217; in 1867.<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-9ce546b29d79bf66194316c635288553\">The commodity (Marx) says is the \u2018economic cell form\u2019 of capitalism. It is as if he is saying that in the same way that the DNA sequence holds the secret to life, so the commodity is the economic DNA, and hence the secret of modern capitalism (Michael Watts 1999 p.308).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-a25b8c629f0d866cbbd9ee6f0e91889e\">Dipping into the history of the &#8216;follow the thing&#8217; genre, George Marcus (1990, 1995) has highlighted the importance of early 20th Century Russian constructivists like the filmmaker Dziga Vertov and the writer Sergei Tret\u2019iakov. In 1924, when documentary film was in its infancy, Vertov included an extended &#8216;follow the meat&#8217; scene in his experimental film <em>Kino Eye <\/em>called &#8216;Kopuchiska\u2019s Mother Is Shopping For Meat&#8217; (see our page on this scene <a href=\"https:\/\/followthethings.com\/?p=7665\" data-type=\"post\" data-id=\"7665\">here<\/a>). His aim, to quote from the summary on <a href=\"https:\/\/followthethings.com\/?p=7665\">that page<\/a>, was to &#8216;show how food shopping involves relations with hidden places, processes and people &#8230; [by following] a cut of meat that [Kopuchiska\u2019s Mother] buys in reverse motion, from a cooperative market, via the slaughterhouse where it is put back into the cow, who then stands up, walks backwards into the train, which returns the cow to the fields where it grazed. Vertov\u2019s message to the film\u2019s audience is to buy your meat from a workers\u2019 co-operative supermarket.&#8217; Five years later, Tret\u2019iakov&#8217;s essay &#8216;The biography of the object&#8217; imagined a new form of literature &#8211; and society &#8211; whose central characters would be things rather than people. He explained:<\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-bb6c42f39795236977a9feb63f6ffa55\">The hero is what holds the novel\u2019s universe together. The whole world is perceived through him. \u2026 [In contrast] the compositional structure of the \u2018biography of the object\u2019 is a conveyor belt. Every segment introduces a new group of people. \u2026 They come into contact with the object through their social aspects and production skills. \u2026 This longitudinal section of the human masses is one that cuts across classes. \u2026 [who] necessarily share in the biography of an object. Thus: not the individual person moving through a system of objects, but the object proceeding through the system of people \u2013 \u2026 this is the methodological device that seems \u2026 more progressive \u2026 We urgently need books about our economic resources, about objects made by people, and about people that make objects. Our politics grow out of economics, and there is not a single second in a person&#8217;s day uninvolved in economics or politics. Books such as The Forest, Bread, Coal, Iron, Flax, Cotton, Paper, The Locomotive, and The Factory have not been written. We need them, and it is only through the &#8216;biography of the object&#8217; that they can be adequately realized (Sergei Tret\u2019iakov 2006, p.58 &amp; 62).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-5169c17d2f8b235d273d451e236051c8\">The idea that following things, making visible and appreciating the relationships between their producers and consumers, can help to appreciate human interdependence and to build more equitable societies pops up in other times and places too. We can see it, for example, in 1960s US civil rights activism where Rev. Dr. Martin Luther King (1967, np) preached about his congregations&#8217; responsibilities towards supply chain workers:<\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-4226913bfeeee967e335f342b274336d\">And don\u2019t forget in doing something for others that you have what you have because of others. Don\u2019t forget that. We are tied together in life and in the world. And you may think you got all you got by yourself. But you know, before you got out here to church this morning, you were dependent on more than half of the world. &#8230; You get up in the morning and go to the bathroom, and you reach over for a bar of soap, and that\u2019s handed to you by a Frenchman. You reach over for a sponge, and that\u2019s handed to you by a Turk. You reach over for a towel, and that comes to your hand from the hands of a Pacific Islander. \u2026 [So] Let us be concerned about others because we are dependent on others.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-2fc44bdb3f9d89928a55b19a4514714d\">And, in the mid-late 20th Century era of large-scale migration from former colonies to their European imperial &#8216;homelands&#8217;, Black British writers like Stuart Hall (1991, p.48-9) were explaining how commodities and people have been crossing borders and complicating &#8216;us and them&#8217;, &#8216;here and there&#8217; distinctions for centuries:<\/p>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">People like me who came to England in the 1950s have been there for centuries; symbolically, we have been there for centuries. I was coming home. I am the sugar at the bottom of the English cup of tea. I am the sweet tooth, the sugar plantations that rotted generations of English children\u2019s teeth. There are thousands of others beside me that are, you know, the cup of tea itself. Because they don\u2019t grow it in Lancashire, you know. Not a single tea plantation exists within the United Kingdom. This is the symbolization of English identity \u2013 mean, what does anybody in the world know about an English person except that they can\u2019t get through the day without a cup of tea? Where does it come from? Ceylon \u2013 Sri Lanka, India. That is the outside history that is inside the history of the English. There is no English history without that other history.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-normal-font-size\">It is important to acknowledge that there&#8217;s a deep history of people following things for different reasons and with different audiences and outcomes in mind. Authors, filmmakers and activists who have taken a &#8216;follow the thing&#8217;-based (or material cultural) approach to understanding trade have crossed all kinds of borders, and persuaded people who are disconnected from, or invisible to, one another to consider and act upon their <em>relational connections <\/em>and<em> responsibilities<\/em> for centuries (see the tactics: <a href=\"https:\/\/followthethings.com\/?tag=pop-the-bubble\" data-type=\"post_tag\" data-id=\"389\"><strong>pop the bubble<\/strong><\/a>, <strong><a href=\"https:\/\/followthethings.com\/?tag=know-your-history\" data-type=\"post_tag\" data-id=\"813\">know your histor<\/a>y<\/strong> &amp; <strong><a href=\"https:\/\/followthethings.com\/?tag=find-lost-relations\" data-type=\"post_tag\" data-id=\"615\">find lost relations<\/a>)<\/strong>.<\/p>\n\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p>Lars Bernaerts, Marco Caracciolo, Luc Herman &amp; Bart Vervaeck (2014) The storied lives of non-human narrators. <em>Narrative<\/em> 22(1), p.68-93<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook &amp; Tara Woodyer (2012) <a href=\"https:\/\/href.li\/?https:\/\/www.vlebooks.com\/vleweb\/Product\/Index\/25099?page=0\">Lives of things.<\/a> in Eric Sheppard, Trevor Barnes &amp; Jamie Peck (eds)&nbsp;<em>The Wiley Blackwell companion to economic geography<\/em>. Oxford: Wiley-Blackwell, p.226-241<\/p>\n\n\n\n<p class=\"has-small-font-size\">Stuart Hall (1991) Old and new identities, old and new ethnicities. in Anthony King (ed) <em>Culture, globalisation and the world-system<\/em>. London: Palgrave, p.41-68<\/p>\n\n\n\n<p class=\"has-small-font-size\">David Harvey (1990) Between space and time: reflections on the geographical imagination.&nbsp;<em>Annals, Association of American Geographers<\/em>&nbsp;80(3), p.418-434<\/p>\n\n\n\n<p class=\"has-small-font-size\">Martin Luther King Jr. (1967) <em>Three dimensions of a complete life.<\/em> youtube.com [<a href=\"https:\/\/youtu.be\/GU3AnO_PJGU\">https:\/\/youtu.be\/GU3AnO_PJGU<\/a> last accessed 2 November 2023]<\/p>\n\n\n\n<p class=\"has-small-font-size\">George Marcus (1990) The modernist sensibility in recent ethnographic writing and the cinematic metaphor of montage. <em>Visual anthropology review<\/em> 6(10, p.2-12<\/p>\n\n\n\n<p class=\"has-small-font-size\">George Marcus (1995) Ethnography in\/of the world system: the emergence of multi-sited ethnography.&nbsp;<em>Annual review of anthropology&nbsp;<\/em>24, p.95\u2013117<\/p>\n\n\n\n<p class=\"has-small-font-size\">Clare Midgley (1996) Slave sugar boycotts, female activism and the domestic base of British anti\u2010slavery culture.<em> Slavery &amp; abolition<\/em> 17(3), p.137-162<br>Bruce Robbins (2005) Commodity histories. <em>PMLA<\/em> 120(2), p.454-463<br>Sergei Tret\u2019iakov (2006) The biography of the object. <em>October<\/em> 118 (Fall), p.57-62<\/p>\n\n\n\n<p class=\"has-small-font-size\">Michael Watts (1999) Commodities. in Paul Cloke, Philip Crang &amp; Mark Goodwin (eds) <em>Introducing human geographies.<\/em> London: Arnold, p.305-315<\/p>\n\n\n\n<p>Jennifer Wenzel (2011) Consumption for the common good? Commodity biography film in an age of postconsumerism. <em>Public culture<\/em> 23(3), p.573-602<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-e44be7090cfd9dd7ebe85f12f8ce187c is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What is &#8216;trade justice&#8217; and how can it be achieved?<\/summary>\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">Trade injustice consists in exploitation. Gains from trading are distributed justly only if the gains have been obtained without exploitation (Riise &amp; Wollner 2019, p.5).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-77f47aed8de0c6ef1b9e6b04da19e1de\">Since the Battle of Seattle in 1999, and the collapse of the Rana Plaza garment factory complex in 2013, the exploitation of workers in global supply chains and the discrediting of economists\u2019 assertions that international trade is a \u2018moral-free zone\u2019 have become public knowledge (Christensen 2017, Hulme 2017, Riise &amp; Wollner 2019, Bannister &amp; Bergan 2023). This knowledge is arguably the result of a diverse and dispersed body of trade justice activism that has applied pressure to governments and corporations to reformulate trade rules and to redistribute the benefits and burdens of trade more equitably (Hadiprayitno and Bagatur 2022).<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-513ddaf98da78001b1433ed4afa07fac\">Those taking part in this activism have included labour rights NGOs, labour unions, politicians, legislators, filmmakers, journalists, video game designers, app designers, product designers, consultants, Fair Trade certifiers, ethical startup companies, artists, playwrights, musicians, comedians, activists, celebrities, researchers, teachers, museum curators, lawyers, investors, consumers, citizens, workers and more (Cook et al 2017, Bostrom et al 2019, Hadiprayitno and Bagatur 2022). There have been notable trade justice success stories &#8211; for example, the passing in July 2024 of the European Union\u2019s&nbsp; <em>Corporate Sustainability Due Diligence Directive<\/em> to ensure sustainable and responsible corporate behaviour along supply chains within and beyond Europe (European Commission 2024, although <a href=\"https:\/\/www.google.com\/search?client=firefox-b-d&amp;sca_esv=3d1e29cf7e253e0e&amp;q=%22Corporate+Sustainability+Due+Diligence+Directive%22&amp;tbm=nws&amp;source=lnms&amp;fbs=AIIjpHxU7SXXniUZfeShr2fp4giZrjP_Cx0LI1Ytb_FGcOviEiTm5uW1q0uNfK7KsnoL8hUyUYUJLZ_b-p0lT09DIkR7RtNt-9R1f9Pbq4mdMMyxSelEHHADgzBCNx7-1ORi0KL6PmuZlhCdFkfC14rwu1hVYz7VaOyiNZ1fR3MRh37FnT1xKvvetQpGv6CeYusk3UW5R7062AE1WaM4vJA2CkZ6VOjUqg&amp;sa=X&amp;ved=2ahUKEwi1wPj5mOqOAxXQXUEAHZ_SKuUQ0pQJegQIExAB&amp;biw=1830&amp;bih=1092&amp;dpr=2\">watch this space<\/a>) &#8211; and research has recognised the importance of diverse forms of trade justice activism in raising and energising the public concern to which legislators have responded (Evans 2020).<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-49499d5db82440a540c3a651b2b3d005\">Despite such headline success stories, there is little consensus about how, individually and collectively, trade justice activism works and what it can do. Activists with diverse skill sets, audiences and leverage rarely meet to compare notes and coordinate actions. They don\u2019t have a central repository of trade justice activism to refer to, a theory of change for trade justice activism, or a common vocabulary to connect and coordinate their thoughts on this work. Where theories of change do exist, they are often presented as linear or spherical models that are easily communicated but oversimplified, or as multilinear or multidimensional models which are more accurate but difficult to communicate (Chapman et al 2023). Both, it is argued, struggle to account for the feelings and hunches, surprise and non-linearity that are essential elements in any change-making initiative (<em>ibid<\/em>). Indeed, some argue that it is the non-linearity and loose organisation of trade justice activism that makes it effective because corporations cannot&nbsp; easily understand or counter it as a coherent whole (Connor &amp; Phelan 2015).<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-d0b8399d274a911a4e4e252b6b4f21e1\">Recent research reveals that activists\u2019 theories of change are often implicit, simple and linear &#8211; for example, the &#8216;idealist theory of change&#8217; which believes that the creation of critical perspectives and imagining of alternative futures can inspire change. Such theories rarely include the changes to which activists&#8217; work can (un)intentionally contribute, and don&#8217;t take account of the geographical and cultural contexts in which activism needs to take place (see Duncombe 2024). A new way to <strong><a href=\"https:\/\/followthethings.com\/?tag=have-a-theory-of-change\" data-type=\"post_tag\" data-id=\"229\">theorise change<\/a><\/strong> in trade justice activism is therefore needed, to borrow Duncombe&#8217;s words, which, while it &#8216;does not guarantee an outcome \u2026 does tell us where we might intervene in order to have the best chance of the outcomes we desire \u2026 [and] provides \u2026 activists a better understanding of what they are doing so they &#8211; so we &#8211; can do it better&#8217; (p.68).<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-289c797feedc98dcf63cfb5121100b72\">For us, followthethings.com is a kind of &#8216;theory of change machine&#8217; for trade justice activism. It&#8217;s aim is to inform and inspire its shoppers to make new work that better understands the relationships between the intentions, tactics, responses and impacts of activism that may (not) work. So visit one of our departmets, choose a product, visit its page, watch or read the original, read our summary, browse the comments below, click with the intention and tactic buttons when you see them (FAQ below) and check out the beginnings of our <em>followthethings.com handbook for trade justice activism<\/em> <a href=\"https:\/\/followthethings.com\/?p=26361\">here<\/a>.<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p class=\"has-small-font-size\">Laura Bannister &amp; Ruth Bergan (2023) <em>A timeline of UK trade and trade justice. <\/em>London: Trade Justice Movement<\/p>\n\n\n\n<p class=\"has-small-font-size\">Magnus Bostr\u00f6m, Michele Micheletti &amp; Peter Oosterveer (eds) (2019) <em>The Oxford handbook of political consumerism<\/em>. Oxford: Oxford University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Sarah Chapman, Adiilah Boodhoo, Carren Duffy, Suki Goodman &amp; Maria Michalopoulou (2023) Theory of change in complex research for development programmes: challenges and solutions from the Global Challenges Research Fund. <em>The European Journal of Development Research <\/em>35, p.298\u2013322<\/p>\n\n\n\n<p class=\"has-small-font-size\">James Christensen (2017) <em>Trade justice<\/em>. Oxford: Oxford University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Tim Connor &amp; Liam Phelan (2015) Antenarrative &amp; transnational labour rights activism: making sense of complexity &amp; ambiguity in the interaction between Global Social Movements &amp; Global Corporations. <em>Globalizations<\/em> 12(2), p.149-163<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ian Cook et al (2017)&nbsp;followthethings.com: analysing relations between the making, reception and impact of commodity activism in a transmedia world. In Ola S\u00f6derstr\u00f6m O &amp; Lauren Kloetzer&nbsp;(eds.)&nbsp;<em>Innovations sociales: comment les sciences sociales transforment la soci\u00e9t\u00e9<\/em>, Neuch\u00e1tel, Switzerland: University of Neuch\u00e1tel, p.46-60<\/p>\n\n\n\n<p class=\"has-small-font-size\">Stephen Duncombe (2024) <em>Aeffect: the affect &amp; effect of artistic activism<\/em>. New York: Fordham University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">European Commission (2024) Corporate sustainability due diligence. <em>European Commission<\/em> 25 July (<a href=\"https:\/\/commission.europa.eu\/business-economy-euro\/doing-business-eu\/sustainability-due-diligence-responsible-business\/corporate-sustainability-due-diligence_en\">https:\/\/commission.europa.eu\/business-economy-euro\/doing-business-eu\/sustainability-due-diligence-responsible-business\/corporate-sustainability-due-diligence_en<\/a> last accessed 1 August 2025)<\/p>\n\n\n\n<p class=\"has-small-font-size\">Alice Evans (2020) <a href=\"https:\/\/www.tandfonline.com\/doi\/pdf\/10.1080\/09692290.2019.1679220\">Overcoming the global despondency trap: strengthening corporate accountability in supply chains<\/a>. <em>Review of International Political Economy<\/em>, 27(3), p.658-685<\/p>\n\n\n\n<p class=\"has-small-font-size\">Irene Hadiprayitno and Sine Bagatur (2022) Trade justice, human rights, and the case of palm oil. in Elena V. Shabliy, Martha J. Crawford &amp; Dmitry Kurochkin (eds) <a href=\"https:\/\/link-springer-com.uoelibrary.idm.oclc.org\/book\/10.1007\/978-3-030-93068-4\"><em>Energy Justice:<\/em> <em>Climate Change Mitigation and Adaptation<\/em><\/a><em>. <\/em>Cham: Palgrave MacMillan, p.157-172<\/p>\n\n\n\n<p class=\"has-small-font-size\">Alison Hulme (2017) Following the (unfollowable) thing: methodological considerations in the era of high globalisation. <em>Cultural geographies<\/em> 24(1), p.157-160<\/p>\n\n\n\n<p class=\"has-small-font-size\">Mathias Risse &amp; Gabriel Wollner (2019) <em>On trade justice: a philosophical plea for a new global deal<\/em>. Oxrord: Oxford University Press<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-3bf366f305d0d083aee51c73f2f51995 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What kind of trade justice activism is showcased here?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-16a62f3015969e63e7538f9af6048b16\">This site showcases \u2018follow the thing\u2019 films, books, academic journal articles, art installations, newspaper articles and undergraduate research. This work has followed nuts, t-shirts, tablet computers, cash, bullets and more. It aims to better understand global capitalism by paying attention to the \u2018social lives\u2019 of individual things as they come into being, move and change between farms, factories, shops, homes and beyond in different parts of the world. It tries to encourage empathetic understandings of trade as social relations between people and to orchestrate and provoke discussion of social and economic (in)justice, sustainability, activism etc. for old and new audiences.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-498714869ff764ed3be9d6d0d59299b9 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What kinds of audiences has followthethings.com been created for?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-3da31f4bc35dfadbad310e01e7c0897c\">followthethings.com has been designed for non-specialist public audiences. Anyone who is concerned about globalisation, trade, social and economic justice, sustainability. Academics, teachers, students, artists, filmmakers, consumers, activists, business people, and others wanting to think through the issues raised by this work and\/or to create new work that builds upon it. Each example featured on the website has been chosen because the filmmaker, artist or writer has tried to involve their audiences in the stories they tell, and the connections they make. The website has also been designed to do this. It showcases, and is itself an example of, trade justice activism.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-2699a380b5b27ded1ec651aacc0ccb96 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Why make a website and why use that logo?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"233\" src=\"https:\/\/follow-the-things.onyx-sites.io\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29-1024x233.png\" alt=\"\" class=\"wp-image-5719\" style=\"width:426px;height:auto\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29-1024x233.png 1024w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29-300x68.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29-768x175.png 768w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29-1536x349.png 1536w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/09\/Screenshot-2024-09-10-at-11.38.29.png 1724w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-normal-font-size\">followthethings.com not only curates and studies examples of trade justice activism, but is also an example of trade justice activism in its own right. It has drawn on two main tactics: <strong><a href=\"https:\/\/followthethings.com\/?tag=make-a-website\" data-type=\"post_tag\" data-id=\"189\">make a website<\/a><\/strong> and <a href=\"https:\/\/followthethings.com\/?tag=make-it-familiar\" data-type=\"post_tag\" data-id=\"291\"><strong>make it<\/strong><\/a> <a href=\"https:\/\/followthethings.com\/?tag=make-it-familiar\" data-type=\"post_tag\" data-id=\"291\"><strong>familiar<\/strong><\/a>. A key task to make our website familiar was to design its  logo. This was achieved through a combination of design activism and a found lecture slide. Explaining the design activism she and her students created for the <a href=\"https:\/\/followthethings.com\/?p=10453\"><em>Bananas!*<\/em> documentary<\/a> (and its sequel) that are featured in our store, Rebeca M\u00e9ndez explained:<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">When I left advertising I was interested in applying [the] lessons of mass market messaging to non-profit or cultural organizations, where the motive is not monetary profit, but spreading a social awareness. \u2026 Because non-profit agencies and many cultural institutions do not have big budgets to spend on marketing and advertising, you have to find this force within, so it will propel itself and do the work for you &#8230; The original movie title BANANAS! had a two-fold edge; it means that bananas are the subject matter of the film, and the exclamation mark makes it into a widely known catch phrase used to exclaim indignity and disbelief about an absurd situation, as in: \u2018This mess is so bananas! \u2019 We wanted to add a third dimension of awareness to the title that tells you there is more to find out about bananas. There is a footnote to its jolly image, this information that has been omitted, that once revealed will make you think twice about the food that we consume. The asterisk is our engine to activate a movement, and, in hindsight, it is perhaps also our saving grace. With the addition of an asterisk to the title we acquire this built-in force to expose the rotten state of affairs behind the delicious bananas. &#8230; By adding this universally understood typographic character we acquire a method to reveal unjust circumstances and affect behavior. It has the potential to become a tool to unmask unethical business practices in any industry. That\u2019s the idea and ambition (Source: M\u00e9ndez in Cook et al 2010, np link).&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-89001c4b2f064bdab61d0a0d133f96f7\">We wanted our store&#8217;s logo to &#8216;find the forces&#8217; of internationally well-known online stores and use them to do some work for us. Our logo brief was inspired in part by the many online stores that we visited to select familiar design features, and by a diagram from lecture slide by Professor Trevor Barnes, Department of Geography, University of British Columbia in Canada (see above left: from Cook et al 2015). Trevor had created it to exlain the \u2018follow the thing\u2019 approach to his students. The text above the diagram read:<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-2f05b9b2847acd56695bb94f9e08a10f\">Early work presented commodity chains as a simplified network (supposes a single order and one direction of movement): A =&gt; B =&gt; C =&gt; D (commodity chain as simplified network). But networks can be more complex [as illustrated by the second A-B-C-D diagram below] (Barnes nd, np).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-978f8efac7598f3a1b55426d67c95b1e\">CEO Ian asked our site&#8217;s graphic design team to wrap around our site&#8217;s name a couple of arrows whose shape and direction were borrowed from Trevor&#8217;s slide (with his permission). We chose a black text with orange arrows on a white background because this was a common colourway. In 2022, a review of &#8216;digital renderings&#8217; of otherwise unknown supply chains described the 2011-2024 design of followthethings as:<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">Simulation, familiarity, particularity: follow-the-things gathers documentation of the supply chain underbellies of various commodities that users can browse as if shopping online. [And] &#8230; an Amazon underbelly of sorts, designed to match the feel of online shopping but linking the visitor instead to scholarship, films, stories, reporting on a given product (Matthiessen &amp; Steele 2022, p.16).<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-normal-font-size\">For more detail about the design of our logo and every other part of the 2011 followthethings.com store, see Cook et al (2015, 2017). The 2025 redesign which created the website you&#8217;re visiting right now shared the same design principles as the original site, bit with updated reference to the ways in which popular shopping and video-sharing websites have more recently been designed.<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-32ea5441bae9eab12393043b016af7b1\">Trevor Barnes (nd) <em>C<a href=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/01\/ftt_trevor_barnes_lecture_slides.pdf\">ommodity chains and consumption: lecture topic 13<\/a><\/em>. Department of Geography, University of British Columbia (<a href=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/01\/ftt_trevor_barnes_lecture_slides.pdf\">https:\/\/followthethings.com\/wp-content\/uploads\/2025\/01\/ftt_trevor_barnes_lecture_slides.pdf<\/a> last accessed 9 Augist 2025)<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-78e764f0bdd5a3e0650b3e74400c2c74\">Ian Cook et al (2020) <em>Bananas!*<\/em> followthethings.com\/bananas.shtml (last accessed 10 August 2025)<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-8a6107df936fef985df0a2ff837e6462\">Ian Cook et al (2015) Fabrication critique et web 2.0: les g\u00e9ographies mat\u00e9rielles de followthethings.com.<em>G\u00e9ographie et Cultures<\/em> 91-92, p.23-48 [download the English version <a href=\"https:\/\/followtheblog.org\/wp-content\/uploads\/2016\/06\/cook-et-al-critical-making-and-ftt-com.pdf\">her<\/a>e]<br>Ian Cook et al (2017)&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20170913111634\/https:\/\/www.unine.ch\/files\/live\/sites\/maps\/files\/shared\/documents\/E-books\/E-book%20MAPS%20-%201_2017_Soderstrom_Kloetzer_Jeannerat%20[eds].pdf\">followthethings.com: analysing relations between the making, reception and impact of commodity activism in a transmedia world<\/a>. In S\u00f6derstr\u00f6m, O. &amp; Kloetzer, L.&nbsp;(eds.)&nbsp;<em>Innovations sociales: comment les sciences sociales transforment la soci\u00e9t\u00e9<\/em>, Neuch\u00e1tel, Switzerland: University of Neuch\u00e1tel, p.46-60<\/p>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-small-font-size wp-elements-bbdc6429e519f1dd8ab69cafd4e9ffc4\">Miriam Matthiessen &amp; Anne Lee Steele (2022) Rendering supply chains research and its (dis)contents: an anti-paper on open knowledge and maintenance as a research ethos. <em>APRJA<\/em> 11(1), p.10-27<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-a5fa37e266980df73b048fb990cf957e is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Why is the site&#8217;s tagline \u2018another kind of shopping\u2019?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-7bf38f05c1ba31c5c20efb8db78986d9\">On followthethings.com \u2018shopping\u2019 has an important double meaning, both \u201cto seek or examine goods, property, etc. offered for sale\u201d and \u201cto behave treacherously toward; inform on; betray\u201d or \u201cto give away information about\u201d those goods, property, etc (Anon nd). Anyone who has made work featured on the site, and anyone who has visited the site, is therefore referred to as a \u2018shopper\u2019 (for more, see Cook et al 2015).<br><\/p>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p>Anon (nd) Shop. dictionary.com (<a href=\"http:\/\/dictionary.reference.com\/browse\/shop\">http:\/\/dictionary.reference.com\/browse\/shop<\/a> last accessed 17 July 2011)<br>Ian Cook et al (2015) Fabrication critique et web 2.0: les g\u00e9ographies mat\u00e9rielles de followthethings.com. <em>G\u00e9ographie et Cultures<\/em> 91-92, p.23-48 [download the English version <a href=\"https:\/\/followtheblog.org\/wp-content\/uploads\/2016\/06\/cook-et-al-critical-making-and-ftt-com.pdf\">here<\/a>]<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-0dc7ec5501e3c6ce43e388eeab9f87d3 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Is anything for sale?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-6cb2427a0a77af9add86f713e2b074ee\">No. This is a non-commercial website. <\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-ad95511e4b6f7bad27036e7caa9cb388 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>How is the website organised?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-a58bde029b6c62769651d01d85dd717e\">followthethings.com is organised like an online store, with Fashion, Grocery, Electronics, Health &amp; Beauty and other \u2018departments\u2019 and different ways of shopping on its homepage via &#8216;iconic brands&#8217;, or &#8216;prime content&#8217; for example. Each \u2018department\u2019 contains images of the products that have been followed and, underneath each one, a collection of buttons outlining their geographical origins and destinations (there&#8217;s more on these buttons above), their brand(s), the type of work that has followed them, a sense of that work&#8217;s intentions and tactics, and and a sense of its price. Clicking on any one of these images will lead to the page devoted to that example.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-3a7935a4dfc0086a92ee4af5811594bf is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What kind of writing can we expect to read about these examples?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-6bd5cd8963e8d99bd49c6d5c0db7e469\">This website showcases the kinds of discussions that people can have about trade (in)justice, the kinds of research they can do for themselves on the lives of commodities that matter to them, and what can and should be done to improve the pay and conditions of supply chain workers. <\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-2f4cb164451c0c312842be91e1edf080\">Each of the example pages&nbsp;begins with access to the example and is followed by a series of buttons which describe its date of production, featured brand(s), origin and destination geographies, and the example&#8217;s main intentions and tactics as we see them. This is followed by a brief discussion of the example and its significance, the page reference to use if you want to refer to this in your work and an estimated reading time. There are three kinds of pages on this website which aim to do this in different ways:&nbsp; \u2018article pages\u2019 (a small number of original newspaper articles reproduced in full, e.g. <a href=\"https:\/\/followthethings.com\/?p=17859\">A gadget to die for<\/a> on the launch of the iPad), \u2018compilation pages\u2019 (made from found quotations that we have re-arranged for you to read), and \u2018<a href=\"https:\/\/followthethings.com\/?tag=follow-it-yourself\">follow it yourself<\/a>\u2019 pages (work by students and followthethings.com staff and interns which has been inspired by the website&#8217;s content). <\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-0ba0f6b28886f4ee88a6921a6b6eaf3b\">Most of the examples pages on this website are &#8216;compilation pages&#8217;. Reading a page like this is like reading the comments on a YouTube video, on an online newspaper article, on product for sale on amazon, or on a discussion forum like reddit. The comments are arranged without analysis. They don&#8217;t tell you who or what is right or wrong, good or bad. They invite you into these conversations, to agree and disagree with what&#8217;s being said, and to work out what you think about the problems of, and solutions to, trade injustice &#8211; whether that be ethical consumption, activism and protest, changing the laws of global trade, and\/or many other options. These conversations don&#8217;t often take place in school or university classrooms. But watching \/ reading an example and then reading a conversation about it on our website can spark these conversations (see our &#8216;<a href=\"https:\/\/followthethings.com\/?page_id=1677\">Back to School<\/a>&#8216; page for ideas).<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-78bfa9cde100b48c17ee604c72adc4bf is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Why are there buttons and how to they work?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-4e57d17198fcdb232cdfc59c4f26a67f\">As part of the 2025 redesign, each example page now contains a series of buttons of different colours. These are the first signs of the ways in which the new followthethings.com website can help to theorise change for trade justice actisism. Here&#8217;s the key:<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-65a8c4df wp-block-buttons-is-layout-flex\" style=\"font-size:8px\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-cyan-bluish-gray-color has-white-background-color has-text-color has-background has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=2010\" style=\"border-radius:5px;font-size:10px\">YEAR OF PUBLICATION \/ HAPPENING<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-white-color has-black-background-color has-text-color has-background has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=royally-minted\" style=\"border-radius:5px;font-size:10px\">BRAND(S) TARGETED (OR UNBRANDED)<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link has-white-color has-vivid-red-background-color has-text-color has-background has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=coin\" style=\"border-radius:5px;font-size:10px\">FEATURED COMMODITY<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link has-black-color has-text-color has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=origin-chile\" style=\"border-radius:5px;font-size:10px\">WHERE IT ORIGINATED<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link has-black-color has-text-color has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=destination-uk\" style=\"border-radius:5px;font-size:10px\">WHERE IT ENDED UP<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--6\"><a class=\"wp-block-button__link has-white-color has-vivid-purple-background-color has-text-color has-background has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=follow-it-yourself\" style=\"border-radius:5px;font-size:10px\">TYPE OF TRADE JUSTICE ACTIVISM<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--7\"><a class=\"wp-block-button__link has-white-color has-luminous-vivid-orange-background-color has-text-color has-background has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=pop-the-bubble\" style=\"border-radius:5px;font-size:10px\">INTENTIONS OF THIS ACTIVISM<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--8\"><a class=\"wp-block-button__link has-vivid-red-color has-text-color has-link-color has-custom-font-size wp-element-button\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=choose-the-right-thing\" style=\"border-radius:5px;font-size:10px\">TACTICS CHOSEN TO REALISE THIS INTENTION<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Each of these buttons is linked to a tag so that, for example, if you click one example&#8217;s year of publication you will see all of the examples published in that year. If you click one example&#8217;s brand, you will see other examples targeting that brand. And, if you click one example&#8217;s white-on-orange <em>intentions<\/em> buttons or red-on-white <em>tactics<\/em> buttons, you will see a page defining that intention or tactic and every example organised according to that intention or using that tactic.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">There&#8217;s lots going on &#8216;within&#8217; between the lines&#8217; of our site&#8217;s design. These buttons bring to the surface the ways in which the 2025 version of followthethings.com is developing an &#8216;antenarrative approach&#8217; towards, and a &#8216;pattern language&#8217; for, &#8216;theorisations of change&#8217; that shoppers could develop for their trade justice activism. Here&#8217;s the explanation.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Social movement researchers have argued that trade justice activism\u2019s numerous, dispersed, loosely organised, transnational, competing, collaborating, spontaneous, and\/or temporary or unstable networks are unsuitable for description, analysis or theorisation via traditional linear narrative forms. Rather than focusing on a limited selection of activist actors and organisations and explaining their (lack of) impact on a targeted corporation, for example, these researchers take a non-linear \u2018ante-narrative\u2019 approach which pays attention to &#8216;the way in which relatively disordered processes &#8211; including spontaneous actions by actors on the peripheries of campaign networks \u2026 &#8211; can contribute as much to achieving the movement\u2019s goals as can globally coordinated and highly disciplined campaign activities&#8217; (Connor &amp; Phelan 2015, p.160).<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Building on this understanding of the ways in which trade justice activism can be effective, the followthethings.com project is developing a \u2018pattern language\u2019 to theorise relationships between its intentions, tactics, responses and impacts. We have been inspired to do this by a series of handbooks called <em>Beautiful trouble: a toolbox for revolution<\/em> (Boyd 2012), <em>Beautiful rising: creative resistance from the Global South <\/em>(Abujbara et al 2017) and <em>Beautiful solutions: a toolbox for liberation <\/em>(Williams et al 2025). Written by and for artistic activists planning new work, they have been inspired by architects Christopher Alexander et al\u2019s 1977 book <em>A pattern language: town, buildings, construction. <\/em><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Alexander et al&#8217;s book contains 253 easy to understand four page chapters &#8211; or patterns &#8211; each focusing on a single element of the built environment &#8211; e.g. \u2018A place to wait\u2019 (p.707). Each chapter has a common format: cataloguing each element, providing an image of a typical example, describing its function, history, context and &#8216;the field of forces that the pattern must bring into balance&#8217; (Mitchell &amp; McGee 2011, p.141), prescribing actions to make it work well, and suggesting other patterns that would complement it &#8211; e.g. \u2018Opening to the street\u2019&nbsp; or \u2018Still water\u2019 &#8211; to read next (Alexander et al 1977, p.150: see also Dawes &amp; Ostwald 2017). Each element is therefore understood in relation to, and as dependent on, multiple possible others, with their collection in the book provides a flexible, open-ended \u2018pattern language\u2019 that &#8216;allow[s] for infinite nondeterministic generativity&#8217; (Bhatt 2010, p.712 &amp; 716). Rather than reading the book from cover to cover, <em>A pattern language<\/em> was designed so that readers could start on any page, with any pattern, choose a recommended complementary pattern to read next and, via a non-linear process, piece together a larger design of their own.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Written by and for artist-activists working in different contexts, the three <em>Beautiful <\/em>books <em>were <\/em>&#8216;inspired by [<em>A pattern language<\/em>\u2019s] modular interlocking format, its organically expandable structure and by the democratic nature of the form, which provides tools for people to adapt to their own unique circumstances&#8217; (Boyd &amp; Oswald Mitchell 2012, p.4). The skill in creating a pattern language is in identifying the elements (isolating them from complexity), writing concisely and evocatively about them (using a common chapter format) and choosing their dependent connections (what goes with each individual element). To write <em>Beautiful trouble, <\/em>for example, Seventy authors shared their experiences in order to distil from them a \u2018pattern language\u2019 for artistic-activism comprising 31 <em>tactics<\/em> (e.g. \u2018Blockade\u2019), 53 <em>principles<\/em> (e.g. \u2018Team up with experts\u2019), 30 <em>theories<\/em> (e.g. \u2018Environmental justice\u2019), and 34 <em>case studies <\/em>(e.g. \u2018Santa Claus Army\u2019) to make this work more effective (Uzer 2020). Each short chapter simply names and catalogues its tactic, etc., pictures it, identifies its fields of forces and actions to take, and suggests complementary tactics, principles, theories and case studies to read next.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">Commenters have described their experience of reading <em>Beautiful trouble<\/em> as similar to a &#8216;popular travel guide book with side columns highlighting key points, case studies, and further insights\u2026 [which] makes it comfortably familiar and easy to navigate&#8217; (Simpson 2017, p.54), &#8216;its modular [interlocking] structure [meaning] \u2026 you can wander, weaving between practice and theory \u2026 forging your own path&#8217; (Anon 2012, np), as if  &#8216;mounting a revolt [were] like someone assembling a Swedish bookcase&#8217; (Ramirez 2012, p.1). The <em>Beautiful <\/em>books are organised as if each tiny chapter was connected to recommended others via hyperlinks, which means that they have easily been transposed (and continue to be added to) as websites (see <a href=\"https:\/\/beautifultrouble.org\/\">https:\/\/beautifultrouble.org\/<\/a>). What the <em>Beautiful <\/em>series does <em>not<\/em> do, however, is to follow through from the <em>intentions<\/em>, <em>tactics<\/em> and <em>theories<\/em> that it identifies into the <em>responses<\/em> and <em>impacts<\/em> &#8211; including the unintended, boomerang ones &#8211; that its case studies have generated (see Duncombe 2024).<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">This is why we believe that our new followthethings.com website (and its emerging <em><a href=\"https:\/\/followthethings.com\/?p=26361\" data-type=\"post\" data-id=\"26361\">Handbook for trade justice activism<\/a>) <\/em>could allow us, and our shoppers, to better <a href=\"https:\/\/followthethings.com\/?tag=have-a-theory-of-change\" data-type=\"post_tag\" data-id=\"229\"><strong>theorise change<\/strong><\/a> for trade justice activism. To provide a proof of concept for the handbook, book designer <a href=\"https:\/\/patriciamoffett.com\/\">Patricia Moffett<\/a> was commissioned in 2022 to create an InDesign template based on the <em>Beautiful trouble<\/em> model and CEO Ian wrote into it sample pages for intention, tactic, response and impact chapters. From 2023-2025, students analysed the comments collected on 15 trade justice films, TV series and music videos on the followthethings.com website during the &#8216;Geographies of Material Culture&#8217; module at the University of Exeter. With CEO Ian, they identified 22 <em>intentions<\/em> (e.g. <a href=\"https:\/\/followthethings.com\/?tag=show-capitalist-evils\" data-type=\"post_tag\" data-id=\"135\"><strong>show capitalist evils<\/strong><\/a> and <a href=\"https:\/\/followthethings.com\/?tag=show-whats-possible\"><strong>show what\u2019s possible<\/strong><\/a>), 101 <em>tactics<\/em> (e.g.<strong> <a href=\"https:\/\/followthethings.com\/?tag=find-give-inspiration\">find &amp; give inspiration<\/a><\/strong> and <a href=\"https:\/\/followthethings.com\/?tag=juxtapose-extremes\" data-type=\"post_tag\" data-id=\"525\"><strong>juxtapose extremes<\/strong><\/a>), 60 <em>responses<\/em> (e.g. <strong><a href=\"https:\/\/followthethings.com\/?tag=i-laughed-my-ass-off\">I laughed my ass off<\/a><\/strong> and <strong>that&#8217;s disgusting<\/strong>) and 21 impacts (e.g. <strong>I shop differently now<\/strong> and <strong>Governments intervene<\/strong>). In 2024-25, students drew upon a draft version of the <em>Handbook <\/em>to offer documentary filmmakers advice on how to make an effective trade justice documentary. We&#8217;ve published their advice to give a sense of how our <em>Handbook<\/em> can work:<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-normal-font-size\">ADVICE TO FILMMAKERS<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-small-font-size\">How students have used this handbook to criticaly anaylse trade justice activism<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-normal-font-size\"><a href=\"https:\/\/followthethings.com\/?p=26037\">\u2018Get people to reflect, not recoil\u2019<\/a> &#8211; by Abbie Gollings<br><a href=\"https:\/\/followthethings.com\/?p=25829\">\u2018Choose the emotion that won\u2019t let go \u2013 then hit \u2018record\u2019<\/a> &#8211; by Luke Elkington<br><a href=\"https:\/\/followthethings.com\/?p=25355\">\u2018You can\u2019t Ctrl+C, Ctrl+V resistance\u2019<\/a> &#8211; by Lucian Harford<br><a href=\"https:\/\/followthethings.com\/?p=25313\">\u2018Yes, it\u2019s small. But that\u2019s the point\u2019<\/a> &#8211; by Sophie Burden<br><a href=\"https:\/\/followthethings.com\/?p=25257\">\u2018Just showing up \u2013 again and again \u2013 can be the start of something\u2019<\/a> &#8211; by Jock MacKinlay<br><a href=\"https:\/\/followthethings.com\/?p=25125\">\u2018It\u2019s funny how you can be so angry at someone who is just doing their job\u2019 <\/a>&#8211; by Katie Smart<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/followthethings.com\/?p=26361\">TO THE HANDBOOK CONTENTS PAGE \ud83d\udc49<\/a><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-normal-font-size\">followthethings.com is, and always will be, a work in progress. The work that we have yet to do will, we hope, make a novel contribution to trade justice (and wider cultural) activist theory and practice. We are thankful to all the <em>Beautiful trouble<\/em> people for showing us the way to do this. We \u2764\ufe0f those books.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p class=\"has-small-font-size\">Juman Abujbara, Andrew Boyd, Dave Mitchell &amp; Marcel Taminato (comps.) (2017) <em>Beautiful rising: creative resistance from the Global South<\/em>. New York: O\/R Books <\/p>\n\n\n\n<p class=\"has-small-font-size\">Christopher Alexander, Sara Ishikawa, and Murray Silverstein, with Max Jacobson, Ingrid Fiksdahl-King, and Shlomo Angel (1977) <em>A pattern language: town, buildings, construction.<\/em> Oxford: Oxford University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Anon (2012) [lost source]<\/p>\n\n\n\n<p class=\"has-small-font-size\">Ritu Bhatt (2010) Christopher Alexander&#8217;s pattern language: an alternative exploration of space-making practices. <em>The Journal of architecture<\/em>, 15(6), p.711-729,<\/p>\n\n\n\n<p class=\"has-small-font-size\">Andrew Boyd (comp) (2012) <em>Beautiful trouble: a toolbox for revolution. <\/em>New York: O\/R Books<\/p>\n\n\n\n<p class=\"has-small-font-size\">Andrew Boyd &amp; Dave Oswald Mitchell (2012) Introduction. in Andrew Boyd (comp) (2012) <em>Beautiful trouble: a toolbox for revolution. <\/em>New York: O\/R Books, p.1-5<\/p>\n\n\n\n<p class=\"has-small-font-size\">Tim Connor &amp; Liam Phelan (2015) Antenarrative &amp; transnational labour rights activism: making sense of complexity &amp; ambiguity in the interaction between Global Social Movements &amp; Global Corporations. <em>Globalizations<\/em> 12(2), p.149-163<\/p>\n\n\n\n<p class=\"has-small-font-size\">Michael Dawes &amp; Michael Ostwald (2017) Christopher Alexander\u2019s <em>A Pattern Language<\/em>: analysing, mapping and classifying the critical response. <em>City, territory &amp; architecture <\/em>4(17), p.1-14<\/p>\n\n\n\n<p class=\"has-small-font-size\">Stephen Duncombe (2024) <em>Aeffect: the affect &amp; effect of artistic activism<\/em>. New York: Fordham University Press<\/p>\n\n\n\n<p class=\"has-small-font-size\">Alex Mitchell &amp; Kevin McGee (2011) Writing in style: pattern languages and writing short fiction. <em>Storyworlds: a journal of narrative studies<\/em> 3, p.139-160<\/p>\n\n\n\n<p class=\"has-small-font-size\">Julia Ramirez (2012) Beautiful Trouble o c\u00f3mo moverse entre el arte y la revuelta. <em>re-visiones<\/em> 12, p1-3 [traslated from Spanish by Google Translate)<\/p>\n\n\n\n<p class=\"has-small-font-size\">Romanda Simpson (2017) Beautiful Trouble: A Toolbox for Revolution. <em>Undercurrents<\/em> 20, p.54-55<\/p>\n\n\n\n<p class=\"has-small-font-size\">Evren Uzer (2020) Beautiful Trouble: a pattern language of creative resistance &#8211; an interview with Nadine Bloch. in Jilly Traganou (ed). <em>Design &amp; political dissent<\/em>: <em>spaces, visuals, materialities<\/em>. New York: Routledge, p.110-120<\/p>\n\n\n\n<p class=\"has-small-font-size\">Elandria Williams, Rachel Plattus, Eli Feghali &amp; Nathan Schneider (comps.) (2025) <em>Beautiful solutions: a toolbox for liberation<\/em>. New York: O\/R Books<\/p>\n\n\n\n<p><\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-46279db01877e3b3debb8111718bd1d7 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Who has produced its pages?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">The design of followthethings.com was created, trialled and revised by CEO Ian in 2010-2011 with the help of a &#8216;user crew&#8217; including James Evans, Peter Jackson, Tim Cresswell, Jane Hodgson, Duncan Fuller, Shelley Stephenson, Keith Brown, Tracey Skelton, Alison Hulme, Nissa Ramsay, Damian Maye, Alan Parkinson, Shelley Sacks, Jenny Chan, Kerry Burton, David Lambert, Helen Griffiths, Lisa Tucker, Estelle Levin, Alex Hughes, Phil Crang, Neil Coe, Inge Daniels, Andrea Chung, Freddie Abrahams, Sarah Wrathmell, Mike Goodman, Roger Firth, George Marcus, Louise Ellis, Becky Morris, Mary Biddulph, Leah Hager Cohen, Heather Putnam, Kris Olds, Deborah Leslie, Louise Crewe, Raul Sutton, Alice Williams, Melanie Jackson, Di Swift, Karin Mak and Kate Rich. The 2025 redesign was trialled and revised with the help of members of the University of Exeter&#8217;s <em>Cultural and Historical Geographies Research Group<\/em>, including Laura Smith, Lizzie Hobson, Alice Angus, Nicola Thomas and Daisy Curtis.<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-765bed916c4a7e3db39c4d18b6890725\">Most of followthethings.com&#8217;s pages have been produced by students taking CEO Ian\u2019s \u2018Geographies of Material Culture\u2019 module at the Universities of Birmingham and Exeter in the UK and Keith Brown&#8217;s \u2018Anthropologies of Global Connection\u2019 module at Brown University in the USA. Student authorship is acknowledged in the page reference which is listed under the summary\/abstract at the start of a page, and between the final comment and the source list further down, for example (from the <a href=\"https:\/\/followthethings.com\/?p=18021\">Gravesend, 2007<\/a> page: Bollands et al 2024):<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"57\" src=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-1024x57.png\" alt=\"\" class=\"wp-image-27051\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-1024x57.png 1024w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-300x17.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-768x43.png 768w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-1536x85.png 1536w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.11-2048x114.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"116\" src=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-1024x116.png\" alt=\"\" class=\"wp-image-27053\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-1024x116.png 1024w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-300x34.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-768x87.png 768w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-1536x174.png 1536w, https:\/\/followthethings.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-05-at-08.39.21-2048x232.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-0684bec65784d9c4793672a138cf37ce\">Some pages have been produced by CEO Ian and Exeter-based followthethings.com interns and Brown-based Undergraduate Teaching and Research Assistantships [UTRA] students. These interns and UTRAs have been: Jeff Bauer, Maura Pavalow, Emma Buck, Jasmine Lee, Daisy Livingstone, Aidan Waller, Jack Parkin, Alice Goodbrook, Emma Christie Miller, Eeva Kemppainen, Eleanor Bird, Jack Parkin, Tommy Sadler, Rachael Midlen, Nancy Scotford, Charlotte Brunton, Will Kelleher, Jenny Hart, Diana Shifrina, Maura Pavalow, Sabrina Skau, Annily Skye-Jeffries, Caroline Weston Goodman, Kate Fox, Lily Petherick, Zahra Ali, Beth Massey, Jemma Sherman, Annabel Ray, Sarah Ader, Izzie Jeffrey, Natalie Cleverly and Lucian Harford. Each page summary has been written by CEO Ian, who has written everything else (including these FAQs) and edited every student- and intern-written page.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-fa8c02c93a3504bd73cc2d40cc821157 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>How has this site been funded?<\/summary>\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-586024ac579bdec8a969da62b91dbd33\">The followthethings.com project began as CEO Ian&#8217;s unfunded experiment until site research was undertaken through Undergraduate Teaching and Research Assistantships (UTRAs) awarded in the summers of 2010 and 2011 [employing Jeff Bauer, Sabrina Skau, Maura Pavalow, Diana Shifrina, Emma Buck and Jasmine Lee: see Jeff\u2019s blog <a href=\"http:\/\/www.globalconversation.org\/users\/jeffbauer\">here<\/a> &amp; Jasmine\u2019s blog <a href=\"http:\/\/www.globalconversation.org\/users\/jcl3\">here<\/a>]. These were funded by the <em>Watson Institute for International Studies <\/em>at Brown University, USA and were supervised by Dr Keith Brown who collaborated with CEO Ian at the start of the project, and protoyped its student participation. Ian and Keith had been colleagues at the University of Wales, Lampeter and ended up teaching parallel modules at Exeter and Brown on the &#8216;Geographies of material culture&#8217; and the &#8216;Anthropologies of global connection&#8217; respectively.<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-b6a509dbdb87ca11e01fbf57ebcbdb1b\">The followthethings.com project has since been funded mostly by the University of Exeter, initially by its&#8217; International Office to <a href=\"https:\/\/news.brown.edu\/articles\/2012\/05\/exeter\">support a Memorandum of Understanding<\/a> between Exeter and Brown universities which was signed in 2012, and since then by the University of Exeter&#8217;s <em>College of Life &amp; Enviromental Sciences<\/em> and <em>Faculty of Environment, Science &amp; Economy<\/em> as a means to offer students nicely-paid internships on academic research projects [these employed Daisy Livingstone, Aidan Waller and Jack Parkin in 2011; Eeva Kemppainen, Eleanor Bird and Jack Parkin in 2012; Tommy Sadler, Rachael Midlen &amp; Nancy Scotford in 2013; Charlotte Brunton, Will Kelleher and Jenny Hart in 2014; Annabel Ray, Sarah Ader and Izzie Jeffrey in 2019; Natalie Cleverly in 2021 &#8211; blog <a href=\"https:\/\/followtheblog.org\/2021\/07\/05\/guest-post-when-you-read-everything-on-the-followthethings-com-website\/\">here<\/a> &#8211; and Lucian Harford in 2025].<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-normal-font-size\">In 2017-18, former followthethings.com intern Eeva Kemppainen was working for the Finnish Fair Trade NGO Eettisen Kaupan Puolesta and gained funding from the Kone Foundation to collaborate with followthethings.com on a media literacy project using &#8216;follow the thing&#8217; culture jamming activism [see Eeva&#8217;s blog <a href=\"https:\/\/kuilutumpeen.fi\/\">here<\/a>, &amp; Tani 2018: employing Annily Skye-Jeffries, Caroline Weston Goodman, Kate Fox, Lily Petherick, Zahra Ali, Beth Massey and Jemma Sherman].<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-45d4e0e980d4d84a8808ee55650c9ced\">In 2024, funding was awarded by the Department of Geography at the University of Exeter to employ <a href=\"https:\/\/patriciamoffett.com\">Patricia Moffett<\/a> to work with Ian to update the design of followthethings.com. Additional design advice came from Edie Cook.<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p class=\"has-small-font-size\">Sirpa Tani (2018) <a href=\"file:\/\/\/Users\/iancooketal\/Downloads\/75121-Artikkelin%20teksti-102317-1-10-20180920-1.pdf\">Tarinoita papaijasta, etnografiasta ja tieteen rajojen koettelusta: haastattelussa Ian Cook ja Eeva Kemppainen.<\/a> <em>Terra<\/em> 130(1), p.39-42<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-1b3cd817c366076b66dc937773c5a48a is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What&#8217;s &#8216;under construction&#8217;?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-ab1bb700e6f4f0c361a818ee7a6689b7\">followthethings was first published in 2011, and this version was published in January 2025. The 2025 re-design made room for future expansion of followthethings.com&#8217;s archive of trade justice activism and its discussion. A number of pages are therefore &#8216;holding pages&#8217; &#8211; where an important example has been added without comments &#8211; and &#8216;taster&#8217; pages &#8211; where an important example has been added with a limited selection of comments. At the time of writing, there are many more pages which will be added as tasters when time allows, with the aim of fleshing them out fully as soon as time and funds enable this. These funds would also allow us to analyse connections between the intentions, tactics, responses and impacts of this work, to theorise change in this body of trade justice activism, and to make that theorisation freely available on this website. Wish us luck!<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-a72c559e80a708603f9b3dd4f5ecaa34 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What do the colours of the comment icons represent?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-not-stacked-on-mobile has-small-font-size is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:7.99%\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border wp-duotone-purple-yellow\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"872\" src=\"https:\/\/follow-the-things.onyx-sites.io\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png\" alt=\"\" class=\"wp-image-99\" style=\"border-radius:100px;object-fit:cover;width:43px;height:auto\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png 868w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-300x300.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-150x150.png 150w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-768x772.png 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:92.01%\">\n<p class=\"has-normal-font-size\">Each individual comment on a compilation page has a different coloured comment icon to its left. <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-not-stacked-on-mobile has-small-font-size is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:7.99%\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border wp-duotone-blue-orange\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"872\" src=\"https:\/\/follow-the-things.onyx-sites.io\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png\" alt=\"\" class=\"wp-image-99\" style=\"border-radius:100px;object-fit:cover;width:43px;height:auto\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png 868w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-300x300.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-150x150.png 150w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-768x772.png 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:92.01%\">\n<p class=\"has-normal-font-size\">There is no intended signifance to the colour choice, only that each comment is a different person speaking, and that this is a (manufactured) conversation designed to look like one that you would find under a YouTube video.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-not-stacked-on-mobile has-small-font-size is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:7.99%\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border wp-duotone-blue-red\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"872\" src=\"https:\/\/follow-the-things.onyx-sites.io\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png\" alt=\"\" class=\"wp-image-99\" style=\"border-radius:100px;object-fit:cover;width:43px;height:auto\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04.png 868w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-300x300.png 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-150x150.png 150w, https:\/\/followthethings.com\/wp-content\/uploads\/2024\/08\/Screenshot-2024-08-08-at-17.49.04-768x772.png 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:92.01%\">\n<p class=\"has-normal-font-size\">That&#8217;s because our aim is to engage our shoppers by <strong><a href=\"https:\/\/followthethings.com\/?tag=make-it-familiar\" data-type=\"post_tag\" data-id=\"291\">making our website familiar<\/a>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-c58d73ca3cc306ccef1fd7fad738346b is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Do the numbers of comments mean anything?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-d5c99940268decb944ea6cd4690969a8\">Yes and no. To make a compilation page, we search online for discussions and comments about each example until we reach a saturation point where we find nothing new. We then create the conversations that you can read by editing these quotations down and placing them carefully in an order that we think is interesting and thought-provoking. We state the number of comments on each compilation page because it&#8217;s what other websites with comments do (tactic: &#8216;<a href=\"https:\/\/followthethings.com\/?p=6701\">Make it familiar<\/a>&#8216;). But a compilation page with more comments is likely to contain a richer and more multidimensional conversation than one with fewer comments. It&#8217;s important to note that each compilation page was published some time between 2011 and the present day. Each page lists this date in its page reference and in the &#8216;This page was compiled by&#8230;&#8217; information after the last comment. When we update a page &#8211; like we did with the 2011 page on the 1989 Brazilian short film <em><a href=\"https:\/\/followthethings.com\/?p=6701\">Ilha Das Flores<\/a><\/em> in January 2025 &#8211; we sometimes find hundreds of new comments that bring an example&#8217;s relevance and impact into the present day. With time and research money, we hope to update every page.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-200899cc44c21f863aaca8812d0f802e is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>How does followthethings.com deal with copyright and intellectual property issues?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-a9e18a96b0bca421858c927b1228bf33\">This website was designed, and is continually checked, with advice from the University of Exeter&#8217;s legal team. The site\u2019s Terms of Use, Disclaimer and Takedown Policy are set out on its <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=993\" data-type=\"page\" data-id=\"993\">Legals pa<\/a>g<a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=993\" data-type=\"page\" data-id=\"993\">e<\/a> <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=993\" data-type=\"page\" data-id=\"993\">here<\/a>.<\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-ea7cb1134b0ae322774f40be2fab898b is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>What does the homepage timeline show?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n        \n            <!-- Timeline Meta Data -->\n                    \n            <!-- Start Parent Container -->\n            <div id=\"btimeline-13307\">\n                <div class=\"timeline bp_titleline\" data-timeline='{&quot;timeline_type&quot;:&quot;horizontal&quot;,&quot;content_position&quot;:&quot;end&quot;,&quot;date_location&quot;:&quot;top&quot;,&quot;item_datas&quot;:[{&quot;date_label&quot;:&quot;1760&quot;,&quot;item_details&quot;:&quot;&lt;p class=\\&quot;entry-title\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=15907\\&quot;&gt;&lt;strong&gt;Chrysal; Or, The Adventures Of A Guinea&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1843&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2609\\&quot;&gt;The Song Of The Shirt&lt;\\\/a&gt;&lt;\\\/strong&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1924&quot;,&quot;item_details&quot;:&quot;&lt;p class=\\&quot;entry-title\\&quot; style=\\&quot;text-align: left\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=7665\\&quot;&gt;&lt;strong&gt;Kopuchiska\\u2019s Mother Is Shopping For Meat&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1985&quot;,&quot;item_details&quot;:&quot;&lt;p class=\\&quot;entry-title\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=17465\\&quot;&gt;&lt;strong&gt;Sweetness &amp; Power: The Place Of Sugar In Modern History&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1989&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=6701\\&quot;&gt;&lt;strong&gt;Ilha Das Flores&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1992&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=1673\\&quot;&gt;&lt;strong&gt;Homeland&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1996&quot;,&quot;item_details&quot;:&quot;&lt;p class=\\&quot;entry-title\\&quot; style=\\&quot;text-align: left\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11087\\&quot;&gt;&lt;strong&gt;Cicih Sukaesih\\u2019s North America Nike Tour&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1997&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?tag=1997\\&quot;&gt;Mangetout&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11087\\&quot;&gt;Cicih Sukaesih\\u2019s North America Nike Tour&lt;\\\/a&gt;&lt;\\\/strong&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;1998&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11939\\&quot;&gt;&lt;strong&gt;McLibel&lt;\\\/strong&gt;&lt;\\\/a&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;2001&quot;,&quot;item_details&quot;:&quot;&lt;p style=\\&quot;text-align: left\\&quot;&gt;&lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2639\\&quot;&gt;T-Shirt Travels&lt;\\\/a&gt; 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| &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2643\\&quot;&gt;The Messenger Band&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2605\\&quot;&gt;Confessions Of An Eco-Sinner&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2601\\&quot;&gt;China Blue&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2579\\&quot;&gt;Mardi Gras: Made In China &lt;\\\/a&gt;| &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=14059\\&quot;&gt;Life Of A Bullet &lt;\\\/a&gt;&lt;\\\/strong&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;2006&quot;,&quot;item_details&quot;:&quot;&lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11873\\&quot;&gt;Broccoli &amp; Desire&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=10357\\&quot;&gt;Ghosts&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=10263\\&quot;&gt;Gold Farmers&lt;\\\/a&gt; 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Chocolate!&lt;\\\/a&gt;&lt;\\\/strong&gt;&lt;\\\/p&gt;\\r\\n&lt;p class=\\&quot;entry-title\\&quot;&gt;&lt;strong&gt;\\u00a0&lt;\\\/strong&gt;&lt;\\\/p&gt;&quot;},{&quot;date_label&quot;:&quot;2014&quot;,&quot;item_details&quot;:&quot;&lt;p class=\\&quot;entry-title\\&quot;&gt;&lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=7689\\&quot;&gt;The First Ever Pacemaker To Speak For Itself&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=7129\\&quot;&gt;Just Eat It: A Food Waste Story&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2651\\&quot;&gt;Beautiful Clothes, Ugly Reality&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2625\\&quot;&gt;62p An Hour&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2597\\&quot;&gt;Cries For Help Found In Primark Clothes (a.k.a. \\u2018Labelgate\\u2019)&lt;\\\/a&gt; | 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aria-label=\\&quot;\\u201cDow Vs Bhopal: A Toxic Rap Battle\\u201d (Edit)\\&quot;&gt;Dow Vs Bhopal: A Toxic Rap Battle&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=6665\\&quot; aria-label=\\&quot;\\u201cPlastic China\\u201d (Edit)\\&quot;&gt;Plastic China&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2659\\&quot;&gt;&lt;strong&gt;Machines&lt;\\\/strong&gt;&lt;\\\/a&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2587\\&quot; aria-label=\\&quot;\\u201cBehind The Leather\\u201d (Edit)\\&quot;&gt;Behind The Leather&lt;\\\/a&gt;&lt;\\\/strong&gt;&quot;},{&quot;date_label&quot;:&quot;2017&quot;,&quot;item_details&quot;:&quot;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=14483\\&quot;&gt;&lt;strong&gt;Step Away From The Weapon&lt;\\\/strong&gt;&lt;\\\/a&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=8173\\&quot; aria-label=\\&quot;\\u201cA Week In A Toxic Waste Dump\\u201d (Edit)\\&quot;&gt;A Week In A Toxic Waste Dump&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=7749\\&quot; aria-label=\\&quot;\\u201cHard To Follow Things: Natural Gas\\u201d (Edit)\\&quot;&gt;Hard To Follow Things: Natural Gas&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=1365\\&quot; aria-label=\\&quot;\\u201cHelp Me Please PMP Staff Are Evil\\u201d (Edit)\\&quot;&gt;Help Me Please PMP Staff Are Evil&lt;\\\/a&gt;&lt;\\\/strong&gt;&quot;},{&quot;date_label&quot;:&quot;2018&quot;,&quot;item_details&quot;:&quot;&lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/followthethings.com\\\/?p=29357\\&quot; aria-label=\\&quot;\\u201c\\u2018I Found This In A Box Of Halloween Decorations\\u2019 (+ Letter from Masanjia)\\u201d (Edit)\\&quot;&gt;Letter From Masanjia&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2629\\&quot; aria-label=\\&quot;\\u201cNo Pride In Primark\\u201d (Edit)\\&quot;&gt;No Pride In Primark&lt;\\\/a&gt;&lt;\\\/strong&gt; | &lt;strong&gt;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=2567\\&quot;&gt;Dream Crazy&lt;\\\/a&gt;&lt;\\\/strong&gt;&quot;},{&quot;date_label&quot;:&quot;2019&quot;,&quot;item_details&quot;:&quot;&lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=1341\\&quot; aria-label=\\&quot;\\u201cSorry We Missed You\\u201d (Edit)\\&quot;&gt;Sorry We Missed You&lt;\\\/a&gt;&lt;\\\/strong&gt;&quot;},{&quot;date_label&quot;:&quot;2020&quot;,&quot;item_details&quot;:&quot;&lt;strong&gt;&lt;a class=\\&quot;row-title\\&quot; href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=7677\\&quot; aria-label=\\&quot;\\u201cBright Smiles, Dirty Secrets\\u201d (Edit)\\&quot;&gt;Bright Smiles, Dirty Secrets&lt;\\\/a&gt;&lt;\\\/strong&gt;&quot;},{&quot;date_label&quot;:&quot;2023&quot;,&quot;item_details&quot;:&quot;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11233\\&quot;&gt;&lt;strong&gt;Fight The Heist&lt;\\\/strong&gt;&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/followthethings.com\\\/?p=24205\\&quot;&gt;&lt;strong&gt;Chocolate: Last Week Tonight with John Oliver (HBO)&lt;\\\/strong&gt;&lt;\\\/a&gt;&quot;},{&quot;date_label&quot;:&quot;2024&quot;,&quot;item_details&quot;:&quot;&lt;a href=\\&quot;https:\\\/\\\/follow-the-things.onyx-sites.io\\\/?p=11233\\&quot;&gt;&lt;strong&gt;Fight The Heist&lt;\\\/strong&gt;&lt;\\\/a&gt; | &lt;a href=\\&quot;https:\\\/\\\/followthethings.com\\\/?p=25413\\&quot;&gt;&lt;strong&gt;Barbie&#039;s Dirty Secrets&lt;\\\/strong&gt;&lt;\\\/a&gt;&quot;},{&quot;date_label&quot;:&quot;2025&quot;,&quot;item_details&quot;:&quot;&lt;a href=\\&quot;https:\\\/\\\/followthethings.com\\\/?p=27227\\&quot;&gt;&lt;strong&gt;Gillette Razor Blades&lt;\\\/strong&gt;&lt;\\\/a&gt;&quot;}],&quot;start_item&quot;:&quot;0&quot;,&quot;move_item&quot;:&quot;4&quot;,&quot;visible_items&quot;:&quot;3&quot;,&quot;vertica_trigger&quot;:&quot;15&quot;,&quot;rtl_mode&quot;:&quot;&quot;,&quot;bar_bg_color&quot;:&quot;#dd9933&quot;,&quot;bar_dot_color&quot;:&quot;#dd9933&quot;,&quot;item_bg&quot;:&quot;#ffffff&quot;,&quot;item_color&quot;:&quot;#dd9933&quot;,&quot;item_fontWeight&quot;:&quot;normal&quot;,&quot;item_fontStyle&quot;:&quot;normal&quot;,&quot;item_fontSize&quot;:&quot;10&quot;,&quot;item_border_size&quot;:&quot;6&quot;,&quot;item_border_color&quot;:&quot;#dd9933&quot;,&quot;label_fontSize&quot;:&quot;12&quot;,&quot;lebel_fontWeight&quot;:&quot;normal&quot;,&quot;label_fontStyle&quot;:&quot;normal&quot;,&quot;label_color&quot;:&quot;#dd9933&quot;}'>\n                    <div class=\"timeline__wrap\">\n                        <div class=\"timeline__items\">\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1760 <\/p>\n                                                <p><p class=\"entry-title\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15907\"><strong>Chrysal; Or, The Adventures Of A Guinea<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1843 <\/p>\n                                                <p><p style=\"text-align: left\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2609\">The Song Of The Shirt<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1924 <\/p>\n                                                <p><p class=\"entry-title\" style=\"text-align: left\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7665\"><strong>Kopuchiska\u2019s Mother Is Shopping For Meat<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1985 <\/p>\n                                                <p><p class=\"entry-title\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17465\"><strong>Sweetness &amp; Power: The Place Of Sugar In Modern History<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1989 <\/p>\n                                                <p><p style=\"text-align: left\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=6701\"><strong>Ilha Das Flores<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1992 <\/p>\n                                                <p><p style=\"text-align: left\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1673\"><strong>Homeland<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1996 <\/p>\n                                                <p><p class=\"entry-title\" style=\"text-align: left\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11087\"><strong>Cicih Sukaesih\u2019s North America Nike Tour<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1997 <\/p>\n                                                <p><p style=\"text-align: left\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=1997\">Mangetout<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11087\">Cicih Sukaesih\u2019s North America Nike Tour<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">1998 <\/p>\n                                                <p><p style=\"text-align: left\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11939\"><strong>McLibel<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2001 <\/p>\n                                                <p><p style=\"text-align: left\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2639\">T-Shirt Travels<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1701\">Employee Visualisation Appendage<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=16933\">Nike Email Exchange (NEE) <\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17181\">Mark Thomas Comedy Product S5 E4 \u2018Pester Power\u2019<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2002 <\/p>\n                                                <p><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=13439\"><strong>The Luckiest Nut In The World<\/strong><\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=16789\"><strong>Tangled Routes: Women, Work And Globalization On The Tomato Trail<\/strong><\/a> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2003 <\/p>\n                                                <p><p class=\"entry-title\"><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17557\"><strong>The Connectivitea Of Britain And Sri Lanka<\/strong><\/a><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2004 <\/p>\n                                                <p><p style=\"text-align: left\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?tag=2004\">MILKproject<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12167\">Chewing Gum\u00a0<\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=13319\">Darwin's Nightmare <\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15107\">Cyborg Information Leaflet: Thyroxine 50 Microgram Tablets<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2005 <\/p>\n                                                <p><p style=\"text-align: left\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=13071\">MILKproject<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11939\">McLibel<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7713\">Diamonds Are From Sierra Leone<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7701\">Tackle The Shackles<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2643\">The Messenger Band<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2605\">Confessions Of An Eco-Sinner<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2601\">China Blue<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2579\">Mardi Gras: Made In China <\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14059\">Life Of A Bullet <\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2006 <\/p>\n                                                <p><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11873\">Broccoli &amp; Desire<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=10357\">Ghosts<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=10263\">Gold Farmers<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7709\">Manufactured Landscapes<\/a> |<a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7685\"> Black Gold: Wake Up &amp; Smell The Coffee<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2613\">Made In Cambodia<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2563\">Socks<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2551\">Ballet shoes<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14109\">Door Key <\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=13971\">Teleshopping AK-47<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=16427\">A Global Positioning System<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=16159\">Maquilapolis (City Of Factories) <\/a>| <\/strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15105\"><strong>Hydrocortisone Relatedness<\/strong><\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17983\"><strong>iPod<\/strong><\/a> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2007 <\/p>\n                                                <p><p class=\"entry-title\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12607\">King Corn: Your Are What You Eat<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12065\">The Fruits Of Our Labour: An Avocado\u2019s Story<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7701\">Tackle The Shackles<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=18021\">Gravesend, 2007<\/a>\r\n<\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2008 <\/p>\n                                                <p><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12251\">Hugh's Chicken Run<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2655\">Primark - On The Rack<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2647\">Where am I Wearing?<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1589\">Fugitive Denim<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1359\">The Box<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14341\">Curse Of The Black Gold: 50 Years Of Oil In The Niger Delta<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14525\">Jamelia: Whose Hair Is It Anyway?<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=18129\">Red Dust<\/a>\r\n<\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2009 <\/p>\n                                                <p><p class=\"entry-title\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11771\">B\u2019eau Pal Water<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=10453\">Bananas!*<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7785\">Ahava Stolen Beauty<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15017\">Mirror<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15349\">The Pill (a.k.a. A Female Issue)<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15725\">\u00a320 Banknote<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14413\">Crude: The Real Price Of Oil<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=18595\">Blood, Sweat &amp; Takeaways<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=20415\">How Sushi Went Global <\/a>| <a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1075\" aria-label=\"\u201cPlastic Bag\u201d (Edit)\">Plastic Bag | <\/a><a href=\"https:\/\/followthethings.com\/?p=25899\">Jaffa, The Orange's Clockwork<\/a> | <a href=\"https:\/\/followthethings.com\/?p=26683\">Following the White Phosphorus Trail<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2010 <\/p>\n                                                <p><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=8127\">Wasteland<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7717\">China, Britain And The Nunzilla Conundrum<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7669\">Santa's Workshop<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=5927\">My Fancy High Heels<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2633\">Simpson\u2019s Couch Gag (series 22, episode 3)<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1355\">The Forgotten Space<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1347\">Trein Maersk: A Report To The NATOarts Board Of Directors<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=13865\">Made In Dagenham\u00a0<\/a>| <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=16071\">Inside Job<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15835\">Our New Commemorative \u00a32 coin<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17859\">A Gadget To Die For<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17889\">iPhone 4CF<\/a><\/strong><strong>\r\n<\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2011 <\/p>\n                                                <p><strong><a href=\"http:\/\/www.followthethings.com\">followthethings.com<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1309\">followthethings.com Shopping Bag<\/a> |<a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11553\"> Big Boys Gone Bananas!*<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7681\">Phone Story<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7673\">Louise Mensch On Occupy London-LSX (HIGNFY)<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2575\">Girl Model: The Truth Behind The Glamour<\/a> | <\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2012 <\/p>\n                                                <p><p class=\"entry-title\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12519\">Fazer \u2018Blue\u2019 Chocolate Cocoa School Campaign<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7693\">Banksy's Slave Labour<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1303\">The Letter In The Saks 5th Avenue Bag<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7755\">The Oil Road: Journeys From The Caspian Sea To The City Of London<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7779\">Where Heaven Meets Hell<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=15527\">Kidney Trade<\/a><\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2013 <\/p>\n                                                <p><p class=\"entry-title\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7661\">Radi-Aid: Africa For Norway<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=3855\">Planet Money Makes A T-Shirt<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2621\">The Accord On Fire &amp; Building Safety In Bangladesh<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1605\">Handprint<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=117\">Pipe Trouble <\/a>| <a href=\"https:\/\/followthethings.com\/?p=14697\">'I Found This In A Box Of Halloween Decorations'<\/a> | <a href=\"https:\/\/followthethings.com\/?p=31809\">No one can live with Swiss Chocolate!<\/a><\/strong><\/p>\r\n<p class=\"entry-title\"><strong>\u00a0<\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2014 <\/p>\n                                                <p><p class=\"entry-title\"><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7689\">The First Ever Pacemaker To Speak For Itself<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7129\">Just Eat It: A Food Waste Story<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2651\">Beautiful Clothes, Ugly Reality<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2625\">62p An Hour<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2597\">Cries For Help Found In Primark Clothes (a.k.a. \u2018Labelgate\u2019)<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2559\">University Lifestyle: Fabulously British<\/a> | <a href=\"https:\/\/followthethings.com\/?p=28317\">Xmas Unwrapped<\/a>\u00a0<\/strong><\/p> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2015 <\/p>\n                                                <p><strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=6917\">Find Your Doppelganger<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2617\">The 2 Euro T-shirt - A Social Experiment<\/a> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1593\">UDITA (Arise)<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2016 <\/p>\n                                                <p><strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=9693\" aria-label=\"\u201cDow Vs Bhopal: A Toxic Rap Battle\u201d (Edit)\">Dow Vs Bhopal: A Toxic Rap Battle<\/a><\/strong> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=6665\" aria-label=\"\u201cPlastic China\u201d (Edit)\">Plastic China<\/a><\/strong> | <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2659\"><strong>Machines<\/strong><\/a> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2587\" aria-label=\"\u201cBehind The Leather\u201d (Edit)\">Behind The Leather<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2017 <\/p>\n                                                <p><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=14483\"><strong>Step Away From The Weapon<\/strong><\/a> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=8173\" aria-label=\"\u201cA Week In A Toxic Waste Dump\u201d (Edit)\">A Week In A Toxic Waste Dump<\/a><\/strong> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7749\" aria-label=\"\u201cHard To Follow Things: Natural Gas\u201d (Edit)\">Hard To Follow Things: Natural Gas<\/a><\/strong> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1365\" aria-label=\"\u201cHelp Me Please PMP Staff Are Evil\u201d (Edit)\">Help Me Please PMP Staff Are Evil<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2018 <\/p>\n                                                <p><strong><a class=\"row-title\" href=\"https:\/\/followthethings.com\/?p=29357\" aria-label=\"\u201c\u2018I Found This In A Box Of Halloween Decorations\u2019 (+ Letter from Masanjia)\u201d (Edit)\">Letter From Masanjia<\/a><\/strong> | <strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2629\" aria-label=\"\u201cNo Pride In Primark\u201d (Edit)\">No Pride In Primark<\/a><\/strong> | <strong><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2567\">Dream Crazy<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2019 <\/p>\n                                                <p><strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=1341\" aria-label=\"\u201cSorry We Missed You\u201d (Edit)\">Sorry We Missed You<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2020 <\/p>\n                                                <p><strong><a class=\"row-title\" href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=7677\" aria-label=\"\u201cBright Smiles, Dirty Secrets\u201d (Edit)\">Bright Smiles, Dirty Secrets<\/a><\/strong> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2023 <\/p>\n                                                <p><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11233\"><strong>Fight The Heist<\/strong><\/a> | <a href=\"https:\/\/followthethings.com\/?p=24205\"><strong>Chocolate: Last Week Tonight with John Oliver (HBO)<\/strong><\/a> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2024 <\/p>\n                                                <p><a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=11233\"><strong>Fight The Heist<\/strong><\/a> | <a href=\"https:\/\/followthethings.com\/?p=25413\"><strong>Barbie's Dirty Secrets<\/strong><\/a> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                    \n                                <div class=\"timeline__item  fadeIn\">\n                                    <div class=\"timeline__item__inner\">\n                                        <div class=\"timeline__content__wrap\">\n                                            <div class=\"timeline__content\">\n                                                <p class=\"title\">2025 <\/p>\n                                                <p><a href=\"https:\/\/followthethings.com\/?p=27227\"><strong>Gillette Razor Blades<\/strong><\/a> <\/p>\n                                            <\/div>\n                                        <\/div>\n                                    <\/div>\n                                <\/div>\n        \n                                                    <\/div>\n                    <\/div>\n                <\/div>\n            <\/div> <!-- End Parent Container -->\n            <style>\n                #btimeline-13307                .timeline__content {\n                    background:\n                        #ffffff                    ;\n                    border:\n                        6                        px solid\n                        #dd9933                    ;\n        \n                }\n        \n                #btimeline-13307                .timeline__content .title{\n                    font-size: 10px;\n                    color: #dd9933;\n                    font-style: normal;\n                    font-weight: normal                }\n        \n                #btimeline-13307                .timeline__content p {\n                    font-size: 12 px;\n                    color: #dd9933;\n                    font-style: normal;\n                    font-weight: normal                }\n        \n                \/* Timeline Dot *\/\n                #btimeline-13307                .timeline__item::after {\n                    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        border-top: 12px solid\n                        #ffffff                    ;\n                }\n        \n                #btimeline-13307                .timeline__item.timeline__item--bottom .timeline__content::after {\n                    border-bottom: 12px solid\n                        #ffffff                    ;\n                    border-top: none;\n                }\n        \n                \/* Mobaile view *\/\n                #btimeline-13307                .timeline--mobile .timeline__wrap .timeline__items {\n                    height: auto !important;\n                }\n    \n                #btimeline-13307                .timeline--mobile .timeline__item .timeline__content::before {\n                    border-left: none;\n                    border-right: 12px solid\n                        #dd9933                    ;\n                }\n        \n                #btimeline-13307                .timeline--mobile .timeline__item .timeline__content::after {\n                    border-left: none;\n                    border-right: 12px solid\n                        #ffffff                    ;\n                }\n        \n                #btimeline-13307                .timeline-nav-button {\n                    background-color: #fff;\n                    border: 2px solid\n                        #dd9933                    ;\n                }\n            <\/style>\n        \n            \n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-43f9fe88f7e6fb3e7db1e42c235eb182\">This timeline presents the examples featured on followthethings.com in the date order in which they were created. It&#8217;s the only place where all of the examples featured on our website are visible. Most of the examples featured were recently-viral examples that were given to CEO Ian&#8217;s &#8216;Geographies of material culture&#8217; students to research. Groups of students were given a DVD or a link to an original example and a number of hits for that example that Ian had found on online searches, social media apps, newspaper archives and other relevant online comment sources. The reason for the absence of some examples is that they didn&#8217;t go viral enough at the time that the module was being taught, or that they were outdated in a way that Ian thought students would find less relevant to their everyday lives. Many more examples were research by Ian&#8217;s students than appear on this site. We have another 50 or more to add that need some extra research and editing, and it&#8217;s been difficult to find time to do this work for a project that has so far received no major research grant funding. What the timeline also shows, to an extent, is that Ian&#8217;s teaching of the &#8216;Geographies of Material Culture&#8217; module (more or less every year from 2000 to 2025) coincided with a mushrooming of trade justice activism starting in the late 1990s (see the Trade Justice Movement&#8217;s <em>Timeline Of Trade and Trade Justice<\/em> <a href=\"https:\/\/www.tjm.org.uk\/documents\/reports\/TJM_20th-ANNIVERSARY_REPORT_Nov_2023.pdf\">here<\/a>). The last time that compilation pages were set as unassessed coursework for &#8216;Geographies of Material Culture&#8217; was in 2019. The module&#8217;s redesign for online provision during lockdown moved the followthethings.com project into a new analysis stage, where Ian and his students started to code the compilation page comments in order to find patterns of connection between the <em>intentions, tactics, responses and impacts <\/em>of the trade justice activism featured on the site<em>. <\/em>The <em>intentions and tactics<\/em> identified so far appear in the new followthethings.com design as buttons (see above). This move from a website-building (2000-2019) to an analysis (2020-2025) stage of the followthethings.com project can explain the relative lack of recent examples on our site. We are trying to expand our site&#8217;s archive to include examples that came to public attention before 2000 and after 2019 with taster pages. Currently followthethings.com includes examples that date from the birth of capitalism and consumer culture (see our taster page on the 1760 novel &#8216;<a href=\"https:\/\/followthethings.com\/?p=15907\">Chrysal; Or, The Adventures Of A Guinea<\/a>&#8216;) to the passing of the EU&#8217;s Corporate Sustainability Due Diligence Directive in 2024 (see the example detective work on our &#8216;<a href=\"https:\/\/followthethings.com\/?p=27227\" data-type=\"post\" data-id=\"27227\">follow it yourself<\/a>&#8216; advice page on Gillette Razor Blades). <\/p>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-bff1f10b70050a27f7690f996b9be37e is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Why does the site have a &#8216;back to school&#8217; page?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-9d157fb81dd873fc46dcb86138dba756\">Many of the ideas in the background of this site come from many years of work with school Geography teachers, teacher trainers, the Geographical Association (a professional association for teachers of Geography in the UK), and the Royal Geographic Society (with the Institute of British Geography: the professional association of Geography academics in the UK). <\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-ccb30adbb9e551915cc6ae9641bb64ca\">The GA and RGS(IBG) were awarded funding for a joint initiative called the &#8216;Action Plan for Geography&#8217; (2006-2011) whose &#8216;Young People&#8217;s Geographies&#8217; project involved CEO Ian as a participating academic [see the project website archive on the Wayback Machine <a href=\"https:\/\/web.archive.org\/web\/20110301002849\/https:\/\/youngpeoplesgeographies.co.uk\/\">here<\/a>]. This involvement drew, among other things, on his joint publications in teacher-facing journals with &#8216;Geographies of Material Culture&#8217; students who researched and wrote about the human stories in their <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2563\" data-type=\"post\" data-id=\"2563\">socks<\/a>, <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=17983\" data-type=\"post\" data-id=\"17983\">iPods<\/a>, <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=12167\" data-type=\"post\" data-id=\"12167\">chewing gum<\/a>, <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?p=2551\" data-type=\"post\" data-id=\"2551\">ballet shoes<\/a> and other things (see Angus et al 2001, Cook et al 2006, 2007). Ian subsequently continued to work with YPG participants and organisers including Dan Raven-Ellison (through the Mission Explore website [Wayback Machine archive <a href=\"https:\/\/web.archive.org\/web\/20130125085343\/http:\/\/www.missionexplore.net\/\">here<\/a>]), Mary Biddulph (through the PGCE in Geography at the University of Nottingham, some of whose students and graduates took part part in a <a href=\"https:\/\/followtheblog.org\/?s=followtheteachers\">#followtheteachers<\/a><a href=\"http:\/\/iwanttodiscussthat.wordpress.com\/2013\/07\/19\/followtheteachersoprah\/\">project<\/a>) and Alan Parkinson (Geography education consultant, blogger and school teacher with whom Ian has written and published specialist &#8216;follow the things&#8217; teaching and learning resources [see Alan&#8217;s &#8216;follow the things&#8217; blog posts <a href=\"http:\/\/livinggeography.blogspot.com\/search\/label\/Follow%20the%20Things\">here<\/a>]). These projects, pages and resources have emerged from conversations, interest and ideas with the school geography education community within and beyond the UK. A number of comments from school teachers are featured on our &#8216;peer review&#8217; pages, including one American teacher who describes our site as &#8216;Like IMDB for everything&#8217;. The classroom aspect of our project has been funded by the Department of Geography and the University of Exeter. <\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-1432cd602ca34e25a43d1caa28720f26\">We hope to continue developing resources for, and stories from, school classrooms in the future. Please get in touch via i.j.cook@exeter.ac.uk if you have ideas or experience you would like to share.<\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p>Tim Angus, James Evans, Ian Cook et al (2001) <a href=\"https:\/\/ore.exeter.ac.uk\/repository\/bitstream\/handle\/10036\/21512\/irgee0100195.pdf?sequence=1\">A manifesto for cyborg pedagogy?<\/a> <em>International research in geographical &amp; environmental education<\/em> 10(2), p.195-201<\/p>\n\n\n\n<p>Ian Cook, James Evans, Helen Griffiths, Lucy Mayblin, Rebecca Payne, &amp; David Roberts (2007) \u2018Made in\u2026 ?\u2019 appreciating the everyday geographies of connected lives? <em>Teaching Geography <\/em>(Summer), p.80-83<\/p>\n\n\n\n<p>Ian Cook, Alice Williams &amp; Maya Motamedi (2006) Stuff geography. <em>Primary<\/em> <em>Geographer <\/em>(Autumn), p.38-39<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-d17ccd676abc01106c1777e5ce724c17 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Didn&#8217;t the original site include LEGO re-creations?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"363\" src=\"https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k-1024x363.jpg\" alt=\"\" class=\"wp-image-31417\" srcset=\"https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k-1024x363.jpg 1024w, https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k-300x106.jpg 300w, https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k-768x272.jpg 768w, https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k-1536x545.jpg 1536w, https:\/\/followthethings.com\/wp-content\/uploads\/2026\/02\/9202473754_1e29ffacbe_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-e7789e31ecce6d1c420c9544a449baea\">Yes. In the summer of 2012, our interns and summer school students set up and worked in a &#8216;followthethings.com LegoLab&#8217;. We began by making a Lego Maersk container ship (above), and re-creating scenes from the 2007 MSC Napoli ship wreck. After this, we started to re-create in Lego scenes from the compilation pages that we had worked on, and began sharing them on our social media channels, posting them in a <a href=\"http:\/\/www.flickr.com\/photos\/followthethings\/sets\/72157630666722220\/with\/7751568450\/\">&#8216;Made in Lego&#8230;&#8217;<\/a> flickr album <a href=\"https:\/\/www.flickr.com\/photos\/followthethings\/albums\/72157630666722220\/\">here<\/a>, and posting them as headers to some of the example pages on our website at a time when we were much less sure about the use of other people&#8217;s images and videos (the scene above recreates part of international BBC journalism projects called &#8216;The Box&#8217; which is featured on our site <a href=\"https:\/\/followthethings.com\/?p=1359\" data-type=\"post\" data-id=\"1359\">here<\/a>). <\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-a976aae9280ba166b242daddcc15038d\">We found that imagining and then making scenes from the examples of trade justice activism that we were researching had a powerful effect on us because it allowed us to imagine ourselves in these scenes. It also allowed us to produce intriguing and sometimes beautifully awful photos that could encourage new shoppers to visit our site. Geographer of play Tara Woodyer spent a day with us, quizzed us, and wrote about our Lego work on <a href=\"http:\/\/materialsensibilities.wordpress.com\/2012\/09\/05\/lego-just-imagine-i\/\">her <em>Material Sensibities<\/em> blog<\/a>. Then, after some fascinating discussions on some of these scenes on old-school twitter, Ian put together a talk that examined the development of this genre including, for example,<a href=\"https:\/\/www.flickr.com\/photos\/legofesto\/\">legofesto&#8217;s 2009 re-creation of scenes from the &#8216;war on terror&#8217;<\/a> and the animation company Spite your Face&#8217;s 2001 Lego re-creation of a scene from the film &#8216;Monty Python &amp; the Holy Grail&#8217; (discussed on <a href=\"http:\/\/iwanttodiscussthat.wordpress.com\/2012\/10\/11\/lego-re-creations\/\">our blog<\/a> <a href=\"https:\/\/followtheblog.org\/2012\/10\/11\/lego-re-creations\/\">here<\/a>). If you check our site&#8217;s &#8216;<a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=395\" data-type=\"page\" data-id=\"395\">peer review<\/a><a href=\"http:\/\/www.followthethings.com\/peerreview.shtml\">&#8216;<\/a> page, it contains some surprising responses to our LEGO re-creations from filmmakers and journalists whose work was featured on our site. Ian subsequently wrote an academic paper about the role of &#8216;Political LEGO&#8217; in our research which was published in the <em>Transactions of the Institute of British Geographers<\/em> in 2018 (Cook et al 2018). His 2017 inaugural lecture at the University of Exeter provided a wider persective on this work&#8217;s &#8216;Minifigurative Politics&#8217; (Cook et al 2017)<em>.<\/em> We felt we were on to something as soon as we started making these scenes, but it took us ages to understand what that something was and what signifricance it had!<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-038dd0d0e14082146507e21355840e7a\">The 2025 redesign of followthethings.com included a greater confidence in using others&#8217; original images and videos on our examples pages, and the LEGO scenes were replaced. Now, some of these LEGO re-creations appear as comments on these examples&#8230;<\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-small-font-size is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sources<\/strong><\/summary>\n<p>Ian Cook et al (2017) <em>Minifigurative politics.<\/em> Inaugural lecture, University of Exeter (dowbnload here). <\/p>\n\n\n\n<p>Ian Cook et al (2018) <a href=\"https:\/\/hdl.handle.net\/10871\/31559\" target=\"_blank\" rel=\"noreferrer noopener\">Inviting construction: Primark, Rana Plaza and Political LEGO<\/a>. <em>Transactions of the Institute of British Geographers<\/em> 43(3), p.477-495 (download <a href=\"https:\/\/www.google.com\/url?sa=t&amp;source=web&amp;rct=j&amp;opi=89978449&amp;url=https:\/\/ore.exeter.ac.uk\/rest\/bitstreams\/130093\/retrieve&amp;ved=2ahUKEwjp3auOwdSKAxXLWkEAHdCGAQQQFnoECBUQAQ&amp;usg=AOvVaw1cLXvtc0cnk8NDqjQNLTWL\">here<\/a>)<\/p>\n<\/details>\n<\/details>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details has-border-color has-primary-border-color has-primary-color has-text-color has-link-color has-large-font-size wp-elements-2bb8beffabed145a7d2a6c4de8134609 is-layout-flow wp-container-core-details-is-layout-8a368f38 wp-block-details-is-layout-flow\" style=\"border-width:1px\"><summary>Unanswered questions?<\/summary>\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-primary-color has-text-color has-link-color has-normal-font-size wp-elements-397930c380283d234e6ed25387682077\">If there is a question that you would like to ask us, please go to our <a href=\"https:\/\/follow-the-things.onyx-sites.io\/?page_id=985\">contact page<\/a>. We will answer as soon as we can.<\/p>\n<\/details>\n\n\n\n<p><\/p>\n<div class=\"pvc_clear\"><\/div><p id=\"pvc_stats_391\" class=\"pvc_stats all  \" data-element-id=\"391\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/followthethings.com\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p><div class=\"pvc_clear\"><\/div>","protected":false},"excerpt":{"rendered":"<p>followthethings.com is a database of trade justice activism that aims to make &#8216;real&#8217; the hidden relations between the producers &amp; consumers of everyday things. It brings together everything written online (almost) about the making, discussion and impacts of over 100 examples of this work. And it showcases innovative student work inspired by these examples. 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